To Go Abroad: Australians-in-residence

Cover of To Go Abroad: Australians-in-residence
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
City of Melville
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
The Torch
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020
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Knowledge positions in Aotearoa and Turtle Island art museums
Feature
Léuli Eshraghi

Interview with First Nations curators Kathleen Ash-Milby (Portland Art Museum), Maia Nuku (Metropolitan Museum of Art) and Nigel Borell (Auckland Art Gallery Toi o Tāmaki).
 

Published 01 June 2020

Explores the issues of residencies overseas for Australian artists: Jeffrey Smart, Justin O'Brien, Norma Redpath, Clement Meadmore and Colin Lanceley.

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More from this Issue Full Issue Contents

Divergent: Abstraction and the Photographic Object
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Diana Klaosen

Recent Works by Adam Bunny, Jane Burton, Penelope Davis, Gavin Hipkins, Brian Jefferies, David Martin, Jeffrey Sturges & Andrew Wilson
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The Wild(e) Colonial Boy
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The Culture of Exporting Art-cargo
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Peter Hill

How does Australia export its visual culture overseas? What have been the positive achievements and the low points of this process? Looks at the role of the Australia Council and the Visual Arts/Crafts Board.

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Asialink's Exhibition Program: A Sampling
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Alison Carroll

Describes Asialink's exhibition program which commenced in 1991 at the same time as the residency program with funding from the VACB and the Department of Foreign Affairs and Trade.

Published December 1998
Dorothy Erickson: Jetset Jeweller
Feature
Margaret Moore

The strength of the Australian jewellery practice may be attributed to the jewellery departments in Australian universities and art schools as well as to the influence and impact of leading jewellery artists who have arrived from other countries to live, teach or practice in Australia. Looks at the work of Dorothy Erikson.

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Get Out There and $ell
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Explores the international art market for serious contemporary art, looking at the Australian Visual Art Export Strategy.

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Steven Holland: Game Over
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Steven Holland

Steven Holland was awarded a Samstag scholarship in 1997 which allowed him to enrol in Natural History Illustration and Sculpture at the Royal College of Art in London and to travel to Europe.

Published December 1998
The Meeting of the Waters: The Australian Print Project
Review
Daena Murray

24 Hr Art, Darwin
September 1998

Published December 1998
Sydney Biennale Every Day
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Exploration of the 11th Biennale of Sydney curated by Jonathon Watkins.

Published December 1998
Larrikins in London to London
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Nick Waterlow

An exhibtion curated by Nick Waterlow and Felicity Fenner which examines the extensive and multifarious nature of the cultural exchange which took place between London and Australia in the 1960s. OZ magazine and activists and writers such as Germaine Greer, Juno Gemes, Robert Hughes, Clive James, Richard Neville, Robert Whitaker and Wendy Whiteley provide a vehicle of narration for the exhibition. Part of the Olympiad theme of 'Australia to the World' 1999/2000

Published December 1998
Sit Up! and Nature as Object
Review
Christopher Crouch

Sit Up!: 100 Masterpieces from the Vitra Design Museum Collection
Nature as Object: Craft and Design from Japan, Finland and Australia
Art Gallery of Western Australia
2 July - 6 September 1998

Published December 1998
Simon Mangos in Berlin
Feature
Terence Maloon

Explores the work of Simone Mangos who left Australia in 1988 to spend a year as an artist in residence at the Kunstlerhaus Bethanien in Berlin. During the past 10 years she has maintained a profile in Sydney and Adelaide. Mangos creates site specific installations as well as discrete objects that can be exhibited in art galleries and art fairs.

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