Reathing, Writhing and Fainting in Coils: Richard Grayson

Cover of Reathing, Writhing and Fainting in Coils: Richard Grayson
1.126
Heysen Sculpture Biennial 2019

24 February – 30 April 2019

Review
Kirsty Darlaston

Published 17 April 2019
0.886
Yurtu Ardla

South Australian Museum

Review
Darren Jorgensen

Published 16 April 2019
1.128
Curiouser and Curiouser

Bathurst Regional Art Gallery

Review
Ann Finegan

 
 

Published 23 January 2019
Artlink Subs Promo
1.13
The 9th Asia Pacific Triennial of Contemporary Art

QAGOMA

Review
Jasmin Stephens

Published 22 January 2019
1.128
Unhallowed Arts

Various venues, Perth

Review
Darren Jorgensen and Gemma Weston

Published 18 January 2019
1.126
The Partnershipping Project

Burnie Regional Art Gallery

Review
Seán Kelly

Published 18 January 2019
AFF
1.174
6th Guangzhou Triennial

Guangdong Museum of Art

Review
Darren Jorgensen and Tami Xiang

Published 18 January 2019
1.266
Jude Adams: Narratives from the Family Album

artroom5

Review
Zoe Freney

Published 10 December 2018

Exhibition review Received Richard Grayson Greenaway Art Gallery Adelaide South Australia 12 July - 6 August 1995

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Clare Martin

Kitsch is a kind of creole. It quotes and mixes references from quite unrelated sources, dresses in wildly unsuitable materials, then tries to insinuate itself using childhood wiles.

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Collecting and making dolls grows in popularity in Australia, but members of Australia's arts industry are relatively under-represented in the ranks of doll collectors. Original dolls speak of the culture that produces them.

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The Taste Factor
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Christopher Heathcote

When I was an art critic, I quickly grew to dislike the word 'taste'. It was a convenient tool used to dismiss reviews by people who didn't like what I had to say. Whenever I delivered a negative crit upon a widely revered artist, or a positive crit on a very minor figure, they complained that I was allowing my taste to undermine my professionalism.

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Not Afraid of Flying: Fairies and Femocrats
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Are gossamer wings set to supplant shoulder pads as signifiers of feminist power? Shopping malls in middle class suburbs are now sprouting fairy shops where, for only a few dollars, little girls and grown-up ones too, can sprout fairy wings that temporarily release them from the masculine world around them.

Published December 1995
Kitsch or Kind: Representations of Aborigines in Popular Art
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Much contemporary Aboriginal art functions in the inappropriate melding of two visual art traditions and is kitsch within the given meaning within the article.

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Kitschville - The Sydney Gay and Lesbian Mardi Gras
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...But the Mardi Gras will always be a child of the seventies. Remember that mantra 'the personal is political'. In spite of the co-option and mainstreaming of Lesbian and Gay culture this wonderful spectacularly amateurish display (of difference) cannot help but be a politicised intervention.

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Kings of Kitsch: Big Things
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Big things have the power to make real the stuff of dreams. They have the power to make us stop at places we would never have dreamed of visiting. Grand kitsch is both art and beyond.

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The Black Swan of Western Australian-ness
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Since 1829, the inhabitants of the western third of Australia have identified more closely with the black swan than the kangaroo. The swan was and is to be found on a wide range of items from buildings to letterheads and furry toys. It crosses class boundaries...

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Inflecting the Museum
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Teaching Aids
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Monstrous Change Observed
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ACE Open
The Japan Foundation