Uncertainly Thinking

Cover of Uncertainly Thinking
1.126
Weaving the Way

University of Queensland Art Museum

Review
Kay Lawrence

Published 11 October 2019
1.13
Julie Gough: Tense Past

Tasmanian Museum and Art Gallery

Review
Craig Judd

Published 11 October 2019
1.126
Desert Mob 2019

Araluen Arts Centre

Review
Kieran Finnane

Published 07 October 2019
Artlink Subs Promo
1.122
Louise Haselton: like cures like

Samstag Museum of Art

Review
Elle Freak

Published 27 September 2019
1.116
Agatha Gothe-Snape: Trying to find comfort in an uncomfortable chair

Perth Institute of Contemporary Arts

Review
Alana Hunt

Published 15 September 2019
1.122
Other Suns: Cult Sci-fi Cinema and Art

Fremantle Arts Centre

Review
Francis Russell

Published 23 August 2019
NAVA
1.126
Angela Valamanesh: About Being Here

Jam Factory

Review
Liv Spiers

Published 23 August 2019
1.166
FEM-aFFINITY

Arts Project Australia

Review
Jacqueline Millner

Published 23 August 2019

Exhibition review Blink Contemporary Art Centre Adelaide May 1992

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More from this Issue Full Issue Contents

Arts and the Economy?
Feature
Max Bourke

Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.

Published September 1992
Putting in the Boot - Nicely
Review
Peter Hill

Exhibition review Do Something with a Blunstone
Chameleon Gallery
Hobart Tasmania

Published September 1992
Incidental Benefits: Arts Industry Rhetoric and Policy Objectives
Feature
Peter Anderson

The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)

Published September 1992
What is Australian Work?
Feature
Susan Cohn

I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.

Published September 1992
The Arts- Survival of the BIGGEST?
Feature
Brian Tucker

The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.

Published September 1992
The Australia Shop -- EXPO 92 Seville
Feature
Marjorie Johnson

The Australian Government's decision to participate in Expo 92 in Seville, the biggest Expo this century, has culminated in a presence recently described in a 'Best of Expo Guide' as "high spirited in mood and one of the most distinctive pavilions at Expo."

Published September 1992
Aboriginal Art, the Nation State Suburbia
Feature
Peter Sutton

In Englishwe use the word 'country' in two main senses: to refer to nation states, and to speak about rural lands beyond the big cities and their suburbs. In Australia there is historically a third zone out past the country; the now quickly shrinking Outback.

Published September 1992
Metaphors of Mortality: Catherine Truman
Review
Susan Cochrane

Exhibition review Life Boat: Carvings by Catherine Truman
Jam Factory Gallery
South Australia
10 July - 9 August 1992

Published September 1992
There's Magic in your Hands
Feature
Karen Brown

Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.

Published September 1992
The Ham Museum ARCO 1992
Feature
Ian North

Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.

Published September 1992
The Brush-Off Syndrome: Stage Design, History and Visual Art in Adelaide
Feature
Pamela J Zeplin

Clear discussion of the issues facing stage and set designers in the visual arts world.

Published September 1992
Dialogue with Thailand
Feature
Anne Kirker

Interview format with Dr Poshyananda One of Four views on the exchange. See also the articles by Vivienne Binns, Ian Howard and Adrian Jones in this issue of Artlink.

Published September 1992
 
Adelaide Festival Centre
Riddoch
Artlink Promo
Desert Mob