Published 25 August 2021
Looks at the issues facing the export of the Australian visual art product overseas.
The strength of the Australian jewellery practice may be attributed to the jewellery departments in Australian universities and art schools as well as to the influence and impact of leading jewellery artists who have arrived from other countries to live, teach or practice in Australia. Looks at the work of Dorothy Erikson.
Published December 1998
'Ask the dust' the exhibition of Anne Pincus at Access Gallery in Sydney explores the contrast between the light and sand and dust of Australia and Israel and the darkness of Europe.
edited Robert Violette
published Editions Violette/distributed by Thames and Hudson
$89.00 238 pp colour and b&w illustrations
Artists Louise Paramor, Yenda Carson, Damon Moon, Jayne Dyer, Matthew Calvert, David Jensz and Helga Groves write about their experiences in residencies throughout Asia: India, South Korea, Indonesia, Beijing, Malaysia, Thailand and Vietnam respectively.
Profiles the exhibition 'Enjoin' which opened in November 1998 at the Museo ng Sining (CSIS Museum) in Manila as part of the centenary celebrations of the Philippines' independence from colonial rule.
A celebration of fifty years of Ernabella Arts Tandanya National Aboriginal Cultural Institute, Adelaide
August - September 1998
Zhong Chen as a relatively recent graduate of the SA School of Art won a Samstag Scholarship to travel to the Chelsea College of Art in late 1997.
Claire Doherty is a curator at the Ikon Gallery in Birmingham, England's second city. The 'Art into Action' program supports artists working in process based or research based ways over extended periods of time in direct communication with groups and individuals in Birmingham. The exploration of 'home' suggested itself as a universal metaphor as the 'sacred place' from which all else could be mapped.
Explores the issues of residencies overseas for Australian artists: Jeffrey Smart, Justin O'Brien, Norma Redpath, Clement Meadmore and Colin Lanceley.
John Kelly was the recipient of a Samstag Scholarship in 1996 to study at the Slade for a year. The article looks at Kelly's current work and the tensions between working in London and Australia.
Discusses the cultural policy of the Victorian Government Arts 21 promulgated in 1994 which aimed to reinforce the government's agenda to promote Melbourne and Victoria as an international centre of excellence.
How does Australia export its visual culture overseas? What have been the positive achievements and the low points of this process? Looks at the role of the Australia Council and the Visual Arts/Crafts Board.