Fragrant Lands: Australian and Chinese Indigenous Art, 2014, installation view at the Shanghai Urban Planning Exhibition Space

Fragrant Lands: There's all our country

Cover of Fragrant Lands: There’s all our country
0.666
Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
0.663043478261
Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
0.66
Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
City of Unley
0.788
Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
0.688
On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
0.692
From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Artlands 3
0.668
Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
0.724
The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

An exhibition and artist exchange program between Desart and the Shanghai International Culture Association

Buy   or   Subscribe
Artlink App in iTunes

Philip Watkins is CEO of Desart, the Association of Central Australian Aboriginal Artists, a peak body that advocates for the independence of remote Aboriginal Art Centres in Central Australia | desart.com.au

Share on Facebook Share on Twitter

More from this Issue Full Issue Contents

0.886666666667
Marina Strocchi: A Survey 1992-2014

Araluen Arts Centre, Alice Springs

Review
John Kean

Published 01 June 2015
0.76
Caitlin Franzmann: Chasing Infinite Junctures

Boxcopy, Brisbane

Review
Tess Maunder

Published June 2015
1
Perceiving the distant
Editorial
Daniel Browning

Published 01 June 2015
1.124
Karla Dickens: It's not bloody art, it’s work!
Feature
Yiorgos Zafiriou

Published 01 June 2015
1
We are born of the Fanua: Moananui arts practice in Australia
Feature
Léuli Eshraghi

Artist and curator Léuli Eshraghi maps the diaspora and reconsolidation of Pacific or Moananui peoples in Australia through the art of Taloi Havini, Kirsten Lyttle and Jasmine Togo-Brisby

Published 01 June 2015
1.398
The Critic's Part: Wystan Curnow Art Writings 1971-2013

Christina Barton, Robert Leonard, Thomasin Sleigh (editors)

Book Review
Ken Bolton

Published 01 June 2015
0.7
Justene Williams: The Curtain Breathed Deeply

Monash University Museum of Art, Melbourne

Review
Rebecca Coates

Published 01 June 2015
1.416
An Internal Difficulty

Perth Institute of Contemporary Art

Review
Louise Dickmann

Published 01 June 2015
1.486
Art in the Time of Colony

Khadjia von Zinnenburg Carroll

Book Review
Kelli Rowe

Published June 2015
0.692
Shaun Gladwell: The Lacrima Chair; Collection+
Review
Craig Judd

Shaun Gladwell: The Lacrima Chair (SCAF Project 24); Collection+: Shaun Gladwell (SCAF Project 25) Sherman Contemporary Art Foundation, Paddington UNSW Galleries, Sydney
6 March – 25 April 2015

Published June 2015
1.392
Towards an outward-looking Indigeneity
Feature
Michelle Evans

On leadership and self-determination in Indigenous arts

Published 01 June 2015
1.21
Georgia MacGuire: In her skin
Feature
Laura Skerlj

Published 01 June 2015
 
Country Arts SA
ACE Open
ACCA
NAVA
MIFA