Sue Lorraine

Cover of Sue Lorraine
0.8
Numinosity

Contemporary Art Tasmania

Review
Eliza Burke

Published 15 November 2021
0.8
Middle summer's spring and vandalism 'on fire’: Fiona Lee’s Unpreparable and Bushfire Brandalism

Maitland Regional Art Gallery

Review
Una Rey

Published 18 October 2021
0.8
Shared House: Alex Martinis Roe and Madison Bycroft

Samstag Museum of Art

Review
Sasha Grbich

Published 06 September 2021
City of Unley 3
0.8
FIELD NOTES

Sauerbier House, Port Noarlunga, South Australia

Review
Julianne Pierce

Published 25 August 2021
0.8
Out of Place

Drill Hall Gallery

Review
Ursula Cornelia de Leeuw

Published 25 August 2021
0.666
Inside Elands

The Lock-Up

Review
Keri Glastonbury

Published 12 July 2021
NAVA
0.808
A Reason To Re-Imagine: The Image is not Nothing (Concrete Archives)

ACE Open

Review
Ali Cobby Eckermann

Published 10 May 2021
0.78
Catherine Truman: Shared Reckonings

Santos Museum of Economic Botany and The Deadhouse (Mortuary Building), Botanic Gardens of South Australia

Review
Anne Brennan

Published 10 May 2021

Exhibition review em/body recent work by Sue Lorraine Artspace, Adelaide Festival Centre South Australia 13 May - 25 June 1994

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More from this Issue Full Issue Contents

Absence of Evidence - Fremantle Art Centre
Review
Nikki Miller

Exhibition review Absence of Evidence
Fremantle Arts Centre
Western Australia
15 May - 26 June 1994

Published September 1994
Gaytime in Sydney: Gay and Lesbian Mardi Gras Arts Festival
Feature
Elizabeth Ashburn

Once a very marginalised group, the gay and lesbian communities have now become a part of mainstream Sydney culture.

Published September 1994
Joan Kerr: Sydney Scholar
Feature
Melissa Cater

Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.

Published September 1994
Contemporary History in the Making - Casula Powerhouse
Feature
Melissa Cater

Reconciliation, redevelopment and community involvement have transformed a Sydney power station into a regional arts centre - Liverpool Power Station.

Published September 1994
Breaking the Boundaries - 'Art-elites": Are They an Inevitability?
Feature
Liz Gibson

Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.

Published September 1994
Why Criticism?
Feature
Bronwyn Mckean

The most incisive commentary on the visual arts in Sydney usually occurs in private conversations that are not repeated in print for fear of the NSW defamation laws. But there is a great deal published on the visual arts....

Published September 1994
Kate Breakey
Review
Margot Osborne

Exhibition review Laws of Physics/Principles of Mathematics
Kate Breakey
Artspace, Adelaide Festival Centre
South Australia
8 April - 7 May 1994

Published September 1994
Sydney in Focus: Reflections on Marketing in the Visual Arts
Feature
Belinda Hanrahan

Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.

Published September 1994
Youth Art and Mobile Galleries
Feature
Frances Butler

Nowhere is the art of Sydney's youth more obvious than in the public sphere. Discussion with Linda Forrester a researcher of the creative culture of graffiti, street machining and skate boarding.

Published September 1994
What's Worth Showing? - Queen Victoria Museum and Art Gallery
Review
Ian McLean

Exhibition review What's worth Showing?
Queen Victoria Museum and Art Gallery
Launceston Tasmania

Published September 1994
Sydney from Afar
Feature
Daniel Thomas

For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.

Published September 1994
Still Looking at the Billboard
Review
Stephanie Britton

Exhibition review Aroha Terrace, Forestville
June 1994
In the last issue of Artlink 9Vol 14 No 2 - the art of survival) we looked at an innovative art program being run in Adelaide. The 1994 bilboard project at Aroha Terrace Forestville continued until the end of the year, with different artists represented each month.

Published September 1994