Vicious Circles: Women's Exclusion from Contemporary Visual Art

Cover of Vicious Circles: Women's Exclusion from Contemporary Visual Art
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The five phases of Aboriginal art
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
MGNSW
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
Curiocity Brisbane (Mulberry Seed Comms)
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.

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Managing ARX
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Adrian Jones

Written by the co-ordinator of the past three ARX events which have taken place in Perth Western Australia. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Ian Howard in this issue of Artlink.

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Aboriginal Art, the Nation State Suburbia
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The Recession and the Arts
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The theme in this article is that the recession will have significant implications for the arts community. The argument is that the recession is not just a temporary phenomenon, related to a decline in demand, but is the product of weaknesses in the Australian economy and of the peculiar nature of economic growth in the 1980s....

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Dialogue with Thailand
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Metaphors of Mortality: Catherine Truman
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Exhibition review Life Boat: Carvings by Catherine Truman
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What is Australian Work?
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Susan Cohn

I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.

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Arts and the Economy?
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Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.

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Incidental Benefits: Arts Industry Rhetoric and Policy Objectives
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The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)

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A Belgian Artist's Work in Tasmania
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A Response to 'Incidental Benefits'
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Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.

Published September 1992
Sites in Relation to Themselves
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Richard Grayson

Exhibition review 42 Degrees South and 175 Degrees East
Artspace, Adelaide Festival Centre
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The Brush-Off Syndrome: Stage Design, History and Visual Art in Adelaide
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Clear discussion of the issues facing stage and set designers in the visual arts world.

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NAVA
UNSW
Darwin Aboriginal Art Fair