Published 01 September 2005
Published 01 June 2020
A response to the article by Nelson English in this issue of Artlink Volume 12 no 3.
Exhibition review 42 Degrees South and 175 Degrees East
Artspace, Adelaide Festival Centre
16 June - 1 August 2000
Published September 1992
Exhibition review Chantal Delrue: Recent Works
Dick Bett Gallery
February - March 1992
Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.
Exhibition review Life Boat: Carvings by Catherine Truman
Jam Factory Gallery
10 July - 9 August 1992
It's not easy to make a conference look sexy - especially when it's about regional galleries. But the team at the five year old Regional Galleries Association of Queensland managed just that in the late winter sunshine of Cairns last year.
Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.
Exhibition review Do Something with a Blunstone
Book review Art Connections
Jenny Aland and Max Darby
Heinemann, Melbourne 1991
Artist's regional exchange (ARX). Events such as ARX in Perth are rare and potentially of such value for me that, although not a participating artist this time, I was determined to travel from the east to attend. Four views on the exchange See also the articles by Ian Howard, Anne Kirker and Adrian Jones in this issue of Artlink.
The theme in this article is that the recession will have significant implications for the arts community. The argument is that the recession is not just a temporary phenomenon, related to a decline in demand, but is the product of weaknesses in the Australian economy and of the peculiar nature of economic growth in the 1980s....
Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.
The Australian Government's decision to participate in Expo 92 in Seville, the biggest Expo this century, has culminated in a presence recently described in a 'Best of Expo Guide' as "high spirited in mood and one of the most distinctive pavilions at Expo."