An exhibtion curated by Nick Waterlow and Felicity Fenner which examines the extensive and multifarious nature of the cultural exchange which took place between London and Australia in the 1960s. OZ magazine and activists and writers such as Germaine Greer, Juno Gemes, Robert Hughes, Clive James, Richard Neville, Robert Whitaker and Wendy Whiteley provide a vehicle of narration for the exhibition. Part of the Olympiad theme of 'Australia to the World' 1999/2000
The author with Djon Mundine explore the paradox which is faced by Aboriginal dealers and curators who take Aboriginal art to the world. Issues of viability to ethnocentricity and notions of the primitive as well as the role of art in educating audiences and promoting the culture of indigenous Australians are discussed.
Nike Savvas was awarded a Samstag Scholarship in 1996 ans was accepted into Goldsmiths College as an Associate Research Student. She has instigated a number of one day exhibitions with artists from Australia and Europe along with fellow students from Goldsmiths.
Describes Asialink's exhibition program which commenced in 1991 at the same time as the residency program with funding from the VACB and the Department of Foreign Affairs and Trade.
John Kelly was the recipient of a Samstag Scholarship in 1996 to study at the Slade for a year. The article looks at Kelly's current work and the tensions between working in London and Australia.
Profiles the exhibition 'Enjoin' which opened in November 1998 at the Museo ng Sining (CSIS Museum) in Manila as part of the centenary celebrations of the Philippines' independence from colonial rule.
The strength of the Australian jewellery practice may be attributed to the jewellery departments in Australian universities and art schools as well as to the influence and impact of leading jewellery artists who have arrived from other countries to live, teach or practice in Australia. Looks at the work of Dorothy Erikson.
Steven Holland was awarded a Samstag scholarship in 1997 which allowed him to enrol in Natural History Illustration and Sculpture at the Royal College of Art in London and to travel to Europe.
'Ask the dust' the exhibition of Anne Pincus at Access Gallery in Sydney explores the contrast between the light and sand and dust of Australia and Israel and the darkness of Europe.