Inflecting the Museum

Cover of Inflecting the Museum
1.238
Kulinmaya! Keep Listening Everybody!

Mumu Mike Williams

Review
Kieran Finnane

Published 01 December 2019
1.126
OzAsia 2019

Adelaide Festival Centre and other venues

Review
Anna O'Loughlin

Published 29 November 2019
1.126
Tarnanthi Festival of Contemporary Aboriginal & Torres Strait Islander Art

Art Gallery of South Australia and other venues

Review
Darren Jorgensen

Published 28 November 2019
Artlink Subs Promo
1.126
Weaving the Way

University of Queensland Art Museum

Review
Kay Lawrence

Published 11 October 2019
1.13
Julie Gough: Tense Past

Tasmanian Museum and Art Gallery

Review
Craig Judd

Published 11 October 2019
1.126
Desert Mob 2019

Araluen Arts Centre

Review
Kieran Finnane

Published 07 October 2019
Metro Tunnel (Vic Gov)
1.122
Louise Haselton: like cures like

Samstag Museum of Art

Review
Elle Freak

Published 27 September 2019
1.116
Agatha Gothe-Snape: Trying to find comfort in an uncomfortable chair

Perth Institute of Contemporary Arts

Review
Alana Hunt

Published 15 September 2019

Exhibition review Litteraria Simryn Gill and Robert MacPherson Artists in residence at the South Australian Museum 16 September - 31 December 1995

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More from this Issue Full Issue Contents

Image Bank
Feature
Juliette Peers

Collection of images with artists statements. Artists featured: Katanya Shanzy, Anne Graham, Geoffrey Seelander, Simon Duncan, Pierre Cavalan, Stefan Szonyi, Cliff Burt, Andrea McNamara, Karen Ferguson, Constanze Zikos, Jandee Amar Leddar, Leon Pericles, Meryn Jones, Annie Taylor, Ex de Medici and Ian Mowbray.

Published December 1995
Artrave
Artrave
Edblog

Published December 1995
The Taste Factor
Feature
Christopher Heathcote

When I was an art critic, I quickly grew to dislike the word 'taste'. It was a convenient tool used to dismiss reviews by people who didn't like what I had to say. Whenever I delivered a negative crit upon a widely revered artist, or a positive crit on a very minor figure, they complained that I was allowing my taste to undermine my professionalism.

Published December 1995
Tamworth
Feature
Judith Ahern

The days of the Tamworth Festival are marked with ceremonies. Stars place their hands into cement and history in the Hands of Fame Park. At the rear of Maguire's pub the popular alternative Noses of Fame honours famous noses.

Published December 1995
Continuous History
Review
Ray Spiteri

Exhibition review Djalki Wanga: The Land is My Foundation
50 years of Aboriginal Art from Yirrkala
Northeast Arnhem Land Northern Territory
Lawrence Wilson Art Gallery
Western Australia
July 9 - September 3 1995

Published December 1995
When Is A Door Not A Door?
Feature
Stephanie Radok

Exhibition review Birds Have Fled
Angela Valamanesh
Univsersity of South Australia Art Museum
7 September - 2 October 1995

Published December 1995
Ethereal Days
Review
Vivonne Thwaites

Exhibition review Defrosting Familiar Tales
Jo Crawford, Bev Hogg
Jam Factory Gallery
Adelaide South Australia
7 July - 27 August 1995

Published December 1995
Thought Police Versus Life: Extracts from an Interview with Ray Hughes
Feature
Tony Twigg

Discussion with the artist Ray Hughes about issues that have impacted on his art practice. Biographical details also included.

Published December 1995
Kings of Kitsch: Big Things
Feature
John Cross

Big things have the power to make real the stuff of dreams. They have the power to make us stop at places we would never have dreamed of visiting. Grand kitsch is both art and beyond.

Published December 1995
Destiny Deacon: It's Been Ages Since We Last Marched
Feature
Jo Holder

You can hear her on the radio and see her on the television and contemplate her in better State galleries. Pluralist par excellence, artist, writer and film-maker Destiny Deacon has been blazing away on visual and linguistic fronts since premiering 'Koori Rocks Gub Words' in 'Pitcha Mi Koori' (1990).

Published December 1995
Cakes for Show: The Last Great Undigested Art
Feature
Joan Kerr

That these same institutions have never seriously attempted to digest the great crafty, feminine art of traditional cake decoration is more regrettable. Icons, after all, are as valued as the most avant-garde compostion if made of oil paint and gold leaf on wood. When future generations visit our hallowed aesthetic halls, let them meet cake!

Published December 1995
Not Afraid of Flying: Fairies and Femocrats
Feature
Anita Calloway

Are gossamer wings set to supplant shoulder pads as signifiers of feminist power? Shopping malls in middle class suburbs are now sprouting fairy shops where, for only a few dollars, little girls and grown-up ones too, can sprout fairy wings that temporarily release them from the masculine world around them.

Published December 1995