Published 01 December 2019
Published 01 March 2020
Published 01 January 2020
Interview with Frank Watters (photographed in article).
Western Sydney can be seen as another city with another culture. This is not quite accurate, but it is the fasted growing region where the bulk of the younger population of the city live. And it has art.
Published September 1994
Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.
Exhibition review Memento celebration sentimentality Contemporary jewellery by Julie Blyfield Jam Factory Gallery 8 April - 29 May 1994
Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.
Exhibition review Q. Would you recognise a Virtual Paradise? and other paintings Suzanne Treister Contemporary Art Centre South Australia 29 March - 24 April 1994
Exhibition review Laws of Physics/Principles of Mathematics Kate Breakey Artspace, Adelaide Festival Centre South Australia 8 April - 7 May 1994
For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.
Exhibition review Visualising Masculinities Claremont School of Art Perth Western Australia 20 May - 15 June 1994
Nowhere is the art of Sydney's youth more obvious than in the public sphere. Discussion with Linda Forrester a researcher of the creative culture of graffiti, street machining and skate boarding.
Personal zeal combines with State and Federal funding to underpin major developments in Western Sydney.
Response to the article by Jacques Delaruelle (article no 664) on the nature of art education - a debate which has raged in Sydney in recent years.
Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.
