Tim Storrier: Sydney Artist
Interview with Tim Storrier.
More from this Issue
My Sydney
Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.
Sydney from Afar
For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.
Constructing Space - Plimsoll Gallery
Exhibition review Constructing space
Plimsoll Gallery
Tasmanian School of Art Hobart, Tasmania
13 March - 6 June
Kate Breakey
Exhibition review Laws of Physics/Principles of Mathematics
Kate Breakey
Artspace, Adelaide Festival Centre
South Australia
8 April - 7 May 1994
Joan Kerr: Sydney Scholar
Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.
A Series of Close Connections
Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.
Contemporary History in the Making - Casula Powerhouse
Reconciliation, redevelopment and community involvement have transformed a Sydney power station into a regional arts centre - Liverpool Power Station.
Seizing Opportunity from Paradox in Western Sydney
Personal zeal combines with State and Federal funding to underpin major developments in Western Sydney.
Here, There Be Dragons
Western Sydney can be seen as another city with another culture. This is not quite accurate, but it is the fasted growing region where the bulk of the younger population of the city live. And it has art.
Sydney in Focus: Reflections on Marketing in the Visual Arts
Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.
Suzanne Treister
Exhibition review Q. Would you recognise a Virtual Paradise? and other paintings
Suzanne Treister
Contemporary Art Centre
South Australia
29 March - 24 April 1994
Jun Davila
Exhibition review Imperfect Drawings
Juan Davila
Greenaway Art Gallery
Adelaide South Australia
11 May - 1 June 1994