Fragrant Lands: Australian and Chinese Indigenous Art, 2014, installation view at the Shanghai Urban Planning Exhibition Space

Fragrant Lands: There's all our country

Cover of Fragrant Lands: There’s all our country
0.666
Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
0.663043478261
Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
0.66
Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
Hadley's Art Prize 2021
0.788
Cigdem Ayedemir: Like a Prayer
Feature
Sumaiya Muyeen

Published April 2021
0.688
On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
0.692
From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Darwin Aboriginal Art Fair
0.668
Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
0.724
The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

An exhibition and artist exchange program between Desart and the Shanghai International Culture Association

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Philip Watkins is CEO of Desart, the Association of Central Australian Aboriginal Artists, a peak body that advocates for the independence of remote Aboriginal Art Centres in Central Australia | desart.com.au

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