Fontanelle, FELTspace, Format, Adelaide
Published 26 September 2016
Griffith University Art Gallery, Brisbane
Published 24 September 2016
UNSW Galleries, Sydney
Published 23 September 2016
Geelong Gallery
National Gallery of Australia, Canberra
Published 07 September 2016
Perth Institute of Contemporary Arts
Published 26 August 2016
Monash University Museum of Art
Published 21 August 2016
Salamanca Arts Centre, Hobart
Published 20 August 2016
Australian Experimental Art Foundation, Adelaide
Published 19 August 2016
PICA touring exhibition
Published 16 August 2016
By Melinda Rackham
Published 15 August 2016
National Gallery of Victoria
Sydney College of the Arts
Published 29 July 2016
Bundaberg Regional Galleries
Published 19 July 2016
Northern Centre for Contemporary Art, Darwin
Exhibition review Armorial: Dianne Longley 8 September - 3 October 1995 Adelaide Central Gallery, SA
Author: Catherine Speck | Review
What is the phallus?
Published March 1996
What boys give up to become men is all contained in this photograph...
Analysis of maleness from a semiotic approach in the context of the lifestyle magazine 'Good Weekend' published as a supplement to both The Age in Melbourne and The Sydney Morning Herald.
Let's speak about nomads and farmers... The acrid vapours that fill the cast iron nooks and crannies by day: the trickles on metal that appear in my black and white slides each night like blood from a more visible crime: this evidence of the distillation of men: these signs are signs enough of the collapsing consequences of 'farming'.
Exhibition review Fremantle Print Awards 8 September - 15 October 1995 Fremantle Arts Centre, WA
Vigilantly looking out to sea, the two manifestations of the life saver, the saviour and the sportsman, are combined in this 'gay greeting card' in such a way as to draw on the history of surf club masculinity and create an erotic pose.
Using illustrations from a technical manual of the 1940s `the author examines the working male figure in popular iconography focusing on masculine representation in the visual arts and its link to the means of production.
Since 1927, the idea that the motor cycle is synonymous with assertive and unmediated masculinity has been enlarged and expanded through a broad range of visual, literal and cinematic imagery to the point where a machine which was once acclaimed as a means of transport has been transformed into a gendered cultural icon, an object of and for masculine display.
Exhibition review Home: Body Pat Brassington, Kathryn Faludi, Mary Scott, Heather B Swann, Jennifer Spinks 21 September - 13 October 1995 Carnegie Room Town Hall Hobart, Tasmania
Rox de Luca's exhibition of 19 men portrayed in 'All Meat No Veg' were all of men known to her. What did the portraits reveal about the sitters?
Series of works by Tyrone Townsend, Victoria Straub, Polixeni Papapetrou, Phil George and Simon Cardwell. Large format and mainly colour images.
Exhibition review Recent Work: Hossein Valamanesh 4-29 October 1995, Greenaway Gallery, Adelaide SA
