Published April 2021
Digital technology is driving the revolution in visual culture and consciousness. Exploring the ninth International Symposium of the Electronic Arts [ISEA98].
Craftwest Gallery, Perth and Moores Building, Fremantle
4 - 26 July 1998
Centre for Contemporary Craft, Customs House, Sydney
12 September - 11 October 1998
Published December 1998
Kultural Kommuting is a collaboration between 18 artists resulting in installations in public locations in Melbourne and Berlin during 1998. Initiated by Claudia Luenig and Maggie McCormick, Kultural Kommuting is a 'cityartpublicspace' project run in association with Galerie Trepenhaus and the Public Office and is a project of the City of Melbourne's public art program.
Since 1986 Annette Bezor has been working in both the Cite Internationale des Arts and private studios in Paris. The Adelaide Paris connection, seemingly so contemporary is very much a part of South Australian visual art history. Conducted as an interview with the artist.
Explores the international art market for serious contemporary art, looking at the Australian Visual Art Export Strategy.
Describes Asialink's exhibition program which commenced in 1991 at the same time as the residency program with funding from the VACB and the Department of Foreign Affairs and Trade.
Recent Works by Adam Bunny, Jane Burton, Penelope Davis, Gavin Hipkins, Brian Jefferies, David Martin, Jeffrey Sturges & Andrew Wilson
Curated by Simon Cuthbert
Plimsoll Gallery, Centre for the Arts, Hobart, September 11 - October 4
edited Robert Violette
published Editions Violette/distributed by Thames and Hudson
$89.00 238 pp colour and b&w illustrations
John Kelly was the recipient of a Samstag Scholarship in 1996 to study at the Slade for a year. The article looks at Kelly's current work and the tensions between working in London and Australia.
Curated by Di Barrett
Nexus Gallery, Adelaide
September - October
Zhong Chen as a relatively recent graduate of the SA School of Art won a Samstag Scholarship to travel to the Chelsea College of Art in late 1997.
24 Hr Art, Darwin
The author with Djon Mundine explore the paradox which is faced by Aboriginal dealers and curators who take Aboriginal art to the world. Issues of viability to ethnocentricity and notions of the primitive as well as the role of art in educating audiences and promoting the culture of indigenous Australians are discussed.