Jun Davila

Exhibition review Imperfect Drawings
Juan Davila
Greenaway Art Gallery
Adelaide South Australia
11 May - 1 June 1994

Published September 1994

Tim Storrier: Sydney Artist

Interview with Tim Storrier.

Published September 1994

Suzanne Treister

Exhibition review Q. Would you recognise a Virtual Paradise? and other paintings
Suzanne Treister
Contemporary Art Centre
South Australia
29 March - 24 April 1994

Published September 1994

In the Air, on the Ground (and Water too) - Public Art in Sydney

In the air, on the ground ( and water too). Sydney is undergoing an unprecedented interest in public art. Artists, curators, academics, contemporary art spaces, museums. commercial galleries, architects, urban designers, town planners, local government, arts councils and ministries - all are involved in varying degrees in making, discussing, supporting or promoting public art. Major fold out of William Yang's photographs.

Published September 1994

Constructing Space - Plimsoll Gallery

Exhibition review Constructing space
Plimsoll Gallery
Tasmanian School of Art Hobart, Tasmania
13 March - 6 June

Published September 1994

Joan Kerr: Sydney Scholar

Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.

Published September 1994

Sydney from Afar

For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.

Published September 1994

What's Worth Showing? - Queen Victoria Museum and Art Gallery

Exhibition review What's worth Showing?
Queen Victoria Museum and Art Gallery
Launceston Tasmania

Published September 1994

My Sydney

Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.

Published September 1994

Why Criticism?

The most incisive commentary on the visual arts in Sydney usually occurs in private conversations that are not repeated in print for fear of the NSW defamation laws. But there is a great deal published on the visual arts....

Published September 1994

Frank Watters: Sydney art gallery owner

Published 01 September 1994

A Series of Close Connections

Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.

Published September 1994