Breaking the Boundaries - 'Art-elites": Are They an Inevitability?

Cover of Breaking the Boundaries - 'Art-elites
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Nagesh's recipe for Biryani
Feature
Nagesh Seethiah

Published 01 December 2019
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Geological pit stops: Kate Hill and Isadora Vaughan
Feature
Abbra Kotlarczyk

Published 01 March 2020
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Duchamp and Australia: In opposition
Feature
Rex Butler and A.D.S. Donaldson

Published 01 March 2020
NAVA
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The Brazilian moment: A picture gallery in transformation
Feature
John Mateer

Published 01 March 2020
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Crafty prepping
Feature
Sera Waters

Published 01 March 2020
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2019: The year of our cyberpunk future
Feature
Darren Jorgensen

Published 01 March 2020
Artlink Promo
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Art in the time of the burning
Feature
Ian Milliss

Published 01 January 2020
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Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019

Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.

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More from this Issue Full Issue Contents

The Lesser of Two Cities
Feature
Terry Ingram

Sydney thinks of itself as the centre of the country, the only part that matters, but in the lucrative art market, Sydney is subsidiary to the old moneyed city of the south -- Melbourne.

Published September 1994
Sydney from Afar
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Daniel Thomas

For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.

Published September 1994
Joan Kerr: Sydney Scholar
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Melissa Cater

Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.

Published September 1994
Seizing Opportunity from Paradox in Western Sydney
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Katherine Knight

Personal zeal combines with State and Federal funding to underpin major developments in Western Sydney.

Published September 1994
A Series of Close Connections
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Eric Riddler

Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.

Published September 1994
Jacques Delaruelle
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Jacques Delaruelle

In recent years there has been a major debate in Sydney on the nature of art education. Both Jacques Delaruelle and Fay Brauer have been active participants. Plants grow in silence but we (in the art world) vegetate noisily. see also article by Fay Brauer (no 665).

Published September 1994
Still Looking at the Billboard
Review
Stephanie Britton

Exhibition review Aroha Terrace, Forestville
June 1994
In the last issue of Artlink 9Vol 14 No 2 - the art of survival) we looked at an innovative art program being run in Adelaide. The 1994 bilboard project at Aroha Terrace Forestville continued until the end of the year, with different artists represented each month.

Published September 1994
Jun Davila
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Richard Grayson

Exhibition review Imperfect Drawings
Juan Davila
Greenaway Art Gallery
Adelaide South Australia
11 May - 1 June 1994

Published September 1994
Youth Art and Mobile Galleries
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Frances Butler

Nowhere is the art of Sydney's youth more obvious than in the public sphere. Discussion with Linda Forrester a researcher of the creative culture of graffiti, street machining and skate boarding.

Published September 1994
Visualising Masculinities - Claremont School of Art
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Robyn Taylor

Exhibition review Visualising Masculinities
Claremont School of Art Perth
Western Australia
20 May - 15 June 1994

Published September 1994
Julie Blyfield
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Vivonne Thwaites

Exhibition review Memento celebration sentimentality
Contemporary jewellery by Julie Blyfield
Jam Factory Gallery
8 April - 29 May 1994

Published September 1994
Sue Lorraine
Review
Noris Ioannou

Exhibition review em/body
recent work by Sue Lorraine
Artspace, Adelaide Festival Centre
South Australia
13 May - 25 June 1994

Published September 1994