Motor-Cross Dressing

Cover of Motor-Cross Dressing
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The five phases of Aboriginal art
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
Artlink Subs Promo
0.786
Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
Curiocity Brisbane (Mulberry Seed Comms)
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

Issues of stereo-typing, conforming behaviour and fun and practicality are looked at in an observation of an MG driver.

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More from this Issue Full Issue Contents

Bigs R Us
Feature
Paul Ryan

Australians have a natural thirst for objects of grand scale, however ridiculous their theme or location or context. From big sandfly, big axe to big oyster and beyond, we are the big desert island that experiences big wets and big dries, little wonder someone made a Big Tap to remind us...we are big drinkers.

Published December 1995
Kitschville - The Sydney Gay and Lesbian Mardi Gras
Feature
Craig Judd

...But the Mardi Gras will always be a child of the seventies. Remember that mantra 'the personal is political'. In spite of the co-option and mainstreaming of Lesbian and Gay culture this wonderful spectacularly amateurish display (of difference) cannot help but be a politicised intervention.

Published December 1995
Kitsch or Kind: Representations of Aborigines in Popular Art
Feature
Glenn R Cooke

Much contemporary Aboriginal art functions in the inappropriate melding of two visual art traditions and is kitsch within the given meaning within the article.

Published December 1995
Tamworth
Feature
Judith Ahern

The days of the Tamworth Festival are marked with ceremonies. Stars place their hands into cement and history in the Hands of Fame Park. At the rear of Maguire's pub the popular alternative Noses of Fame honours famous noses.

Published December 1995
Delma's Collection
Feature
Emma Hopton

Collections of any kind require patience, luck, money, space, time and dedication.....

Published December 1995
Artrave
Artrave
Edblog

Published December 1995
Reathing, Writhing and Fainting in Coils: Richard Grayson
Review
Linda Marie Walker

Exhibition review Received
Richard Grayson
Greenaway Art Gallery
Adelaide South Australia
12 July - 6 August 1995

Published December 1995
When Is A Door Not A Door?
Feature
Stephanie Radok

Exhibition review Birds Have Fled
Angela Valamanesh
Univsersity of South Australia Art Museum
7 September - 2 October 1995

Published December 1995
If Aquarium Gravel Is So Bad For You, How Come It Tastes So Good?
Feature
Shaw Hendry

In the trading card world there are collectors, dealers, curators, critics, interested observers, and of course various magazines. Does this world sound familiar? Looks at the role of collecting...

Published December 1995
Wer ist Unschuldig?
Editorial
Juliette Peers

This issue of Artlink meanders (with kitschy loucheness rather than formalist stringency) around 'taste' bad and good, the workings of taste and various permutations of cultural expression in present day Australia. Kitsch is scrutinised.

Published December 1995
It's Things That Matter
Book Review
Artlink

Book review The Barossa Folk: Germanic Furniture and Craft Traditions in Australia
By Noris Ioannou
Craftsman House
1995

Published December 1995
The Other Big F-Word
Feature
Juliette Peers

Monash University Gallery presented Fashion, Decor, Interiors, curated by Natalie King 7 June - 15 July 1995, high-lighting aspects of advertising, mass production and architectural design through the work of Lyndal Walker, Tony Clark and Stephen Bram -- extracts from the exhibition catalogue.

Published December 1995
 
SALA
Darwin Aboriginal Art Fair
CIAF
UNSW
NAVA