Demystifying Art Criticism

Cover of Demystifying Art Criticism
1.45375
I'm Very Into You: Correspondence 1995-1996

Kathy Acker & McKenzie Wark

Book Review
Ken Bolton

Published December 2015
1.21875
The Photograph and Australia

Judy Annear (ed)

Book Review
Joanna Mendelssohn

Published December 2015
1.34
Zizz! The Life and Art of Len Lye In His Own Words

Len Lye with Roger Horrocks

Book Review
Eve Sullivan

Published December 2015
Artlink Subs Promo
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Timothy Cook: Dancing with the Moon

Seva Frangos

Book Review
Una Rey

Published December 2015
1.571709233792
Funemployed

Justin Heazlewood

Book Review
Kelli Rowe

Published December 2015
1.10125
John Wolseley: Landmarks III

Sasha Grishin

Book Review
Stephanie Radok

Published December 2015
Axolotl
1.4575
No Future for You: Salvos from The Baffler

John Summers, Chris Lehmann, Thomas Frank (eds)

Book Review
Andrew Varano

Published September 2015
1.5
Painting is a Critical Form

Helen Johnson

Book Review
Mary-Jean Richardson

Published September 2015

Book review Art Connections Jenny Aland and Max Darby Heinemann, Melbourne 1991 RRP $29.95

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Give Me a Home Among the Gum Trees...
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The Australian Government's decision to participate in Expo 92 in Seville, the biggest Expo this century, has culminated in a presence recently described in a 'Best of Expo Guide' as "high spirited in mood and one of the most distinctive pavilions at Expo."

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The Brush-Off Syndrome: Stage Design, History and Visual Art in Adelaide
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Clear discussion of the issues facing stage and set designers in the visual arts world.

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The Arts- Survival of the BIGGEST?
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The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.

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The Artist, the Gallery and the Recession
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In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.

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Managing ARX
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Written by the co-ordinator of the past three ARX events which have taken place in Perth Western Australia. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Ian Howard in this issue of Artlink.

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The Silence of the Lambs: Before Leaving for a Trip Abroad
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Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.

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Dialogue with Thailand
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Proposals from Invisible Worlds
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This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.

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Vicious Circles: Women's Exclusion from Contemporary Visual Art
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Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.

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Predicaments of Furniture Design
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No matter what we say about furniture, it seems to have been said before. Small wonder that painting and installation attracts our writers more than furniture, when discourse about tables and chairs is confined to the rehearsal of so many grim platitudes. But if banality beleaguers the objects themselves, it is still more oppressively unavoidable in discussion of the unfortunate Australian industries of furniture design and manufacture.

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Incidental Benefits: Arts Industry Rhetoric and Policy Objectives
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The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)

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