Putting in the Boot - Nicely

Cover of Putting in the Boot - Nicely
1.25
SALA Festival: Gerry Wedd, Julia McInerney, Aldo Iacobelli
Review
Eve Sullivan

Published 11 September 2018
1.126
Brenda L. Croft: Heart-in-Hand | Amala Groom: Does She Know the Revolution is Coming?

Canberra Contemporary Art Space

Review
Virginia Rigney

Published 01 September 2018
1.3
My Monster: The Human-Animal Hybrid

RMIT Gallery

Review
Djoymi Baker

Published 21 August 2018
Joondalup
1.238
No Common Ground

Victoria University of Wellington

Review
Bruce E. Phillips

Published 31 August 2018
1.124
John Mawurndjul: I Am the Old and the New

Museum of Contemporary Art | Art Gallery of South Australia

Review
Ian McLean

Published 20 August 2018
1.128
Khaled Sabsabi: A Self Portrait

Perth Institute of Contemporary Arts

Review
John Mateer

Published 20 August 2018
NAVA
1.126
Imants Tillers: Journey to Nowhere

Latvian National Museum of Art

Review
Ian McLean

Published 13 August 2018
1.126
From Here to There: Australian Art and Walking

Lismore Regional Gallery

Review
Wes Hill

Published 06 August 2018

Exhibition review Do Something with a Blunstone Chameleon Gallery Hobart Tasmania

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

The Fourth Side of the Triangle: Bronwyn Oliver
Review
Stephanie Radok

Exhibition review Bronwyn Oliver
Artspace, Adelaide Festival Centre Adelaide, South Australia
29 May - 18 July 1992

Published September 1992
A Response to 'Incidental Benefits'
Feature
Anna Ward

Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.

Published September 1992
Incidental Benefits: Arts Industry Rhetoric and Policy Objectives
Feature
Peter Anderson

The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)

Published September 1992
The Silence of the Lambs: Before Leaving for a Trip Abroad
Feature
Anita Aarons

Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.

Published September 1992
The Brush-Off Syndrome: Stage Design, History and Visual Art in Adelaide
Feature
Pamela J Zeplin

Clear discussion of the issues facing stage and set designers in the visual arts world.

Published September 1992
The Business of Art
Feature
Margriet Bonnin

It's not easy to make a conference look sexy - especially when it's about regional galleries. But the team at the five year old Regional Galleries Association of Queensland managed just that in the late winter sunshine of Cairns last year.

Published September 1992
A Belgian Artist's Work in Tasmania
Review
Gregory Kwok-Keung Leong

Exhibition review Chantal Delrue: Recent Works
Dick Bett Gallery
Hobart, Tasmania
February - March 1992

Published September 1992
Art, Sports Stars and the Depression: Knocking at the Door of the Special World
Feature
Nelson English

Our sports stars are successful because they are not burdened by funding programs which dribble a meagre supply to an army of unknown novices....the arts need radical strategies to help them survive the recession and achieve greater audience participation. (this article is responded to by Norm Austin, the Deputy Director of the Art Gallery of NSW).

Published September 1992
Give Me a Home Among the Gum Trees...
Review
Jude Adams

Exhibition review Backyards Exhibition
Prospect Gallery
21 June - 12 July 1992

Published September 1992
The Australia Shop -- EXPO 92 Seville
Feature
Marjorie Johnson

The Australian Government's decision to participate in Expo 92 in Seville, the biggest Expo this century, has culminated in a presence recently described in a 'Best of Expo Guide' as "high spirited in mood and one of the most distinctive pavilions at Expo."

Published September 1992
Arts and the Economy?
Feature
Max Bourke

Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.

Published September 1992
Sites in Relation to Themselves
Review
Richard Grayson

Exhibition review 42 Degrees South and 175 Degrees East
Artspace, Adelaide Festival Centre
16 June - 1 August 2000

Published September 1992
 
Artlink Promo
Artlink Subs Promo
UTS
PICA
Axolotl