Kathy Acker & McKenzie Wark
Published December 2015
Judy Annear (ed)
Len Lye with Roger Horrocks
Seva Frangos
Justin Heazlewood
Sasha Grishin
John Summers, Chris Lehmann, Thomas Frank (eds)
Published September 2015
Helen Johnson
Book review Art Connections Jenny Aland and Max Darby Heinemann, Melbourne 1991 RRP $29.95
Book review The Money and the Means: Grants, Scholarships and Opportunities for Professional Development Art Museums Association of Australia 1992 RRP $8.00
Published September 1992
This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.
Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.
Exhibition review 42 Degrees South and 175 Degrees East Artspace, Adelaide Festival Centre 16 June - 1 August 2000
Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.
Exhibition review Bronwyn Oliver Artspace, Adelaide Festival Centre Adelaide, South Australia 29 May - 18 July 1992
Interview format with Dr Poshyananda One of Four views on the exchange. See also the articles by Vivienne Binns, Ian Howard and Adrian Jones in this issue of Artlink.
Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.
Book review Identities: A Critical Study of the Work of Mike Parr David Broomfield University of Western Australia Press 330 pp
In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.
I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.
It's not easy to make a conference look sexy - especially when it's about regional galleries. But the team at the five year old Regional Galleries Association of Queensland managed just that in the late winter sunshine of Cairns last year.
