Published 01 September 2019
Clear discussion of the issues facing stage and set designers in the visual arts world.
Book review The Money and the Means: Grants, Scholarships and Opportunities for Professional Development
Art Museums Association of Australia 1992
Published September 1992
In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.
Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.
Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.
Exhibition review Chantal Delrue: Recent Works
Dick Bett Gallery
February - March 1992
No matter what we say about furniture, it seems to have been said before. Small wonder that painting and installation attracts our writers more than furniture, when discourse about tables and chairs is confined to the rehearsal of so many grim platitudes. But if banality beleaguers the objects themselves, it is still more oppressively unavoidable in discussion of the unfortunate Australian industries of furniture design and manufacture.
Exhibition review Life Boat: Carvings by Catherine Truman
Jam Factory Gallery
10 July - 9 August 1992
Exhibition review Do Something with a Blunstone
Our sports stars are successful because they are not burdened by funding programs which dribble a meagre supply to an army of unknown novices....the arts need radical strategies to help them survive the recession and achieve greater audience participation. (this article is responded to by Norm Austin, the Deputy Director of the Art Gallery of NSW).
Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.
Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.
Written by the co-ordinator of the past three ARX events which have taken place in Perth Western Australia. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Ian Howard in this issue of Artlink.