A response to the Article by Nelson English

Cover of A response to the Article by Nelson English
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
PICA
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
NAVA
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

A response to the article by Nelson English in this issue of Artlink Volume 12 no 3.

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The Fourth Side of the Triangle: Bronwyn Oliver
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Stephanie Radok

Exhibition review Bronwyn Oliver
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29 May - 18 July 1992

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There's Magic in your Hands
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Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.

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Metaphors of Mortality: Catherine Truman
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10 July - 9 August 1992

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The Arts- Survival of the BIGGEST?
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Brian Tucker

The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.

Published September 1992
The Australia Shop -- EXPO 92 Seville
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Marjorie Johnson

The Australian Government's decision to participate in Expo 92 in Seville, the biggest Expo this century, has culminated in a presence recently described in a 'Best of Expo Guide' as "high spirited in mood and one of the most distinctive pavilions at Expo."

Published September 1992
Towards a Legitimate Interest
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The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.

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A Belgian Artist's Work in Tasmania
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Dick Bett Gallery
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February - March 1992

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The Brush-Off Syndrome: Stage Design, History and Visual Art in Adelaide
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Pamela J Zeplin

Clear discussion of the issues facing stage and set designers in the visual arts world.

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Arts and the Economy?
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Max Bourke

Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.

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Proposals from Invisible Worlds
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Marian Pastor Roces

This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.

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Vicious Circles: Women's Exclusion from Contemporary Visual Art
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Dorothy Broom

Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.

Published September 1992
Putting in the Boot - Nicely
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