Masculinities Reflected

Cover of Masculinities Reflected
1.126
Editorial: Indigenous storytelling in a digital world
Editorial
Larissa Behrendt and Pauline Clague

Published 01 June 2019
1.126
Editorial: Local colour
Editorial
Eve Sullivan

Published 01 March 2019
Editorial: Ways of seeing
Editorial
Julianne Pierce

Published 01 December 2018
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Editorial: Human Flow
Editorial
Eve Sullivan

Published 01 September 2018
1.27
Editorial: Considering the animals
Editorial
Eve Sullivan

Published 01 March 2018
1.264
Editorial: Positioning Feminism
Editorial
Eve Sullivan

Published 01 December 2017
Art Nocturne
1.48
Editorial
Editorial
Jill Bennett

Published 01 September 2017
1.306
Editorial, Trans Cultural
Editorial
Margo Neale

Published 01 June 2017

Guest editors of 'Masculinities Reflected' Noel Sanders and Kurt Brereton reflect on the nature of masculinity.

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More from this Issue Full Issue Contents

Sorely Tried Men: The Male Body in World War Two Australia
Feature
Martyn Jolly

During World War Two, the Australian government's Department of Information represented the male body in at least two distinct ways. The photographer Edward Cranstone photographed a heroically active, phallicised body and the cameraman Damien Parer filmed a heroically suffering abject body.

Published March 1996
Symbolic Identities: Masculinity and the Motor Cycle
Feature
John Pigot

Since 1927, the idea that the motor cycle is synonymous with assertive and unmediated masculinity has been enlarged and expanded through a broad range of visual, literal and cinematic imagery to the point where a machine which was once acclaimed as a means of transport has been transformed into a gendered cultural icon, an object of and for masculine display.

Published March 1996
Like a Chant
Review
Robert Crocker

Exhibition review Recent Work: Hossein Valamanesh
4-29 October 1995,
Greenaway Gallery, Adelaide SA

Published March 1996
Art and Masculinity after Auschwitz after Bosnia: The work of Dennis Del Favero, 1995
Feature
Adam Geczy

Masculinity continues its argument with itself, quizzical at its self-propelled self-assertion. But in asserting aggression the pain is not just experienced in the victim. For even in the crudest acts of coitus, for a moment, the raper becomes the raped, he is tied by his penis and his balls into an abomination.

Published March 1996
Perverse Desire?
Review
Kay Schaffer

Exhibition review Mail Order (for Women): Di Barrett
14 Sept - 8 October 1995,
EAF [Experimental Art Foundation]
Adelaide, South Australia

Published March 1996
Men
Feature
Robert Nelson

What boys give up to become men is all contained in this photograph...

Published March 1996
When You Get Behind Closed Doors
Review
Jane Deeth

Exhibition review Home: Body
Pat Brassington, Kathryn Faludi, Mary Scott, Heather B Swann, Jennifer Spinks
21 September - 13 October 1995
Carnegie Room Town Hall Hobart, Tasmania

Published March 1996
Everchanging Vindication
Review
Petrina Moore

Exhibition review I won't wish I will: Pippin Drysdale
28 September - 8 October 1995
The Door Exhibition Space Fremantle, WA

Published March 1996
Fathers and/or Sons
Feature
George Alexander

Musings on the man who was the author's father from a multicultural perspective.

Published March 1996
The Many Tongues of Textiles
Review
Llewellyn Negrin

Exhibition review Tradition, Cloth, Meaning: Contemporary Textiles Curated by Sara Lindsay
17 September - 7 October 1995
Long Gallery Salamanca Arts Centre, Hobart, Tasmania

Published March 1996
Distilling Poetry
Review
Ray Spiteri

Exhibition review Fremantle Print Awards
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Fremantle Arts Centre, WA

Published March 1996
They Are Not Photographs: Natalie Lowrie
Feature
Jad McAdam

The images are selections from a body of work called flamingharlots@trashed, created by Sydney based photographer Natalie Lowrie. The images, digitally retouched photos of Natalie's circle of friends and acquaintances were exhibited at the Polymorph Gallery at Newtown.

Published March 1996
 
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