Published 25 August 2021
Jill Scott writes about her experiences in Europe particularly Germany. Short biographical details of the artist are also included.
How does Australia export its visual culture overseas? What have been the positive achievements and the low points of this process? Looks at the role of the Australia Council and the Visual Arts/Crafts Board.
Published December 1998
'Ask the dust' the exhibition of Anne Pincus at Access Gallery in Sydney explores the contrast between the light and sand and dust of Australia and Israel and the darkness of Europe.
John Kelly was the recipient of a Samstag Scholarship in 1996 to study at the Slade for a year. The article looks at Kelly's current work and the tensions between working in London and Australia.
24 Hr Art, Darwin
The strength of the Australian jewellery practice may be attributed to the jewellery departments in Australian universities and art schools as well as to the influence and impact of leading jewellery artists who have arrived from other countries to live, teach or practice in Australia. Looks at the work of Dorothy Erikson.
Explores the artistic tension in the work of Aldo Iacobelli --- between Australia where the lack of tradition may be seen to allow greater movement of ideas and Europe where the cultural territory is much more established.
Explores the international art market for serious contemporary art, looking at the Australian Visual Art Export Strategy.
Telling Tales an exhibition curated by Jill Bennett and Jackie Dunn about trauma, subjectivity and memory began an international tour in March 1999 as part of the SOCOG Cultural Olympiad 'Reaching the World' . Opened at the Ivan Dougherty Gallery at the College of Fine Arts Sydney in conjunction with a major conference 'Trauma and Memory--Cross Cultural Perspectives'.
edited Robert Violette
published Editions Violette/distributed by Thames and Hudson
$89.00 238 pp colour and b&w illustrations
The author with Djon Mundine explore the paradox which is faced by Aboriginal dealers and curators who take Aboriginal art to the world. Issues of viability to ethnocentricity and notions of the primitive as well as the role of art in educating audiences and promoting the culture of indigenous Australians are discussed.
Profiles the exhibition 'Enjoin' which opened in November 1998 at the Museo ng Sining (CSIS Museum) in Manila as part of the centenary celebrations of the Philippines' independence from colonial rule.
A celebration of fifty years of Ernabella Arts Tandanya National Aboriginal Cultural Institute, Adelaide
August - September 1998