Published 01 September 2019
A response to the article by Nelson English in this issue of Artlink Volume 12 no 3.
Exhibition review Bronwyn Oliver
Artspace, Adelaide Festival Centre Adelaide, South Australia
29 May - 18 July 1992
Published September 1992
Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.
Exhibition review Life Boat: Carvings by Catherine Truman
Jam Factory Gallery
10 July - 9 August 1992
The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.
The Australian Government's decision to participate in Expo 92 in Seville, the biggest Expo this century, has culminated in a presence recently described in a 'Best of Expo Guide' as "high spirited in mood and one of the most distinctive pavilions at Expo."
The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.
Exhibition review Chantal Delrue: Recent Works
Dick Bett Gallery
February - March 1992
Clear discussion of the issues facing stage and set designers in the visual arts world.
Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.
This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.
Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.
Exhibition review Do Something with a Blunstone