Conservation: The State of the Art Conservation - Access, Equity and Future Directions

Cover of Conservation: The State of the Art Conservation - Access, Equity and Future Directions
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Lipstick and Land Rights: matriarchal sovereign history and the cyber frontier
Feature
Lorna Munro

Published 24 January 2022
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
Gallipoli Art Prize
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Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
Guildhouse
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Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
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My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021

Conservation - access, equity and future directions. Everyone is talking about the effects of the economic climate, some people are calling it a recession and others a depression.

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More from this Issue Full Issue Contents

Victoria Moves Towards Museum Accreditation
Feature
Roger Trudgeon

Accreditation is set to become one of the significant features of the Victorian museum scene in the 1990s. At a time when Victoria might be perceived as out for the count it may seem unlikely to be introducing major developments in the operation of the State's 400 Museums.

Published March 1992
Exhibiting Conflict - Who Dares?
Feature
Viv Szekeres

Museum exhibitions tend not to challenge visitors with critical perspectives, contradictory points of view or subject matter which is controversial. I would like to explore different ways that conflict might be included in exhibitions and used to further our understanding of the past.

Published March 1992
European Museums Make an Exhibition of Themselves
Feature
Philip Wright

Report on the 3rd International Salon of Museums and Exhibitions (SIME) at the Grand Palais Paris January 1992

Published March 1992
Abel Tasman at Dunedin
Feature
Joanna Mendelssohn

Looks at the exhibition 'Terra Australis Incognita' at the Dunedin Public Art Gallery in New Zealand, to celebrate the 350th anniversary of Abel Tasman's discovery.

Published March 1992
Implementing Aboriginal and Multicultural Policy in the Museum Sector
Feature
Helen Andreoni

Helen Andreoni writes on matters which are addressed in the report commissioned by the Office of Multicultural Affairs (OMA) by Amareswar Galla (also in this edition of Artlink).

Published March 1992
Heritage Collections not Museums
Feature
Daniel Thomas

In 1975 the Whitlam Government's Committee of Inquiry on Museums and National Collections (the Piggott Committee, after its chairman P H Piggott) unsuccessfully recommended setting up of a Museum's Commission.

Published March 1992
Ordinary Otherness
Review
Stephanie Radok

Exhibition review Unfamiliar territory: Second Adelaide Biennial of Australian Art 1992
Art Gallery of South Australia
28 February - 19 April 1992

Published March 1992
Aboriginal People and Museums: Restricting Access to Increase It
Feature
Christopher Anderson

The South Australian Museum has the world's largest and most comprehensive collection of Australian Aboriginal material culture. It also has a vast archive of information about that material and about other aspects of Aboriginal life in the form of photographs, films, audio tapes, diaries and other records.

Published March 1992
Museums and Technology: A Recession Boom?
Feature
Charles Pickett

With so many people feeling bruised and battered by the 1980s, it may seem cynical to point out that this unlamented decade also produced some new museums. These two 1980s legacies appear unrelated. On the face of it, museums are a quintessentially boom-time phenomenon, another emblem of 1980s extravagance.

Published March 1992
Sources of Synergy: Museums for Design
Feature
Andrew Montana

The Zandra Rhodes costume in Sydney's Powerhouse Museum holds unique significance within the design collection.

Published March 1992
Museums on the Edge
Editorial
Louise Dauth

Guest editor for Vol 12 No 1 Museums on the Edge. This edition was founded on a perception of a lack of any quantity of readily available material on the Australian and New Zealand experience of museums.

Published March 1992
If you Can't Measure It, You Can't Manage It!
Feature
Nelson English

I am particularly troubled about debates such as those illustrated by the publications 'What Price Heritage? - Finance 1989' and 'What value Heritage? DASETT 1990' and Professor Donald Horne's article 'Weekend Australian Jan 4-5 1992' on museums, because there is nearly always truth on all sides.

Published March 1992