Chasing culture: Cross-cultural work with Indigenous communities
When creating intercultural work the “given” of one particular culture intrudes, sometimes being the “new” in the context of the other.
More from this Issue
From Fregon to Srinigar and Back
Kaltjiti Arts is a community owned arts centre in Fregon. A cross-cultural project between two groups of community artists based in South Australia's remote and traditional Anangu Pitjantjatjara Yankunytjatjara Lands and in Srinigar, the turbulent capital of Kashmir is based on the combining of these two isolated and very different cultures via their arts and traditions.
Bush Techies and Secret Data Business
Caroline Farmers position at 24HR Art, the Northern Territorys Centre for Contemporary Art required an involvement with projects specifically aimed to help indigenous artists acquire new media skills. What she found in the Territory however required her to think in an entirely new way. Farmer discusses some of her experiences with her new found traditionally and technologically aligned environment.
Proof: The Act Of Seeing With One's Own Eyes
Curator: Mike Stubbs Australian Centre for the Moving Image, Melbourne 9 December 2004 - 13 February 2005
The Larrakia Legacy of Billiamook
Larrakia people bore the brunt of colonial expansion in the Northern Territory when Darwin was settled by beraguds (white people) in 1869. Gary Lee writes of Billiamook, one of the first Larrakia to interact with the settlers and the first Aboriginal artist to have his work exhibited and recognised as art.
Looking Elsewhere: Asia at the Top End
The top end has a distinctly Asian flavour not only because of its cultural heritage prior to 1880s but also because of the significant East Timorese connection. This article looks at the Northern Territorys strong and visionary commitment to cultural exchange with Indonesia and the increasing Asian character of Darwin's rapidly changing population.
Not Far From Here
Davenport Regional Gallery 28 January - 6 Marcg 2005 Bett Gallery, Hobart 9 March - 23 March 2005
The 14th Annual Linden Postcard Show
Linden St Kilda Centre for Contempory Arts 5 February - 19 March 2005
Looking Forward Looking Back: in the East Kimberly
Marrying visual art, dance and inspirational rhetoric has been one of the hallmarks of the Jirrawun Artists Co-operation operating out of Kununarra. These traditional people have been at the forefront of contemporary political debates and Indigenous art practice. Cath Bowdler follows the story of Jirrawun Artists Co-operation from its inception in 1998 to the present day. A non-government funded body, Pro bono partnerships with the corporate and private sector.
Under the Skin
The Aboriginal community of Balgo, situated on the cusp of the Tanami and Great Sandy Desert is a melting pot for contemporary Aboriginal art and culture. This article examines a group of white women artists and their various bodies of work which grew from their time spent at Balgo.
Art at the Frontier: Franck Gohier
Frank Gohier has distinguished himself as a resident Darwin artist whose work as a painter, sculptor, printmaker and teacher reflects a different perspective of the far northern - one based on lived experience. Addresses the impact of the indigenous community on his Anglo perspective art.
Women's Business by Remote
In the past two decades the face of Australian art practice has been changed immeasurably by a renewed focus on the culture of Indigenous people and the efflorence of Aboriginal art. This article looks at the work of three non-Indigenous artists who worked in places regarded as remote and developed art practices through engagement with Aboriginal people.