There's Magic in your Hands

Cover of There's Magic in your Hands
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
NAVA
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.

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More from this Issue Full Issue Contents

The Australia Shop -- EXPO 92 Seville
Feature
Marjorie Johnson

The Australian Government's decision to participate in Expo 92 in Seville, the biggest Expo this century, has culminated in a presence recently described in a 'Best of Expo Guide' as "high spirited in mood and one of the most distinctive pavilions at Expo."

Published September 1992
Metaphors of Mortality: Catherine Truman
Review
Susan Cochrane

Exhibition review Life Boat: Carvings by Catherine Truman
Jam Factory Gallery
South Australia
10 July - 9 August 1992

Published September 1992
Between the Clues Lies the Evidence
Review
Catherine Lumby

Exhibition review Suzanne Treister
Post West Gallery
22 - 31 May 1992

Published September 1992
The Fourth Side of the Triangle: Bronwyn Oliver
Review
Stephanie Radok

Exhibition review Bronwyn Oliver
Artspace, Adelaide Festival Centre Adelaide, South Australia
29 May - 18 July 1992

Published September 1992
Incidental Benefits: Arts Industry Rhetoric and Policy Objectives
Feature
Peter Anderson

The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)

Published September 1992
The Ham Museum ARCO 1992
Feature
Ian North

Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.

Published September 1992
Art, Sports Stars and the Depression: Knocking at the Door of the Special World
Feature
Nelson English

Our sports stars are successful because they are not burdened by funding programs which dribble a meagre supply to an army of unknown novices....the arts need radical strategies to help them survive the recession and achieve greater audience participation. (this article is responded to by Norm Austin, the Deputy Director of the Art Gallery of NSW).

Published September 1992
Aboriginal Art, the Nation State Suburbia
Feature
Peter Sutton

In Englishwe use the word 'country' in two main senses: to refer to nation states, and to speak about rural lands beyond the big cities and their suburbs. In Australia there is historically a third zone out past the country; the now quickly shrinking Outback.

Published September 1992
Uncertainly Thinking
Review
Catherine Lumby

Exhibition review Blink
Contemporary Art Centre
Adelaide
May 1992

Published September 1992
Dialogue with Thailand
Feature
Anne Kirker

Interview format with Dr Poshyananda One of Four views on the exchange. See also the articles by Vivienne Binns, Ian Howard and Adrian Jones in this issue of Artlink.

Published September 1992
The Recession and the Arts
Feature
Greg McCarthy

The theme in this article is that the recession will have significant implications for the arts community. The argument is that the recession is not just a temporary phenomenon, related to a decline in demand, but is the product of weaknesses in the Australian economy and of the peculiar nature of economic growth in the 1980s....

Published September 1992
Vicious Circles: Women's Exclusion from Contemporary Visual Art
Feature
Dorothy Broom

Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.

Published September 1992
 
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