Kate Breakey

Cover of Kate Breakey
1.238
Kulinmaya! Keep Listening Everybody!

Mumu Mike Williams

Review
Kieran Finnane

Published 01 December 2019
1.126
OzAsia 2019

Adelaide Festival Centre and other venues

Review
Anna O'Loughlin

Published 29 November 2019
1.126
Tarnanthi Festival of Contemporary Aboriginal & Torres Strait Islander Art

Art Gallery of South Australia and other venues

Review
Darren Jorgensen

Published 28 November 2019
NAVA
1.126
Weaving the Way

University of Queensland Art Museum

Review
Kay Lawrence

Published 11 October 2019
1.13
Julie Gough: Tense Past

Tasmanian Museum and Art Gallery

Review
Craig Judd

Published 11 October 2019
1.126
Desert Mob 2019

Araluen Arts Centre

Review
Kieran Finnane

Published 07 October 2019
Metro Tunnel (Vic Gov)
1.122
Louise Haselton: like cures like

Samstag Museum of Art

Review
Elle Freak

Published 27 September 2019
1.116
Agatha Gothe-Snape: Trying to find comfort in an uncomfortable chair

Perth Institute of Contemporary Arts

Review
Alana Hunt

Published 15 September 2019

Exhibition review Laws of Physics/Principles of Mathematics Kate Breakey Artspace, Adelaide Festival Centre South Australia 8 April - 7 May 1994

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Here, There Be Dragons
Feature
Christine Burton

Western Sydney can be seen as another city with another culture. This is not quite accurate, but it is the fasted growing region where the bulk of the younger population of the city live. And it has art.

Published September 1994
Contemporary Aboriginal Art - Flinders University Art Museum
Review
John Neylon

Exhibition review Looking Towards the Future: Contemporary Aboriginal Art
Flinders University Art Museum
South Australia
13 May - 24 June 1994

Published September 1994
Why Criticism?
Feature
Bronwyn Mckean

The most incisive commentary on the visual arts in Sydney usually occurs in private conversations that are not repeated in print for fear of the NSW defamation laws. But there is a great deal published on the visual arts....

Published September 1994
Frank Watters: Sydney Art Gallery Owner
Feature
Bronwyn Watson

Interview with Frank Watters (photographed in article).

Published September 1994
The Lesser of Two Cities
Feature
Terry Ingram

Sydney thinks of itself as the centre of the country, the only part that matters, but in the lucrative art market, Sydney is subsidiary to the old moneyed city of the south -- Melbourne.

Published September 1994
Contemporary History in the Making - Casula Powerhouse
Feature
Melissa Cater

Reconciliation, redevelopment and community involvement have transformed a Sydney power station into a regional arts centre - Liverpool Power Station.

Published September 1994
Breaking the Boundaries - 'Art-elites": Are They an Inevitability?
Feature
Liz Gibson

Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.

Published September 1994
Tim Storrier: Sydney Artist
Feature
Anne Loxley

Interview with Tim Storrier.

Published September 1994
Julie Blyfield
Review
Vivonne Thwaites

Exhibition review Memento celebration sentimentality
Contemporary jewellery by Julie Blyfield
Jam Factory Gallery
8 April - 29 May 1994

Published September 1994
My Sydney
Editorial
Joanna Mendelssohn

Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.

Published September 1994
Where Would Sydney be Without its Art Prizes?
Feature
Anne Loxley

The hype, the hysteria, the media and the money. Of all Sydney's art prizes it is the Archibald which arouses the greatest public interest...

Published September 1994
Sydney in Focus: Reflections on Marketing in the Visual Arts
Feature
Belinda Hanrahan

Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.

Published September 1994