Published April 2021
Jill Scott writes about her experiences in Europe particularly Germany. Short biographical details of the artist are also included.
Explores the issues of residencies overseas for Australian artists: Jeffrey Smart, Justin O'Brien, Norma Redpath, Clement Meadmore and Colin Lanceley.
Published December 1998
Since 1986 Annette Bezor has been working in both the Cite Internationale des Arts and private studios in Paris. The Adelaide Paris connection, seemingly so contemporary is very much a part of South Australian visual art history. Conducted as an interview with the artist.
A celebration of fifty years of Ernabella Arts Tandanya National Aboriginal Cultural Institute, Adelaide
August - September 1998
Describes Asialink's exhibition program which commenced in 1991 at the same time as the residency program with funding from the VACB and the Department of Foreign Affairs and Trade.
Explores the international art market for serious contemporary art, looking at the Australian Visual Art Export Strategy.
Looks at the issues facing the export of the Australian visual art product overseas.
Exploration of the 11th Biennale of Sydney curated by Jonathon Watkins.
Tracey Moffatt has since the end of 1997 had two solo exhibtions overseas -- 'Freefalling' at the Dia Center for the Arts in New York and 'Tracey Moffatt' at the Kunsthalle Vienna touring 16 galleries in Europe. She was included in the 10th Biennale of Sydney in 1996, followed in 1997 by the Venice Biennale, the Basel Art Fair and the Sao Paulo Bienal in Brazil. Adrian Martin looks at her show at the Arnolfini Gallery in Bristol.
Craftwest Gallery, Perth and Moores Building, Fremantle
4 - 26 July 1998
Centre for Contemporary Craft, Customs House, Sydney
12 September - 11 October 1998
Sit Up!: 100 Masterpieces from the Vitra Design Museum Collection
Nature as Object: Craft and Design from Japan, Finland and Australia
Art Gallery of Western Australia
2 July - 6 September 1998
Explores the artistic tension in the work of Aldo Iacobelli --- between Australia where the lack of tradition may be seen to allow greater movement of ideas and Europe where the cultural territory is much more established.
Looks at the international career and art practice of Narelle Jubelin.