Contemporary Art Tasmania
Published 15 November 2021
Maitland Regional Art Gallery
Published 18 October 2021
Samstag Museum of Art
Published 06 September 2021
Sauerbier House, Port Noarlunga, South Australia
Published 25 August 2021
Drill Hall Gallery
The Lock-Up
Published 12 July 2021
ACE Open
Published 10 May 2021
Santos Museum of Economic Botany and The Deadhouse (Mortuary Building), Botanic Gardens of South Australia
Exhibition review Constructing space Plimsoll Gallery Tasmanian School of Art Hobart, Tasmania 13 March - 6 June
Exhibition review Q. Would you recognise a Virtual Paradise? and other paintings Suzanne Treister Contemporary Art Centre South Australia 29 March - 24 April 1994
Published September 1994
Exhibition review What's worth Showing? Queen Victoria Museum and Art Gallery Launceston Tasmania
Interview with Tim Storrier.
Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.
Western Sydney can be seen as another city with another culture. This is not quite accurate, but it is the fasted growing region where the bulk of the younger population of the city live. And it has art.
Nowhere is the art of Sydney's youth more obvious than in the public sphere. Discussion with Linda Forrester a researcher of the creative culture of graffiti, street machining and skate boarding.
Exhibition review em/body recent work by Sue Lorraine Artspace, Adelaide Festival Centre South Australia 13 May - 25 June 1994
For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.
In recent years there has been a major debate in Sydney on the nature of art education. Both Jacques Delaruelle and Fay Brauer have been active participants. Plants grow in silence but we (in the art world) vegetate noisily. see also article by Fay Brauer (no 665).
Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.
Exhibition review Aroha Terrace, Forestville June 1994 In the last issue of Artlink 9Vol 14 No 2 - the art of survival) we looked at an innovative art program being run in Adelaide. The 1994 bilboard project at Aroha Terrace Forestville continued until the end of the year, with different artists represented each month.
In the air, on the ground ( and water too). Sydney is undergoing an unprecedented interest in public art. Artists, curators, academics, contemporary art spaces, museums. commercial galleries, architects, urban designers, town planners, local government, arts councils and ministries - all are involved in varying degrees in making, discussing, supporting or promoting public art. Major fold out of William Yang's photographs.
