Background to the Project: Heritage Curricula and Multiculturalism (HC&M)

Cover of Background to the Project: Heritage Curricula and Multiculturalism (HC&M)
1.128
Wardlipari Homeriver Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.192
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
ACMI
1.124
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
Axolotl
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018

Background to the National Agenda for a Multicultural Australia with the final report to be released by the Office of Multicultural Affairs OMA in mid 1992. See also the article by Helen Andreoni in this issue.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

A New Museum for Victoria
Feature
Geoffrey Maslen

In the first project of its kind, private investors will provide half the money needed to build the Museum of Victoria at a new site on the Yarra River.

Published March 1992
Here We Go Again
Feature
Donald Brook

Life in Cyrus with all its charms and challenges.

Published March 1992
Arthouse and Beyond
Review
Gregory Kwok-Keung Leong

Looks at Arthouse in Launceston Tasmania.

Published March 1992
Victoria Moves Towards Museum Accreditation
Feature
Roger Trudgeon

Accreditation is set to become one of the significant features of the Victorian museum scene in the 1990s. At a time when Victoria might be perceived as out for the count it may seem unlikely to be introducing major developments in the operation of the State's 400 Museums.

Published March 1992
Implementing Aboriginal and Multicultural Policy in the Museum Sector
Feature
Helen Andreoni

Helen Andreoni writes on matters which are addressed in the report commissioned by the Office of Multicultural Affairs (OMA) by Amareswar Galla (also in this edition of Artlink).

Published March 1992
Towards the Light: The story of One New Age Gallery's Quest for Purpose and Relevance in a Changing World
Feature
John Neylon

On 23 October 2002, yet another Council of Australian Museums Associations (CAMA) ran down. Conferees were already half deep in thought about melting credit cards and distant work site desks stacked high with urgent files. Well Not exactly CAMA...

Published March 1992
Exhibiting the Museum
Feature
Paul Carter

The recession led rash of public conferences on the theme of Australian identity raises questions about the sources of our national self-knowledge. The congregation of bureaucrats, economists, television personalities, writers and artists has a democratic ring to it but it also points to the failure of our cultural institutions - notably our museums, galleries and libraries - to embrace their responsibility to develop a regional self consciousness.

Published March 1992
Independent Curators
Book Review
Elizabeth Cross

Book review A guide for the Employment of Independent Curators
by Alison Carroll
Published by the Art Museums Association of Australia 1991

Published March 1992
Local Conditions: New Zealand Art
Feature
Robert Leonard

Headlands: Thinking through New Zealand Art. Exhibition for the Museum of Contemporary Art, Sydney from 31st March 1992. Article by the co-curator Robert Leonard.

Published March 1992
A Dialogue with Richard Grayson
Review
Fotis Kapetopoulos

Exhibition review An Interrupted Dialogue. One of the first international experimental art exhibitions to be shown outside Hungary since the end of World War 2. Grayson worked with Suzy Meszoly of the Soros Fine Art Documentation Centre of Budapest in 1988 during the time when changes were sweeping through Central Europe.

Published March 1992
Some Thoughts on Museum Futures
Feature
Des Griffin

The quintessential purpose of Museums is to encourage and instil the joy of intellectual and aesthetic discovery. Abstracted partly from a public lecture entitled 'Ideas -Heresies even - for Museum Futures' given in Perth for the Western Australian Government Department of the Arts Task Force on Museums in August 1991.

Published March 1992
Te Papa Tongarewa: Museum of New Zealand
Feature
Ian Wedde

Looks at recent issues for the National Art Gallery of New Zealand from the boardroom dismissals and judgments as well as the operations.

Published March 1992
 
AFF
Dan McCabe
ACE Open
NAVA
Riddoch