Uncertainly Thinking

Cover of Uncertainly Thinking
0.768
The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
0.786
Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020
0.77
2020 Adelaide Biennial of Australian Art: Monster Theatres

Art Gallery of South Australia | Adelaide Botanic Garden

Review
Gemma Weston

Published 05 April 2020
MGNSW
0.776
2020 Adelaide//International

Samstag Museum of Art

Review
Chloé Wolifson

Published 29 March 2020
0.77
Cementa19

Kandos, New South Wales

Review
Marco Marcon

Published 05 February 2020
0.774
Therese Ritchie: Burning Hearts

Museum and Art Gallery of the Northern Territory

Review
Chips Mackinolty

Published 05 February 2020
Curiocity Brisbane (Mulberry Seed Comms)
0.69
Kulinmaya! Keep Listening Everybody!

Mumu Mike Williams

Review
Kieran Finnane

Published 01 December 2019
1.126
OzAsia 2019

Adelaide Festival Centre and other venues

Review
Anna O'Loughlin

Published 29 November 2019

Exhibition review Blink Contemporary Art Centre Adelaide May 1992

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More from this Issue Full Issue Contents

Vicious Circles: Women's Exclusion from Contemporary Visual Art
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Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.

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Predicaments of Furniture Design
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No matter what we say about furniture, it seems to have been said before. Small wonder that painting and installation attracts our writers more than furniture, when discourse about tables and chairs is confined to the rehearsal of so many grim platitudes. But if banality beleaguers the objects themselves, it is still more oppressively unavoidable in discussion of the unfortunate Australian industries of furniture design and manufacture.

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Demystifying Art Criticism
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The Silence of the Lambs: Before Leaving for a Trip Abroad
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Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.

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What is Australian Work?
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I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.

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Incomplete Identities: A Critical Study of the Work of Mike Parr
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David Broomfield
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A Belgian Artist's Work in Tasmania
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The Fourth Side of the Triangle: Bronwyn Oliver
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Exhibition review Bronwyn Oliver
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The Brush-Off Syndrome: Stage Design, History and Visual Art in Adelaide
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Clear discussion of the issues facing stage and set designers in the visual arts world.

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The Money, the Means and the Info...
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Putting in the Boot - Nicely
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Proposals from Invisible Worlds
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This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.

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