Urban Regions and the City Centre: A Changing Cultural Relationship

Cover of Urban Regions and the City Centre: A Changing Cultural Relationship
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
AFF
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
ACE Open
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

One of the curious things about very large cities is the gulf that exists between the inner city and the outer suburbs or hinterland.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Te Papa Tongarewa: Museum of New Zealand
Feature
Ian Wedde

Looks at recent issues for the National Art Gallery of New Zealand from the boardroom dismissals and judgments as well as the operations.

Published March 1992
The Ownership of Cultural Meaning: Local Museums and Access
Feature
Shar Jones

According the the Australia Council figures in 1990 a number of people exceeding the entire population of Australia visited the 187 Australian Museums that employed paid staff in 1989/90 at a cost, for maintence, development and operations in excess of $13.00 per head of population, excluding any charges imposed on entry to museums or exhibitions. And what does $13.00 buy for the Museum going public?

Published March 1992
Cultural Diversity and the Challenges of Access
Feature
Claudine Brown

Cultural diversity has become a key issue in the 1990s for a number of reasons. In the United States we have recently completed a census. The results of that census indicate a dramatic change in the nation's demographics.

Published March 1992
Local Conditions: New Zealand Art
Feature
Robert Leonard

Headlands: Thinking through New Zealand Art. Exhibition for the Museum of Contemporary Art, Sydney from 31st March 1992. Article by the co-curator Robert Leonard.

Published March 1992
Here We Go Again
Feature
Donald Brook

Life in Cyrus with all its charms and challenges.

Published March 1992
Australian Art Museums and Public Galleries Directory
Book Review
Naomi Cass

Book review Australian Art Museums and Public Galleries Directory published by the Art Museums Association of Australia Inc and the National Centre for Australian Studies Monash University 1991.

Published March 1992
Exhibiting the Museum
Feature
Paul Carter

The recession led rash of public conferences on the theme of Australian identity raises questions about the sources of our national self-knowledge. The congregation of bureaucrats, economists, television personalities, writers and artists has a democratic ring to it but it also points to the failure of our cultural institutions - notably our museums, galleries and libraries - to embrace their responsibility to develop a regional self consciousness.

Published March 1992
Conservation: The State of the Art Conservation - Access, Equity and Future Directions
Feature
Ian Cook

Conservation - access, equity and future directions. Everyone is talking about the effects of the economic climate, some people are calling it a recession and others a depression.

Published March 1992
Designing for Interesting People
Feature
Judith Brine

Andrew Andersons is, and has been, engaged to contribute to many of Australia's leading art museums as well as to other public buildings and spaces. His work might be described as adaptive; accommodating to the style and typology of the major buildings on which he has worked as well as responding to the varied views of curators with whom he has co-operated closely when designing galleries.

Published March 1992
Background to the Project: Heritage Curricula and Multiculturalism (HC&M)
Feature
Amareswar Galla

Background to the National Agenda for a Multicultural Australia with the final report to be released by the Office of Multicultural Affairs OMA in mid 1992. See also the article by Helen Andreoni in this issue.

Published March 1992
Exhibiting Conflict - Who Dares?
Feature
Viv Szekeres

Museum exhibitions tend not to challenge visitors with critical perspectives, contradictory points of view or subject matter which is controversial. I would like to explore different ways that conflict might be included in exhibitions and used to further our understanding of the past.

Published March 1992
Aboriginal People and Museums: Restricting Access to Increase It
Feature
Christopher Anderson

The South Australian Museum has the world's largest and most comprehensive collection of Australian Aboriginal material culture. It also has a vast archive of information about that material and about other aspects of Aboriginal life in the form of photographs, films, audio tapes, diaries and other records.

Published March 1992
 
Crown Resorts
Axolotl
NAVA
Artlink Subs Promo
The Japan Foundation