The Substation
Published 15 December 2021
ACE Open, Tarntanya/Adelaide
TarraWarra Museum of Art
Contemporary Art Tasmania
Published 15 November 2021
Maitland Regional Art Gallery
Published 18 October 2021
Samstag Museum of Art
Published 06 September 2021
Sauerbier House, Port Noarlunga, South Australia
Published 25 August 2021
Drill Hall Gallery
Exhibition review 42 Degrees South and 175 Degrees East Artspace, Adelaide Festival Centre 16 June - 1 August 2000
The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.
Published September 1992
Book review Art Connections Jenny Aland and Max Darby Heinemann, Melbourne 1991 RRP $29.95
Exhibition review Life Boat: Carvings by Catherine Truman Jam Factory Gallery South Australia 10 July - 9 August 1992
Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.
The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)
This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.
Clear discussion of the issues facing stage and set designers in the visual arts world.
In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.
Artist's regional exchange (ARX). Events such as ARX in Perth are rare and potentially of such value for me that, although not a participating artist this time, I was determined to travel from the east to attend. Four views on the exchange See also the articles by Ian Howard, Anne Kirker and Adrian Jones in this issue of Artlink.
Our sports stars are successful because they are not burdened by funding programs which dribble a meagre supply to an army of unknown novices....the arts need radical strategies to help them survive the recession and achieve greater audience participation. (this article is responded to by Norm Austin, the Deputy Director of the Art Gallery of NSW).
Exhibition review Chantal Delrue: Recent Works Dick Bett Gallery Hobart, Tasmania February - March 1992
Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.
