Demystifying Art Criticism

Cover of Demystifying Art Criticism
1.45375
I'm Very Into You: Correspondence 1995-1996

Kathy Acker & McKenzie Wark

Book Review
Ken Bolton

Published December 2015
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The Photograph and Australia

Judy Annear (ed)

Book Review
Joanna Mendelssohn

Published December 2015
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Zizz! The Life and Art of Len Lye In His Own Words

Len Lye with Roger Horrocks

Book Review
Eve Sullivan

Published December 2015
Axolotl
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Seva Frangos

Book Review
Una Rey

Published December 2015
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Funemployed

Justin Heazlewood

Book Review
Kelli Rowe

Published December 2015
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John Wolseley: Landmarks III

Sasha Grishin

Book Review
Stephanie Radok

Published December 2015
NAVA
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No Future for You: Salvos from The Baffler

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Book Review
Andrew Varano

Published September 2015
1.5
Painting is a Critical Form

Helen Johnson

Book Review
Mary-Jean Richardson

Published September 2015

Book review Art Connections Jenny Aland and Max Darby Heinemann, Melbourne 1991 RRP $29.95

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A Response to 'Incidental Benefits'
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Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.

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Dialogue with Thailand
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The Ham Museum ARCO 1992
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Predicaments of Furniture Design
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No matter what we say about furniture, it seems to have been said before. Small wonder that painting and installation attracts our writers more than furniture, when discourse about tables and chairs is confined to the rehearsal of so many grim platitudes. But if banality beleaguers the objects themselves, it is still more oppressively unavoidable in discussion of the unfortunate Australian industries of furniture design and manufacture.

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Art, Sports Stars and the Depression: Knocking at the Door of the Special World
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Our sports stars are successful because they are not burdened by funding programs which dribble a meagre supply to an army of unknown novices....the arts need radical strategies to help them survive the recession and achieve greater audience participation. (this article is responded to by Norm Austin, the Deputy Director of the Art Gallery of NSW).

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The Arts- Survival of the BIGGEST?
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Brian Tucker

The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.

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Managing ARX
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Written by the co-ordinator of the past three ARX events which have taken place in Perth Western Australia. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Ian Howard in this issue of Artlink.

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The Recession and the Arts
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The theme in this article is that the recession will have significant implications for the arts community. The argument is that the recession is not just a temporary phenomenon, related to a decline in demand, but is the product of weaknesses in the Australian economy and of the peculiar nature of economic growth in the 1980s....

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The Business of Art
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It's not easy to make a conference look sexy - especially when it's about regional galleries. But the team at the five year old Regional Galleries Association of Queensland managed just that in the late winter sunshine of Cairns last year.

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A response to the Article by Nelson English
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A response to the article by Nelson English in this issue of Artlink Volume 12 no 3.

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The Artist, the Gallery and the Recession
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In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.

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Putting in the Boot - Nicely
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