How to Hold a Festival in the Cook Islands

Cover of How to Hold a Festival in the Cook Islands
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Japan Foundation
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Axolotl
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Make your moment in Pacific history and hang the cost. On 15 October 1992 Raratongans waited expectantly for their 2000 guests from 23 other Pacific countries to arrive for the 6th Pacific Festival of Arts.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Tut's Whittle Wonders
Feature
Joanna Lawton

Written with David Wood. Explores the work of Tut Ludby who whittles wood in the small town of Strahan in Tasmania.

Published December 1992
Self, Image and the Gaze: Anna Platten
Review
Jude Adams

Exhibition review Works by Anna Platten: Paintings and Studies 1982 -1992
University of South Australia Art Museum
30 July - 29 August 1992

Published December 1992
The O/S Experience
Review
Jonathan Holmes

Rediscovery: Australian Artists in Europe 1982-1992 Universal Expo Seville
June/July 1992
Curator Jonathon Holmes

Published December 1992
Reflections on Being: Being and Nothingness
Review
Penny Mason

Exhibition review Being and Nothingness
Works by Bea Maddock
Queen Victoria Museum and Art Gallery
Launceston
August 1992

Published December 1992
Maria
Feature
Julian Goddard

Looks at the environment of Maria "Mad Mary" Hermann at her house in Leederville Western Australia.

Published December 1992
The World in Talc
Feature
Malcolm McKinnon

Looks at the works of Talc Alf working in Lyndhurst South Australia.

Published December 1992
Masterminded Masterpieces: Legendary Art
Feature
Rimas Riauba

Mrs Iris Frame is going to be bigger than Elvis Presley. She told the author so herself. Her dream is to establish a museum of her life's work on her property just like Gracelands.

Published December 1992
Now Who is Being Naive?
Feature
John Kean

Naive is a tag used to describe the style of a particular artist and by inference the content of their work. In this examination of 4 contemporary artists working in what can be characterised as a naive style. the author illustrates that they are being anything but naive in the analysis of events, issues and stereotypes.

Published December 1992
From Stone Henge to Post-Feminist Creatures
Feature
Lawrence Hall

Tattoo in Aotearoa/ New Zealand
Tattooing is not 'Outsider' or 'Other' art. To suggest this is to fall once more into the tiresome quagmire of Western art definitions. Looks at an exhibition 'Tattoo' 1993.

Published December 1992
Frank 'Bronco' Johnson - The Poetics of Defence
Feature
Paul Hoban

He was always delighted to be fighting with someone....

Published December 1992
Arts Project Australia: Creativity, Marginality and the Politics of Difference
Feature
Chris McAuliffe

Arts Project Australia was formed in Melbourne in 1974 as an advocacy group for artists with an intellectual disability. The initial aim of the organisationwas to gather a comprehensive collections of artworks from centres in Victoria working with people with an intellectual disability.

Published December 1992
A Living Treasure: The Topiary of Jack Cashion
Feature
Audrey Hutchison

As a sculptor working in metal I have been interested for some time in combining plants with the hard surfaces of copper and steel. The issues involved in using shrubs and trees are many, including that the work isn't trivialised or lacking in credibility, transport and of course storage.

Published December 1992
 
Artlink Subs Promo
ACMI
Dan McCabe
NAVA