Published 01 December 2019
Published 01 March 2020
Published 01 January 2020
Looks at the issues facing the export of the Australian visual art product overseas.
edited Robert Violette
published Editions Violette/distributed by Thames and Hudson
$89.00 238 pp colour and b&w illustrations
Published December 1998
Explores the international art market for serious contemporary art, looking at the Australian Visual Art Export Strategy.
Telling Tales an exhibition curated by Jill Bennett and Jackie Dunn about trauma, subjectivity and memory began an international tour in March 1999 as part of the SOCOG Cultural Olympiad 'Reaching the World' . Opened at the Ivan Dougherty Gallery at the College of Fine Arts Sydney in conjunction with a major conference 'Trauma and Memory--Cross Cultural Perspectives'.
Claire Doherty is a curator at the Ikon Gallery in Birmingham, England's second city. The 'Art into Action' program supports artists working in process based or research based ways over extended periods of time in direct communication with groups and individuals in Birmingham. The exploration of 'home' suggested itself as a universal metaphor as the 'sacred place' from which all else could be mapped.
On four Australian artists working in Paris: Marion Borgelt, Tim Maguire, Helen Kennedy and Heidi Woods
John Kelly was the recipient of a Samstag Scholarship in 1996 to study at the Slade for a year. The article looks at Kelly's current work and the tensions between working in London and Australia.
Artists Louise Paramor, Yenda Carson, Damon Moon, Jayne Dyer, Matthew Calvert, David Jensz and Helga Groves write about their experiences in residencies throughout Asia: India, South Korea, Indonesia, Beijing, Malaysia, Thailand and Vietnam respectively.
Recent Works by Adam Bunny, Jane Burton, Penelope Davis, Gavin Hipkins, Brian Jefferies, David Martin, Jeffrey Sturges & Andrew Wilson
Curated by Simon Cuthbert
Plimsoll Gallery, Centre for the Arts, Hobart, September 11 - October 4
Since 1986 Annette Bezor has been working in both the Cite Internationale des Arts and private studios in Paris. The Adelaide Paris connection, seemingly so contemporary is very much a part of South Australian visual art history. Conducted as an interview with the artist.
Steven Holland was awarded a Samstag scholarship in 1997 which allowed him to enrol in Natural History Illustration and Sculpture at the Royal College of Art in London and to travel to Europe.
How does Australia export its visual culture overseas? What have been the positive achievements and the low points of this process? Looks at the role of the Australia Council and the Visual Arts/Crafts Board.
Exploration of the 11th Biennale of Sydney curated by Jonathon Watkins.