Jean Bojko is the founder of TeATRePROUVeTe, a project created in response to a desire for a socially inclusive cultural event to be held in the Shire of Nievre in regional France in 2000. Bojko came up with the idea of marrying the 32 smallest villages of the shire with thirty-two artists. The aim was to get the villagers to see their own potential and to build a network with others. The event involved mock burials which took place in the local cemeteries as well as numerous events focused on environmental viability and sustainability as a way to symbolically reinforce the transition of these individuals from craftsmen to members of common life.
For a decade the art practice of Gavin Malone has been concerned with ecological rehabilitation and cultural interpretation. A former grazing property and thus a degraded ecosystem, the 185 ha property belonging to fellow artist Greg Johns overlooking the plains of the River Murray, has been transformed into what Malone suggests is not just a sculpture park with a Landcare project but actually reconceptualises art as ecology.
Byron Bay-based fibre artist Melissa Hirsch is the first artist to achieve climate neutrality through her involvement with Climate Friendly, a goverment-accredited Australian company which allows businesses and individuals to calculate the climate impact of their energy use. As a result she plans to promote her climate neutral art to corporate clients seeking a more eco-friendly image. Environmental sustainability was the impetus in Hirschs choice of career and has been the guiding force in the trajectory of her development as an artist; to produce art in nature, with nature, about nature.
Free soil http://www.free-soil.org is an international collaboration of artists, activist, researchers and gardeners who take a participatory role in the transformation of our environment. Founded in 2005 by Amy Franceschini (USA) Stijn Schiffeleers (Belgium), Nis Romer (Denmark) and Joni Taylor (Australia), it aims to foster discourse, develop projects and give support for art practices that reflect and often change the urban and natural landscape by working on issues such as sustainability, environmental art and greening cities.
After 25 years of living in Victoria, Gregory Pryors rediscovery of and new found appreciation for the Australian landscape came about due to his relocating to Perth. Subsequent to this profound experience whereby he felt he was viewing the Australian landscape for both the first and last time, Pryor set out to create a body of work which entailed around 200 detailed drawings made from the Western Australian Museums archives. Through detailed examinations of individual flowers and specimens, Pryor was able to metaphorically travel across a huge amount of Australia and locate specific relationships between these flowers and the lands ancient human inhabitants.
Ken Yonetani is an artist born and raised in Japan, and now practising in Sydney. Much of his recent work explores the intersections between consumption, desire, and human impact on our environs. He talks here with Julia Yonetani, who, apart from being Kens partner, is a lecturer, translator and writer on art, history, and things Japanese. This interview was conducted in Japanese and translated into English by Julia.
Lloyd Goldman's twin careers of serious and successful organic gardener and practising artist of great creative energy converge in new and constantly surprising ways to make art about the ecological concerns that underly his gardening. Over almost three decades his art has widened out from relatively traditional landscape photography to include elements of performance, audience participation art and multimedia installation to explore the tensions between electronic consumer society and the ecosystem.
Chris Mulhearn is an Adelaide-based artist who breathes the world around him. Where some artists make work in the bush, others like Mulhearn bring elements of those places into the heart of the world of constructed reality, the art gallery, and successfully. His work is recycling to die for.