Demystifying Art Criticism

Cover of Demystifying Art Criticism
1.45375
I'm Very Into You: Correspondence 1995-1996

Kathy Acker & McKenzie Wark

Book Review
Ken Bolton

Published December 2015
1.21875
The Photograph and Australia

Judy Annear (ed)

Book Review
Joanna Mendelssohn

Published December 2015
1.34
Zizz! The Life and Art of Len Lye In His Own Words

Len Lye with Roger Horrocks

Book Review
Eve Sullivan

Published December 2015
Metro Tunnel (Vic Gov)
1.29659643436
Timothy Cook: Dancing with the Moon

Seva Frangos

Book Review
Una Rey

Published December 2015
1.571709233792
Funemployed

Justin Heazlewood

Book Review
Kelli Rowe

Published December 2015
1.10125
John Wolseley: Landmarks III

Sasha Grishin

Book Review
Stephanie Radok

Published December 2015
Artlink Promo
1.4575
No Future for You: Salvos from The Baffler

John Summers, Chris Lehmann, Thomas Frank (eds)

Book Review
Andrew Varano

Published September 2015
1.5
Painting is a Critical Form

Helen Johnson

Book Review
Mary-Jean Richardson

Published September 2015

Book review Art Connections Jenny Aland and Max Darby Heinemann, Melbourne 1991 RRP $29.95

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Incidental Benefits: Arts Industry Rhetoric and Policy Objectives
Feature
Peter Anderson

The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)

Published September 1992
Uncertainly Thinking
Review
Catherine Lumby

Exhibition review Blink
Contemporary Art Centre
Adelaide
May 1992

Published September 1992
The Business of Art
Feature
Margriet Bonnin

It's not easy to make a conference look sexy - especially when it's about regional galleries. But the team at the five year old Regional Galleries Association of Queensland managed just that in the late winter sunshine of Cairns last year.

Published September 1992
Culture as Transformation: ARX
Feature
Vivienne Binns

Artist's regional exchange (ARX). Events such as ARX in Perth are rare and potentially of such value for me that, although not a participating artist this time, I was determined to travel from the east to attend. Four views on the exchange See also the articles by Ian Howard, Anne Kirker and Adrian Jones in this issue of Artlink.

Published September 1992
A response to the Article by Nelson English
Feature
Norm Austin

A response to the article by Nelson English in this issue of Artlink Volume 12 no 3.

Published September 1992
Towards a Legitimate Interest
Feature
Ian Howard

The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.

Published September 1992
The Ham Museum ARCO 1992
Feature
Ian North

Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.

Published September 1992
Arts and the Economy?
Feature
Max Bourke

Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.

Published September 1992
Proposals from Invisible Worlds
Feature
Marian Pastor Roces

This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.

Published September 1992
The Artist, the Gallery and the Recession
Feature
Geoffrey Legge

In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.

Published September 1992
Sites in Relation to Themselves
Review
Richard Grayson

Exhibition review 42 Degrees South and 175 Degrees East
Artspace, Adelaide Festival Centre
16 June - 1 August 2000

Published September 1992
Between the Clues Lies the Evidence
Review
Catherine Lumby

Exhibition review Suzanne Treister
Post West Gallery
22 - 31 May 1992

Published September 1992