Published 01 September 2005
Published 01 June 2020
Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.
The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)
Published September 1992
Exhibition review 42 Degrees South and 175 Degrees East
Artspace, Adelaide Festival Centre
16 June - 1 August 2000
Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.
The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.
Written by the co-ordinator of the past three ARX events which have taken place in Perth Western Australia. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Ian Howard in this issue of Artlink.
No matter what we say about furniture, it seems to have been said before. Small wonder that painting and installation attracts our writers more than furniture, when discourse about tables and chairs is confined to the rehearsal of so many grim platitudes. But if banality beleaguers the objects themselves, it is still more oppressively unavoidable in discussion of the unfortunate Australian industries of furniture design and manufacture.
In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.
Exhibition review Chantal Delrue: Recent Works
Dick Bett Gallery
February - March 1992
I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.
Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.
Exhibition review Blink
Contemporary Art Centre
Clear discussion of the issues facing stage and set designers in the visual arts world.