Published 01 September 2019
Looks at the issues facing the export of the Australian visual art product overseas.
Sit Up!: 100 Masterpieces from the Vitra Design Museum Collection
Nature as Object: Craft and Design from Japan, Finland and Australia
Art Gallery of Western Australia
2 July - 6 September 1998
Published December 1998
Andrew Petrusevics and Chris Gaston
Artspace, Adelaide Festival Centre
28 August to 24 October 1998
The author with Djon Mundine explore the paradox which is faced by Aboriginal dealers and curators who take Aboriginal art to the world. Issues of viability to ethnocentricity and notions of the primitive as well as the role of art in educating audiences and promoting the culture of indigenous Australians are discussed.
Describes Asialink's exhibition program which commenced in 1991 at the same time as the residency program with funding from the VACB and the Department of Foreign Affairs and Trade.
Jill Scott writes about her experiences in Europe particularly Germany. Short biographical details of the artist are also included.
edited Robert Violette
published Editions Violette/distributed by Thames and Hudson
$89.00 238 pp colour and b&w illustrations
A celebration of fifty years of Ernabella Arts Tandanya National Aboriginal Cultural Institute, Adelaide
August - September 1998
Artists Louise Paramor, Yenda Carson, Damon Moon, Jayne Dyer, Matthew Calvert, David Jensz and Helga Groves write about their experiences in residencies throughout Asia: India, South Korea, Indonesia, Beijing, Malaysia, Thailand and Vietnam respectively.
Explores the international art market for serious contemporary art, looking at the Australian Visual Art Export Strategy.
Ian McLeanWhite Aborigines:Identity Politics in Australian Art. Oakleigh, Vic, Cambridge University Press, 1998, 204 pp. RRP $39.95 hb.
Telling Tales an exhibition curated by Jill Bennett and Jackie Dunn about trauma, subjectivity and memory began an international tour in March 1999 as part of the SOCOG Cultural Olympiad 'Reaching the World' . Opened at the Ivan Dougherty Gallery at the College of Fine Arts Sydney in conjunction with a major conference 'Trauma and Memory--Cross Cultural Perspectives'.
An exhibtion curated by Nick Waterlow and Felicity Fenner which examines the extensive and multifarious nature of the cultural exchange which took place between London and Australia in the 1960s. OZ magazine and activists and writers such as Germaine Greer, Juno Gemes, Robert Hughes, Clive James, Richard Neville, Robert Whitaker and Wendy Whiteley provide a vehicle of narration for the exhibition. Part of the Olympiad theme of 'Australia to the World' 1999/2000