Bad Names Improved

Cover of Bad Names Improved
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
AFF
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Suggestions for renaming many cultural institutions which are ambiguously named.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Te Papa Tongarewa: Museum of New Zealand
Feature
Ian Wedde

Looks at recent issues for the National Art Gallery of New Zealand from the boardroom dismissals and judgments as well as the operations.

Published March 1992
Towards the Light: The story of One New Age Gallery's Quest for Purpose and Relevance in a Changing World
Feature
John Neylon

On 23 October 2002, yet another Council of Australian Museums Associations (CAMA) ran down. Conferees were already half deep in thought about melting credit cards and distant work site desks stacked high with urgent files. Well Not exactly CAMA...

Published March 1992
Museums and Technology: A Recession Boom?
Feature
Charles Pickett

With so many people feeling bruised and battered by the 1980s, it may seem cynical to point out that this unlamented decade also produced some new museums. These two 1980s legacies appear unrelated. On the face of it, museums are a quintessentially boom-time phenomenon, another emblem of 1980s extravagance.

Published March 1992
Exhibiting Conflict - Who Dares?
Feature
Viv Szekeres

Museum exhibitions tend not to challenge visitors with critical perspectives, contradictory points of view or subject matter which is controversial. I would like to explore different ways that conflict might be included in exhibitions and used to further our understanding of the past.

Published March 1992
The Ownership of Cultural Meaning: Local Museums and Access
Feature
Shar Jones

According the the Australia Council figures in 1990 a number of people exceeding the entire population of Australia visited the 187 Australian Museums that employed paid staff in 1989/90 at a cost, for maintence, development and operations in excess of $13.00 per head of population, excluding any charges imposed on entry to museums or exhibitions. And what does $13.00 buy for the Museum going public?

Published March 1992
CAMA Conference: An Overview
Review
Susan Tonkin

Conference review CAMA Something for Everyone: Access to Museums held at the University of Adelaide October 1991.

Published March 1992
Museums on the Edge
Editorial
Louise Dauth

Guest editor for Vol 12 No 1 Museums on the Edge. This edition was founded on a perception of a lack of any quantity of readily available material on the Australian and New Zealand experience of museums.

Published March 1992
Some Thoughts on Museum Futures
Feature
Des Griffin

The quintessential purpose of Museums is to encourage and instil the joy of intellectual and aesthetic discovery. Abstracted partly from a public lecture entitled 'Ideas -Heresies even - for Museum Futures' given in Perth for the Western Australian Government Department of the Arts Task Force on Museums in August 1991.

Published March 1992
A Dialogue with Richard Grayson
Review
Fotis Kapetopoulos

Exhibition review An Interrupted Dialogue. One of the first international experimental art exhibitions to be shown outside Hungary since the end of World War 2. Grayson worked with Suzy Meszoly of the Soros Fine Art Documentation Centre of Budapest in 1988 during the time when changes were sweeping through Central Europe.

Published March 1992
Cultural Diversity and the Challenges of Access
Feature
Claudine Brown

Cultural diversity has become a key issue in the 1990s for a number of reasons. In the United States we have recently completed a census. The results of that census indicate a dramatic change in the nation's demographics.

Published March 1992
Ordinary Otherness
Review
Stephanie Radok

Exhibition review Unfamiliar territory: Second Adelaide Biennial of Australian Art 1992
Art Gallery of South Australia
28 February - 19 April 1992

Published March 1992
Arthouse and Beyond
Review
Gregory Kwok-Keung Leong

Looks at Arthouse in Launceston Tasmania.

Published March 1992
 
ACE Open
Crown Resorts
Axolotl
The Japan Foundation
NAVA