Published 01 June 2019
State Library of NSW
Looks at the issues facing the export of the Australian visual art product overseas.
Explores the issues of residencies overseas for Australian artists: Jeffrey Smart, Justin O'Brien, Norma Redpath, Clement Meadmore and Colin Lanceley.
Published December 1998
Ian McLeanWhite Aborigines:Identity Politics in Australian Art. Oakleigh, Vic, Cambridge University Press, 1998, 204 pp. RRP $39.95 hb.
Since 1986 Annette Bezor has been working in both the Cite Internationale des Arts and private studios in Paris. The Adelaide Paris connection, seemingly so contemporary is very much a part of South Australian visual art history. Conducted as an interview with the artist.
Sit Up!: 100 Masterpieces from the Vitra Design Museum Collection
Nature as Object: Craft and Design from Japan, Finland and Australia
Art Gallery of Western Australia
2 July - 6 September 1998
Although the US is often cited as the holy grail for export, with its huge art-aware public and wealthy collectors, and although it is true to say that many Australian art dealers have links with US dealers and sales are made on a fairly regular basis, Japan, Germany and Spain are the countries to which Australian commercial galleries have exported Australian art since the early nineties.
Tracey Moffatt has since the end of 1997 had two solo exhibtions overseas -- 'Freefalling' at the Dia Center for the Arts in New York and 'Tracey Moffatt' at the Kunsthalle Vienna touring 16 galleries in Europe. She was included in the 10th Biennale of Sydney in 1996, followed in 1997 by the Venice Biennale, the Basel Art Fair and the Sao Paulo Bienal in Brazil. Adrian Martin looks at her show at the Arnolfini Gallery in Bristol.
Examines Asialink's artist in residency program. Complete with a list of Visual Arts/Crafts Residency destinations.
Recent Works by Adam Bunny, Jane Burton, Penelope Davis, Gavin Hipkins, Brian Jefferies, David Martin, Jeffrey Sturges & Andrew Wilson
Curated by Simon Cuthbert
Plimsoll Gallery, Centre for the Arts, Hobart, September 11 - October 4
Explores the international art market for serious contemporary art, looking at the Australian Visual Art Export Strategy.
The author with Djon Mundine explore the paradox which is faced by Aboriginal dealers and curators who take Aboriginal art to the world. Issues of viability to ethnocentricity and notions of the primitive as well as the role of art in educating audiences and promoting the culture of indigenous Australians are discussed.
A celebration of fifty years of Ernabella Arts Tandanya National Aboriginal Cultural Institute, Adelaide
August - September 1998
Zhong Chen as a relatively recent graduate of the SA School of Art won a Samstag Scholarship to travel to the Chelsea College of Art in late 1997.