The Museum is the Message
The fifteen artists involved in Inside SAM's Place all acknowledge the shared language of art objects and museum artefacts.
More from this Issue
Stories: Past, Present and Future
Franchesca Cubillo, the Artistic and Cultural Director of the National Aboriginal Cultural Institute, has a broad cultural background with Spanish Catholic and Filipino cultural infuences fusing seamlessly with her Aboriginal heritage. Aside from her administrative and managing roles at the institute she is also a painter and photographer. Maughan looks at Cubillos life and work as it is shaped through an appreciation of the importance of family and community.
Distance in our Lives
Exploring collaborations and their relationship to crossdiscipline and cross-cultural art practice is a key interest of Parallelo, South Australia's leading edge performance company. For over 18 years Parallelo have experimented with fusions of culture, media and artform as mediums for artistic expression and for new audience access.
Primavera 2003
Exhibition of Young Australian Artists Museum of Contemporary Art 17 September - 30 November 2003
Counterbalance
Graduating Fine Arts Student Exhibition Queensland College of Art Southbank Campus Studios Brisbane 19 - 22 November 2003
Community Arts and Artists in the Community
The Parks Arts & Functions Complex is situated in the Parks Community Centre in the Western suburbs of Adelaide, a region made up of many disadvantaged and minority groups. Weekly and fortnightly groups meet to explore different mediums and creative processes, and working without the assistance of a tutor means they rely on each other to develope their skills. The social benefits of these groups are often as important as the creative concerns. The centre invites guest artists to run various workshops to help sustain this interaction amongst members of the community.
The Dave Inside
About the work and fame of Las Vegas based art writer Dave Hickey. Like all icons Dave comes with a portable, pocketable, mythology. A pungent blend of his own statements, press hype, rumour and dubious speculation.
Isolated Interventions
This article explores the artistic and economic viability of living and working in South Australia, a state with less than 400,000 people, most of whom reside in the south-eastern corner. Theres enough professional isolation here to remind us that were living in a world where art is not a self-evident virtue . As a result of living in the geographic margins, artists require considerable ingenuity, flexibility and lateral thinking in order to sustain a viable practice.
Sacred Food: Elizabeth Nyumi
Like many of the people at Balgo, Elizabeth Nyumis early life was a nomadic existence with her family group on the Canning Stock Route. Whe her mother died she walked with her father into the old Catholic mission at Balgo. She began painting for Warlayirti Artists in 1988. Recently a very successful painter, she was invited to show at the 2004 Biennale of Sydney. OBrien examines Nyumis life and work.
Signs of the Times: Stephen Page, Sacred Symposium, Adelaide Biennale
Stephen Page is the first Artistic Director of the Adelaide Festival of Arts to be indigenous and his program for 2004 includes indigenous works but perhaps not many more than most Adelaide Festivals, which have always had a significant indigenous component. Yet there is a sense that the commissions that Page has initiated represent a maturity in approach and development that signifies a watershed for Indigenous culture in Australia. Page expects it to be optimistic, philosophical, constructive, to reflect on the fusion of the old and new without bastardization.