Artrave

Published December 1995

Actions Louder Than Words

Exhibition review Beep 'n' Click
Entrepot Gallery Tasmanian School of Art
Hobart Tasmania
8 - 29 September 1995

Published December 1995

The Taste Factor

When I was an art critic, I quickly grew to dislike the word 'taste'. It was a convenient tool used to dismiss reviews by people who didn't like what I had to say. Whenever I delivered a negative crit upon a widely revered artist, or a positive crit on a very minor figure, they complained that I was allowing my taste to undermine my professionalism.

Published December 1995

Kitsch or Kind: Representations of Aborigines in Popular Art

Much contemporary Aboriginal art functions in the inappropriate melding of two visual art traditions and is kitsch within the given meaning within the article.

Published December 1995

Monstrous Change Observed

Exhibition review Forrest Place During the Time of the Fly Plague and Other Paintings 1993-1995
Thomas Horeau
Perth Western Australia

Published December 1995

Kitschville - The Sydney Gay and Lesbian Mardi Gras

...But the Mardi Gras will always be a child of the seventies. Remember that mantra 'the personal is political'. In spite of the co-option and mainstreaming of Lesbian and Gay culture this wonderful spectacularly amateurish display (of difference) cannot help but be a politicised intervention.

Published December 1995

Making and Breaking

Exhibition review Cross Fibre
Lia Gill Pam Lofts and NT women working with fibre
24 Hour Art Darwin, Northern Territory
18 August - 2 September 1995

Published December 1995

Not Afraid of Flying: Fairies and Femocrats

Are gossamer wings set to supplant shoulder pads as signifiers of feminist power? Shopping malls in middle class suburbs are now sprouting fairy shops where, for only a few dollars, little girls and grown-up ones too, can sprout fairy wings that temporarily release them from the masculine world around them.

Published December 1995

Made in WA: A Sculptor's Alternative Practice

Although well known in regional art histories, Western Australian sculptor Edward Kohler has a far wider importance. Economic survival led him to blend popular and high art long before it was standard practice. With the Piccadilly Theatre reliefs of 1938, the sheer exuberance and infectious quality of a positive (if unconscious) kitsch aesthetic entered professional Australian art 60 years ago: Hollywood meets Olympia.

Published December 1995

Wer ist Unschuldig?

This issue of Artlink meanders (with kitschy loucheness rather than formalist stringency) around 'taste' bad and good, the workings of taste and various permutations of cultural expression in present day Australia. Kitsch is scrutinised.

Published December 1995

Museum of Shopping

Kitsch is a kind of creole. It quotes and mixes references from quite unrelated sources, dresses in wildly unsuitable materials, then tries to insinuate itself using childhood wiles.

Published December 1995

Thought Police Versus Life: Extracts from an Interview with Ray Hughes

Discussion with the artist Ray Hughes about issues that have impacted on his art practice. Biographical details also included.

Published December 1995