Worms and Roses

Cover of Worms and Roses
1.144
Lipstick and Land Rights: matriarchal sovereign history and the cyber frontier
Feature
Lorna Munro

Published 24 January 2022
0.744
We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
0.75
Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
Guildhouse
1
Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
0.8
Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
0.75
Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
NAVA
0.8
Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
0.8
My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021

The first Australian garden books put vegetables first but by the mid 19th century the language of flowers was in vogue. Gardens, flowers and art...

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More from this Issue Full Issue Contents

Motor-Cross Dressing
Feature
Glenice Lesley Mathews

Issues of stereo-typing, conforming behaviour and fun and practicality are looked at in an observation of an MG driver.

Published December 1995
Kitschville - The Sydney Gay and Lesbian Mardi Gras
Feature
Craig Judd

...But the Mardi Gras will always be a child of the seventies. Remember that mantra 'the personal is political'. In spite of the co-option and mainstreaming of Lesbian and Gay culture this wonderful spectacularly amateurish display (of difference) cannot help but be a politicised intervention.

Published December 1995
Continuous History
Review
Ray Spiteri

Exhibition review Djalki Wanga: The Land is My Foundation
50 years of Aboriginal Art from Yirrkala
Northeast Arnhem Land Northern Territory
Lawrence Wilson Art Gallery
Western Australia
July 9 - September 3 1995

Published December 1995
Delma's Collection
Feature
Emma Hopton

Collections of any kind require patience, luck, money, space, time and dedication.....

Published December 1995
Inflecting the Museum
Review
Barry Craig

Exhibition review Litteraria
Simryn Gill and Robert MacPherson
Artists in residence at the South Australian Museum
16 September - 31 December 1995

Published December 1995
Tamworth
Feature
Judith Ahern

The days of the Tamworth Festival are marked with ceremonies. Stars place their hands into cement and history in the Hands of Fame Park. At the rear of Maguire's pub the popular alternative Noses of Fame honours famous noses.

Published December 1995
The Black Swan of Western Australian-ness
Feature
Dorothy Erickson

Since 1829, the inhabitants of the western third of Australia have identified more closely with the black swan than the kangaroo. The swan was and is to be found on a wide range of items from buildings to letterheads and furry toys. It crosses class boundaries...

Published December 1995
Reathing, Writhing and Fainting in Coils: Richard Grayson
Review
Linda Marie Walker

Exhibition review Received
Richard Grayson
Greenaway Art Gallery
Adelaide South Australia
12 July - 6 August 1995

Published December 1995
Boys and Girls: Pierre et Gilles' Sydney Mardi Gras Poster
Feature
Leigh Raymond

Examines the 1995 poster for the Sydney Gay and Lesbian Mardi Gras. How appropriate though, at the moment when Mardi Gras had successfully commodified itself as a cultural event, that its key representation should be through international glamour product photography.

Published December 1995
If Aquarium Gravel Is So Bad For You, How Come It Tastes So Good?
Feature
Shaw Hendry

In the trading card world there are collectors, dealers, curators, critics, interested observers, and of course various magazines. Does this world sound familiar? Looks at the role of collecting...

Published December 1995
Artrave
Artrave

Published December 1995
When Is A Door Not A Door?
Feature
Stephanie Radok

Exhibition review Birds Have Fled
Angela Valamanesh
Univsersity of South Australia Art Museum
7 September - 2 October 1995

Published December 1995