Published 05 June 2019
Australian Centre for Contemporary Art
Art Gallery of South Australia
Published 16 May 2019
Published 15 May 2019
24 February – 30 April 2019
Published 17 April 2019
South Australian Museum
Published 16 April 2019
Bathurst Regional Art Gallery
Published 23 January 2019
Published 22 January 2019
Exhibition review Life Boat: Carvings by Catherine Truman
Jam Factory Gallery
10 July - 9 August 1992
In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.
Published September 1992
Exhibition review Backyards Exhibition
21 June - 12 July 1992
Exhibition review Bronwyn Oliver
Artspace, Adelaide Festival Centre Adelaide, South Australia
29 May - 18 July 1992
Exhibition review Suzanne Treister
Post West Gallery
22 - 31 May 1992
This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.
Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.
The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.
The Australian Government's decision to participate in Expo 92 in Seville, the biggest Expo this century, has culminated in a presence recently described in a 'Best of Expo Guide' as "high spirited in mood and one of the most distinctive pavilions at Expo."
I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.
Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.
The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.
Exhibition review Chantal Delrue: Recent Works
Dick Bett Gallery
February - March 1992