Breaking the Boundaries - 'Art-elites": Are They an Inevitability?

Cover of Breaking the Boundaries - 'Art-elites
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Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
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imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
Artlink Promo
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Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
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Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
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Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
The Japan Foundation
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Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.

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More from this Issue Full Issue Contents

Here, There Be Dragons
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Christine Burton

Western Sydney can be seen as another city with another culture. This is not quite accurate, but it is the fasted growing region where the bulk of the younger population of the city live. And it has art.

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Gaytime in Sydney: Gay and Lesbian Mardi Gras Arts Festival
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Once a very marginalised group, the gay and lesbian communities have now become a part of mainstream Sydney culture.

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A Series of Close Connections
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Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.

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The Lesser of Two Cities
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Sydney thinks of itself as the centre of the country, the only part that matters, but in the lucrative art market, Sydney is subsidiary to the old moneyed city of the south -- Melbourne.

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Postcard from Sydney
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Looks at Boomalli Aboriginal Artists Co-operative in Sydney NSW and the role it plays in supporting and marketing indigenous art.

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Contemporary History in the Making - Casula Powerhouse
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Published September 1994
Frank Watters: Sydney Art Gallery Owner
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Interview with Frank Watters (photographed in article).

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Kate Breakey
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Margot Osborne

Exhibition review Laws of Physics/Principles of Mathematics
Kate Breakey
Artspace, Adelaide Festival Centre
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8 April - 7 May 1994

Published September 1994
Sydney in Focus: Reflections on Marketing in the Visual Arts
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Belinda Hanrahan

Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.

Published September 1994
Still Looking at the Billboard
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June 1994
In the last issue of Artlink 9Vol 14 No 2 - the art of survival) we looked at an innovative art program being run in Adelaide. The 1994 bilboard project at Aroha Terrace Forestville continued until the end of the year, with different artists represented each month.

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In the Air, on the Ground (and Water too) - Public Art in Sydney
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In the air, on the ground ( and water too). Sydney is undergoing an unprecedented interest in public art. Artists, curators, academics, contemporary art spaces, museums. commercial galleries, architects, urban designers, town planners, local government, arts councils and ministries - all are involved in varying degrees in making, discussing, supporting or promoting public art. Major fold out of William Yang's photographs.

Published September 1994
Youth Art and Mobile Galleries
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Nowhere is the art of Sydney's youth more obvious than in the public sphere. Discussion with Linda Forrester a researcher of the creative culture of graffiti, street machining and skate boarding.

Published September 1994
 
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