Published 30 March 2022
Examines Asialink's artist in residency program. Complete with a list of Visual Arts/Crafts Residency destinations.
Although the US is often cited as the holy grail for export, with its huge art-aware public and wealthy collectors, and although it is true to say that many Australian art dealers have links with US dealers and sales are made on a fairly regular basis, Japan, Germany and Spain are the countries to which Australian commercial galleries have exported Australian art since the early nineties.
Published December 1998
How does Australia export its visual culture overseas? What have been the positive achievements and the low points of this process? Looks at the role of the Australia Council and the Visual Arts/Crafts Board.
University of SA Art Museum 4 September - 3 October 1998 Curated by Ian North
Claire Doherty is a curator at the Ikon Gallery in Birmingham, England's second city. The 'Art into Action' program supports artists working in process based or research based ways over extended periods of time in direct communication with groups and individuals in Birmingham. The exploration of 'home' suggested itself as a universal metaphor as the 'sacred place' from which all else could be mapped.
Looks at the international career and art practice of Narelle Jubelin.
Craftwest Gallery, Perth and Moores Building, Fremantle 4 - 26 July 1998 Centre for Contemporary Craft, Customs House, Sydney 12 September - 11 October 1998
Explores the issues of residencies overseas for Australian artists: Jeffrey Smart, Justin O'Brien, Norma Redpath, Clement Meadmore and Colin Lanceley.
24 Hr Art, Darwin September 1998
'Ask the dust' the exhibition of Anne Pincus at Access Gallery in Sydney explores the contrast between the light and sand and dust of Australia and Israel and the darkness of Europe.
The strength of the Australian jewellery practice may be attributed to the jewellery departments in Australian universities and art schools as well as to the influence and impact of leading jewellery artists who have arrived from other countries to live, teach or practice in Australia. Looks at the work of Dorothy Erikson.
Discusses the cultural policy of the Victorian Government Arts 21 promulgated in 1994 which aimed to reinforce the government's agenda to promote Melbourne and Victoria as an international centre of excellence.