Bruising as R & D

Livid Festival was launched in Brisbane in 1988 with the broad altruistic aim of 'giving a go' to local Brisbane bands, performers and visual artists. Within three years the festival had grown exponentially and included a wide range of feature guest artists.

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Reathing, Writhing and Fainting in Coils: Richard Grayson

Exhibition review Received Richard Grayson Greenaway Art Gallery Adelaide South Australia 12 July - 6 August 1995

Linda Marie Walker

Teaching Aids

Exhibition review Active Agents: Aids Art in Australia Anthony Babicci, Bronwyn Bancroft, Simon Carver, Eddie Hackenberg, Ian Hartley, Leonore Lancaster, David McDiarmid, Ross Moore, Marcus O'Donnell, Scott Redford, Celia Roach, Gary Shinfield, Jackie Stockdale, Andrew Thomas-Clark, Hiram To, Julia Topliss, John Turner, David Urquart Curators Jill Bennett and John Turner University Gallery, University of Tasmania, Launceston 11 May - 9 June 1995

Gregory Kwok-Keung Leong

Actions Louder Than Words

Exhibition review Beep 'n' Click Entrepot Gallery Tasmanian School of Art Hobart Tasmania 8 - 29 September 1995

Anthony Cahalan

Made in WA: A Sculptor's Alternative Practice

Although well known in regional art histories, Western Australian sculptor Edward Kohler has a far wider importance. Economic survival led him to blend popular and high art long before it was standard practice. With the Piccadilly Theatre reliefs of 1938, the sheer exuberance and infectious quality of a positive (if unconscious) kitsch aesthetic entered professional Australian art 60 years ago: Hollywood meets Olympia.

Robyn Taylor

Inflecting the Museum

Exhibition review Litteraria Simryn Gill and Robert MacPherson Artists in residence at the South Australian Museum 16 September - 31 December 1995

Barry Craig

A Dual Aesthetic

Exhibition Review Patmos Series Paintings Jules Sher Perth Galleries Western Australia

Judith McGrath

It's Things That Matter

Book review The Barossa Folk: Germanic Furniture and Craft Traditions in Australia By Noris Ioannou Craftsman House 1995

Artlink

If Aquarium Gravel Is So Bad For You, How Come It Tastes So Good?

In the trading card world there are collectors, dealers, curators, critics, interested observers, and of course various magazines. Does this world sound familiar? Looks at the role of collecting...

Shaw Hendry

Wer ist Unschuldig?

This issue of Artlink meanders (with kitschy loucheness rather than formalist stringency) around 'taste' bad and good, the workings of taste and various permutations of cultural expression in present day Australia. Kitsch is scrutinised.

Juliette Peers

Making and Breaking

Exhibition review Cross Fibre Lia Gill Pam Lofts and NT women working with fibre 24 Hour Art Darwin, Northern Territory 18 August - 2 September 1995

Suzanne Spunner

Destiny Deacon: It's Been Ages Since We Last Marched

You can hear her on the radio and see her on the television and contemplate her in better State galleries. Pluralist par excellence, artist, writer and film-maker Destiny Deacon has been blazing away on visual and linguistic fronts since premiering 'Koori Rocks Gub Words' in 'Pitcha Mi Koori' (1990).

Jo Holder

Kitschville - The Sydney Gay and Lesbian Mardi Gras

...But the Mardi Gras will always be a child of the seventies. Remember that mantra 'the personal is political'. In spite of the co-option and mainstreaming of Lesbian and Gay culture this wonderful spectacularly amateurish display (of difference) cannot help but be a politicised intervention.

Craig Judd

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