Published April 2021
Outsider Artists in Australia? Of course. The phenomenon is universal.
The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?
Published December 1992
Make your moment in Pacific history and hang the cost. On 15 October 1992 Raratongans waited expectantly for their 2000 guests from 23 other Pacific countries to arrive for the 6th Pacific Festival of Arts.
Tattoos
As a sculptor working in metal I have been interested for some time in combining plants with the hard surfaces of copper and steel. The issues involved in using shrubs and trees are many, including that the work isn't trivialised or lacking in credibility, transport and of course storage.
Book review The Dictionary of Australian Artists: Painters, Sketchers, Photographers and Engravers to 1870 Edited by Joan Kerr Oxford University Press Melbourne RRP $200
Interview with Tazz a tattoo artist in South Australia.
Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.
He was always delighted to be fighting with someone....
Published 01 December 1992
In a remote corner of the south west of Western Australia, a school teacher who had never trained in art, was the catalyst for a school of landscape painting reminiscent of the style of Namatjira. Everything about this story was remarkable, not least that this happened over 40 years ago and that the average age of the artists was 10. The place was a tiny settlement known as Carrolup, now known as Marribank near Katanning.
Exhibition review Contemporary jewellery at the Jam Factory Leslie Matthews "Inner Vane" 13 August - 13 September 1992 Cecelia Cmielewski 15 May - 5 June 1992 Jam Factory Adelaide South Australia
Review MFG: A report on the first eight months of Greenaway Art Gallery Opened in March 1992
