Published April 2021
Examines Asialink's artist in residency program. Complete with a list of Visual Arts/Crafts Residency destinations.
An exhibtion curated by Nick Waterlow and Felicity Fenner which examines the extensive and multifarious nature of the cultural exchange which took place between London and Australia in the 1960s. OZ magazine and activists and writers such as Germaine Greer, Juno Gemes, Robert Hughes, Clive James, Richard Neville, Robert Whitaker and Wendy Whiteley provide a vehicle of narration for the exhibition. Part of the Olympiad theme of 'Australia to the World' 1999/2000
Published December 1998
Curated by Di Barrett Nexus Gallery, Adelaide September - October
On four Australian artists working in Paris: Marion Borgelt, Tim Maguire, Helen Kennedy and Heidi Woods
Explores the artistic tension in the work of Aldo Iacobelli --- between Australia where the lack of tradition may be seen to allow greater movement of ideas and Europe where the cultural territory is much more established.
Andrew Petrusevics and Chris Gaston Artspace, Adelaide Festival Centre 28 August to 24 October 1998
How does Australia export its visual culture overseas? What have been the positive achievements and the low points of this process? Looks at the role of the Australia Council and the Visual Arts/Crafts Board.
Nike Savvas was awarded a Samstag Scholarship in 1996 ans was accepted into Goldsmiths College as an Associate Research Student. She has instigated a number of one day exhibitions with artists from Australia and Europe along with fellow students from Goldsmiths.
Kultural Kommuting is a collaboration between 18 artists resulting in installations in public locations in Melbourne and Berlin during 1998. Initiated by Claudia Luenig and Maggie McCormick, Kultural Kommuting is a 'cityartpublicspace' project run in association with Galerie Trepenhaus and the Public Office and is a project of the City of Melbourne's public art program.
Telling Tales an exhibition curated by Jill Bennett and Jackie Dunn about trauma, subjectivity and memory began an international tour in March 1999 as part of the SOCOG Cultural Olympiad 'Reaching the World' . Opened at the Ivan Dougherty Gallery at the College of Fine Arts Sydney in conjunction with a major conference 'Trauma and Memory--Cross Cultural Perspectives'.
24 Hr Art, Darwin September 1998
Exploration of the 11th Biennale of Sydney curated by Jonathon Watkins.
The strength of the Australian jewellery practice may be attributed to the jewellery departments in Australian universities and art schools as well as to the influence and impact of leading jewellery artists who have arrived from other countries to live, teach or practice in Australia. Looks at the work of Dorothy Erikson.
