Uncertainly Thinking

Cover of Uncertainly Thinking
0.786
Bodies of Work Online Program

Bus Projects

Review
Amelia Wallin

Published 12 October 2020
0.758
If the future is to be worth anything: 2020 South Australian Artist Survey

ACE Open

Review
Suzanne Close

Published 09 October 2020
0.786
Older Than Language

Salamanca Arts Centre

Review
Seán Kelly

Published 07 September 2020
Amended 2020
0.786
Cognitive Dissidents: Reasons to be Cheerful

Griffith University Art Museum

Review
Louise R. Mayhew

Published 04 September 2020
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Connected online: New art for new times
Review
Julianne Pierce

Published 14 August 2020
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The virtual world of the Aboriginal art market in 2020
Review
Kieran Finnane

Published 12 August 2020
Desert Mob
0.768
The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
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Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020

Exhibition review Blink Contemporary Art Centre Adelaide May 1992

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More from this Issue Full Issue Contents

Putting in the Boot - Nicely
Review
Peter Hill

Exhibition review Do Something with a Blunstone
Chameleon Gallery
Hobart Tasmania

Published September 1992
The Arts- Survival of the BIGGEST?
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The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.

Published September 1992
Aboriginal Art, the Nation State Suburbia
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Peter Sutton

In Englishwe use the word 'country' in two main senses: to refer to nation states, and to speak about rural lands beyond the big cities and their suburbs. In Australia there is historically a third zone out past the country; the now quickly shrinking Outback.

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A Belgian Artist's Work in Tasmania
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Gregory Kwok-Keung Leong

Exhibition review Chantal Delrue: Recent Works
Dick Bett Gallery
Hobart, Tasmania
February - March 1992

Published September 1992
What is Australian Work?
Feature
Susan Cohn

I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.

Published September 1992
Incidental Benefits: Arts Industry Rhetoric and Policy Objectives
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The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)

Published September 1992
The Ham Museum ARCO 1992
Feature
Ian North

Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.

Published September 1992
The Business of Art
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Margriet Bonnin

It's not easy to make a conference look sexy - especially when it's about regional galleries. But the team at the five year old Regional Galleries Association of Queensland managed just that in the late winter sunshine of Cairns last year.

Published September 1992
Metaphors of Mortality: Catherine Truman
Review
Susan Cochrane

Exhibition review Life Boat: Carvings by Catherine Truman
Jam Factory Gallery
South Australia
10 July - 9 August 1992

Published September 1992
Towards a Legitimate Interest
Feature
Ian Howard

The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.

Published September 1992
Vicious Circles: Women's Exclusion from Contemporary Visual Art
Feature
Dorothy Broom

Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.

Published September 1992
Managing ARX
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Adrian Jones

Written by the co-ordinator of the past three ARX events which have taken place in Perth Western Australia. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Ian Howard in this issue of Artlink.

Published September 1992
 
Bill Morrow
QAGOMA
MGNSW
UNSW
ACE Open