Things Falling Apart: The Work of Ian Howard

Discusses Professor Ian Howard's visit to Beijing - his earlier frottage works from the days of the Vietnam war and the Berlin Wall as well as the large computer painted image making. Howard's work represents direct encounters with the real world combining personal and esoteric images with public and popular ones.

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Red Contemporary Art Events

National Gallery of Victoria 28 May - 30 June 1999

Juliette Peers

TV Docos and Realpolitik

The author Des Kootji Raymond as the director discusses with Jeffrey Bruer, co-writer, editor and associate producer, the production of a controversial television documentary ÒWrap me up in PaperbarkÓ. The documentary is about indigenous peoples right to reclaim the remains of their elders who were forcibly removed from their homelands as children. Discusses the repatriation of remains of Aboriginal people from museums.

Des Kootji Raymond

Naming and Reclaiming: The Searching Eye of Pam Lofts

Central Australia remains at the post-colonial interface where issues such as reconciliation, cultural dislocation and otherness are daily issues. Examines the work of Pam Lofts and her relationship as a white artist working in such an environment. Explores the distinctions between the European concept of landscape and the indigenous focus on country.

Cath Bowdler

Signs of Life

Melbourne International Biennial 1999 Telecom Building Russell St and other venues in Melbourne 11 May - 27 June

Robert Nelson

Respirare: Sebastion Di Mauro

Institute of Modern Art, Brisbane June 3 - 26

Linda Carroli

Laughing and Killing: The Guilty Pleasures of Anime

Anime (Japanese animation) is increasingly violent and yet the Japanese level of violence is much lower than in America. Viewed as an escapist form of entertainment with female characters idealised and existing in a male fantasy land runs counter to the Wests view of feminism. This form of popular culture is a useful vehicle to examine the country's psyche.

Fiona Hann

James Gleeson

A selection of work from 1978-1998 Pinacotheca, Melbourne 2 - 26 June 1999

Cliff Burtt

Who's Afraid of the Prosthetic?

Explores relationships between human participants and the machine. Describes two projects Fuzzylove Dating Data Base and The Brain Project which use their location in a technological matrix as a means of exploring inter-relationships between the user and the their sources of energy and fear, Discusses formulation of information --the computer and related technologies -- as an industry.

Richard Grayson

Disqualified Knowledges: Insight into Disturbance at Splash

Explores the positioning of artworks made by people with a mental disability looking specifically at the arts access program --Splash Art Studio. The studio encourages the voice of the participants each attempting to articulate their own knowledge. The studio operates between the dominant voices of the psychiatric and art institutions making possible a space for people to develop their own ways of working.

Jeff Stewart

Fashion for Civil Disturbance Bandung-Style

An interview by Damon Moon with Rifky Effendy, a curator and artist based in Bandung Indonesia. Effendy's curatorial project Wearable has been exhibited in Indonesia. The project explores some of the living conditions in Indonesia in the times leading up to the resignation of Suharto. The idea of clothing is used as a metaphor for identity --camouflage or exposure vulnerability or protection.

Damon Moon

Howard Arkley

Obituary for the artist Howard Arkley who died in Melbourne on July 22 1999. Outlines his career in terms of the artistic highlights and short personal biography.

Timothy Morrell

Reconstructing Identity in Post-Apartheid South Africa

Visual arts in South Africa since the 1970s have played an important role in the struggle for freedom. They have chronicled the country's history of political oppression, chaos and transformation. Artworks today investigate a highly individuated sense of the political self.

Victoria Hynes

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