Published 01 September 2020
Published September 2020
Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.
Interview format with Dr Poshyananda One of Four views on the exchange. See also the articles by Vivienne Binns, Ian Howard and Adrian Jones in this issue of Artlink.
Published September 1992
It's not easy to make a conference look sexy - especially when it's about regional galleries. But the team at the five year old Regional Galleries Association of Queensland managed just that in the late winter sunshine of Cairns last year.
Exhibition review Backyards Exhibition
21 June - 12 July 1992
Exhibition review Bronwyn Oliver
Artspace, Adelaide Festival Centre Adelaide, South Australia
29 May - 18 July 1992
The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)
Exhibition review Suzanne Treister
Post West Gallery
22 - 31 May 1992
Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.
Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.
Written by the co-ordinator of the past three ARX events which have taken place in Perth Western Australia. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Ian Howard in this issue of Artlink.
The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.
In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.
Exhibition review 42 Degrees South and 175 Degrees East
Artspace, Adelaide Festival Centre
16 June - 1 August 2000