Published 01 December 2018
Looks at the issues facing the export of the Australian visual art product overseas.
Explores the issues of residencies overseas for Australian artists: Jeffrey Smart, Justin O'Brien, Norma Redpath, Clement Meadmore and Colin Lanceley.
Published December 1998
Steven Holland was awarded a Samstag scholarship in 1997 which allowed him to enrol in Natural History Illustration and Sculpture at the Royal College of Art in London and to travel to Europe.
The strength of the Australian jewellery practice may be attributed to the jewellery departments in Australian universities and art schools as well as to the influence and impact of leading jewellery artists who have arrived from other countries to live, teach or practice in Australia. Looks at the work of Dorothy Erikson.
Although the US is often cited as the holy grail for export, with its huge art-aware public and wealthy collectors, and although it is true to say that many Australian art dealers have links with US dealers and sales are made on a fairly regular basis, Japan, Germany and Spain are the countries to which Australian commercial galleries have exported Australian art since the early nineties.
Explores the artistic tension in the work of Aldo Iacobelli --- between Australia where the lack of tradition may be seen to allow greater movement of ideas and Europe where the cultural territory is much more established.
Looks at the international career and art practice of Narelle Jubelin.
Telling Tales an exhibition curated by Jill Bennett and Jackie Dunn about trauma, subjectivity and memory began an international tour in March 1999 as part of the SOCOG Cultural Olympiad 'Reaching the World' . Opened at the Ivan Dougherty Gallery at the College of Fine Arts Sydney in conjunction with a major conference 'Trauma and Memory--Cross Cultural Perspectives'.
edited Robert Violette
published Editions Violette/distributed by Thames and Hudson
$89.00 238 pp colour and b&w illustrations
24 Hr Art, Darwin
How does Australia export its visual culture overseas? What have been the positive achievements and the low points of this process? Looks at the role of the Australia Council and the Visual Arts/Crafts Board.
Claire Doherty is a curator at the Ikon Gallery in Birmingham, England's second city. The 'Art into Action' program supports artists working in process based or research based ways over extended periods of time in direct communication with groups and individuals in Birmingham. The exploration of 'home' suggested itself as a universal metaphor as the 'sacred place' from which all else could be mapped.
Exploration of the 11th Biennale of Sydney curated by Jonathon Watkins.