Urban Regions and the City Centre: A Changing Cultural Relationship

Cover of Urban Regions and the City Centre: A Changing Cultural Relationship
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
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Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
Gallery Lane Cove
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
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Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
NAVA
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My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
Feature
Kimberley Moulton

Published 15 December 2021

One of the curious things about very large cities is the gulf that exists between the inner city and the outer suburbs or hinterland.

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More from this Issue Full Issue Contents

Implementing Aboriginal and Multicultural Policy in the Museum Sector
Feature
Helen Andreoni

Helen Andreoni writes on matters which are addressed in the report commissioned by the Office of Multicultural Affairs (OMA) by Amareswar Galla (also in this edition of Artlink).

Published March 1992
Repatriation of Papua New Guinea's Cultural Heritage
Feature
Barry Craig

Jim Specht of the Australian Museum Sydney, has written that "public and private collections of archaeological and ethnographic specimens around the world contain tens of millions of specimens yet only a minute fraction of this total is actually held in its countries of origin" ; most of this material he says, was acquired through colonial or military occupation.

Published March 1992
Aboriginal People and Museums: Restricting Access to Increase It
Feature
Christopher Anderson

The South Australian Museum has the world's largest and most comprehensive collection of Australian Aboriginal material culture. It also has a vast archive of information about that material and about other aspects of Aboriginal life in the form of photographs, films, audio tapes, diaries and other records.

Published March 1992
European Museums Make an Exhibition of Themselves
Feature
Philip Wright

Report on the 3rd International Salon of Museums and Exhibitions (SIME) at the Grand Palais Paris January 1992

Published March 1992
Sources of Synergy: Museums for Design
Feature
Andrew Montana

The Zandra Rhodes costume in Sydney's Powerhouse Museum holds unique significance within the design collection.

Published March 1992
Te Papa Tongarewa: Museum of New Zealand
Feature
Ian Wedde

Looks at recent issues for the National Art Gallery of New Zealand from the boardroom dismissals and judgments as well as the operations.

Published March 1992
Victoria Moves Towards Museum Accreditation
Feature
Roger Trudgeon

Accreditation is set to become one of the significant features of the Victorian museum scene in the 1990s. At a time when Victoria might be perceived as out for the count it may seem unlikely to be introducing major developments in the operation of the State's 400 Museums.

Published March 1992
Charging to Disaster: The Introduction of Museum Entry Fees
Feature
Patrick Filmer-Sankey

Museums are complex social phenomena and valuable resources. There's an ecological analogy there; if you mess with even apparently trivial elements of a complex system, the results can be unpredictable, powerful and are most often catastrophic.

Published March 1992
Museums on the Edge
Editorial
Louise Dauth

Guest editor for Vol 12 No 1 Museums on the Edge. This edition was founded on a perception of a lack of any quantity of readily available material on the Australian and New Zealand experience of museums.

Published March 1992
Australian Art Museums and Public Galleries Directory
Book Review
Naomi Cass

Book review Australian Art Museums and Public Galleries Directory published by the Art Museums Association of Australia Inc and the National Centre for Australian Studies Monash University 1991.

Published March 1992
Some Thoughts on Museum Futures
Feature
Des Griffin

The quintessential purpose of Museums is to encourage and instil the joy of intellectual and aesthetic discovery. Abstracted partly from a public lecture entitled 'Ideas -Heresies even - for Museum Futures' given in Perth for the Western Australian Government Department of the Arts Task Force on Museums in August 1991.

Published March 1992
Testing the Meaning of Heritage
Review
Janet Maughan

Exhibition review The Heritage of Namatjira
Tandanya National Aboriginal Cultural Institute
Adelaide South Australia
November - December 1991
Curated by Angela Tidmarsh and JVS Megaw on behalf of the Flinders University of South Australia
Catalogue edited by Ruth Megaw.

Published March 1992