Demystifying Art Criticism

Cover of Demystifying Art Criticism
1.45375
I'm Very Into You: Correspondence 1995-1996

Kathy Acker & McKenzie Wark

Book Review
Ken Bolton

Published December 2015
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Judy Annear (ed)

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Joanna Mendelssohn

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Zizz! The Life and Art of Len Lye In His Own Words

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Book Review
Eve Sullivan

Published December 2015
Churchie
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Seva Frangos

Book Review
Una Rey

Published December 2015
1.571709233792
Funemployed

Justin Heazlewood

Book Review
Kelli Rowe

Published December 2015
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John Wolseley: Landmarks III

Sasha Grishin

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Stephanie Radok

Published December 2015
Artlink Subs Promo
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Andrew Varano

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1.5
Painting is a Critical Form

Helen Johnson

Book Review
Mary-Jean Richardson

Published September 2015

Book review Art Connections Jenny Aland and Max Darby Heinemann, Melbourne 1991 RRP $29.95

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Arts and the Economy?
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Max Bourke

Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.

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Metaphors of Mortality: Catherine Truman
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A response to the Article by Nelson English
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A response to the article by Nelson English in this issue of Artlink Volume 12 no 3.

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The Fourth Side of the Triangle: Bronwyn Oliver
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Uncertainly Thinking
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The Arts- Survival of the BIGGEST?
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The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.

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Sites in Relation to Themselves
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Exhibition review 42 Degrees South and 175 Degrees East
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A Belgian Artist's Work in Tasmania
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Towards a Legitimate Interest
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Ian Howard

The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.

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A Response to 'Incidental Benefits'
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Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.

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What is Australian Work?
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Susan Cohn

I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.

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The Artist, the Gallery and the Recession
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Geoffrey Legge

In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.

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