Perth Institute of Contemporary Arts
Published 13 July 2022
Kassel, Germany
Published 11 July 2022
Australian Pavilion, 59th La Biennale di Venezia
Published 15 June 2022
National Gallery of Victoria
Published 30 May 2022
Art Gallery of Western Australia
Published 04 May 2022
Adelaide Railway Station
Monash University Museum of Art
Published 30 March 2022
Edited by Brad Haylock & Megan Patty Sternberg Press, 2021, 288 pages
Exhibition review Armorial: Dianne Longley 8 September - 3 October 1995 Adelaide Central Gallery, SA
Let's speak about nomads and farmers... The acrid vapours that fill the cast iron nooks and crannies by day: the trickles on metal that appear in my black and white slides each night like blood from a more visible crime: this evidence of the distillation of men: these signs are signs enough of the collapsing consequences of 'farming'.
Published March 1996
The images are selections from a body of work called flamingharlots@trashed, created by Sydney based photographer Natalie Lowrie. The images, digitally retouched photos of Natalie's circle of friends and acquaintances were exhibited at the Polymorph Gallery at Newtown.
Exhibition review Some Pictures from a Somniloquist's Diary Tony Trembath 1 November - 26 November 1995 Greenaway Gallery Adelaide SA
Polish born Krystyna Petryk has long been fascinated with portraiture and representations of the nude in photography. Her own investigations began in Warsaw by photographing her pregnant friends and continued after her arrival in Western Australia in 1982. Once here she broadened her explorations to include both male and female subjects before shifting to photograph and research representations of men exclusively.
Musings on the man who was the author's father from a multicultural perspective.
Exhibition review Tradition, Cloth, Meaning: Contemporary Textiles Curated by Sara Lindsay 17 September - 7 October 1995 Long Gallery Salamanca Arts Centre, Hobart, Tasmania
Exhibition review I won't wish I will: Pippin Drysdale 28 September - 8 October 1995 The Door Exhibition Space Fremantle, WA
Analysis of maleness from a semiotic approach in the context of the lifestyle magazine 'Good Weekend' published as a supplement to both The Age in Melbourne and The Sydney Morning Herald.
What boys give up to become men is all contained in this photograph...
Rox de Luca's exhibition of 19 men portrayed in 'All Meat No Veg' were all of men known to her. What did the portraits reveal about the sitters?
We collage, genderbend, cross dress and polymorph exquisite corpses out of media and advertising personalities, then use them as fantasy aids in the cause of our mundane desires.
In 1992, Helen Moyes made a documentary 'The Back Yard Shed' which set out to look at the lives of a cross-section of Australian households through the phenomenon of the back-yard shed.
