Contemporary Art Tasmania
Published 15 November 2021
Maitland Regional Art Gallery
Published 18 October 2021
Samstag Museum of Art
Published 06 September 2021
Sauerbier House, Port Noarlunga, South Australia
Published 25 August 2021
Drill Hall Gallery
The Lock-Up
Published 12 July 2021
ACE Open
Published 10 May 2021
Santos Museum of Economic Botany and The Deadhouse (Mortuary Building), Botanic Gardens of South Australia
Exhibition review Armorial: Dianne Longley 8 September - 3 October 1995 Adelaide Central Gallery, SA
Exhibition review I won't wish I will: Pippin Drysdale 28 September - 8 October 1995 The Door Exhibition Space Fremantle, WA
Published March 1996
Harry's work immediately identifies the object as a site of meaning. It is fair to say that Harry is strongly opposed to any restriction or taboo upon what he may represent, particularly from the arena of representing the female object or gender.
Vigilantly looking out to sea, the two manifestations of the life saver, the saviour and the sportsman, are combined in this 'gay greeting card' in such a way as to draw on the history of surf club masculinity and create an erotic pose.
Images and text by Mark Thomson from his recent book 'Blokes and Sheds'.
What boys give up to become men is all contained in this photograph...
Musings on the man who was the author's father from a multicultural perspective.
Photos and essay by the author on a relationship between men.
Since 1927, the idea that the motor cycle is synonymous with assertive and unmediated masculinity has been enlarged and expanded through a broad range of visual, literal and cinematic imagery to the point where a machine which was once acclaimed as a means of transport has been transformed into a gendered cultural icon, an object of and for masculine display.
Let's speak about nomads and farmers... The acrid vapours that fill the cast iron nooks and crannies by day: the trickles on metal that appear in my black and white slides each night like blood from a more visible crime: this evidence of the distillation of men: these signs are signs enough of the collapsing consequences of 'farming'.
Rox de Luca's exhibition of 19 men portrayed in 'All Meat No Veg' were all of men known to her. What did the portraits reveal about the sitters?
Guest editors of 'Masculinities Reflected' Noel Sanders and Kurt Brereton reflect on the nature of masculinity.
Exhibition review Recent Work: Hossein Valamanesh 4-29 October 1995, Greenaway Gallery, Adelaide SA
