Fragrant Lands: Australian and Chinese Indigenous Art, 2014, installation view at the Shanghai Urban Planning Exhibition Space

Fragrant Lands: There's all our country

Cover of Fragrant Lands: There’s all our country
1.128
Wardlipari Homeriver Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.192
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Claire Milledge
Feature
Amelia Wallin

Published 01 March 2019
ACE Open
1.124
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
Japan Foundation
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018

An exhibition and artist exchange program between Desart and the Shanghai International Culture Association

Buy Now   or   Subscribe
Artlink App in iTunes

Philip Watkins is CEO of Desart, the Association of Central Australian Aboriginal Artists, a peak body that advocates for the independence of remote Aboriginal Art Centres in Central Australia | desart.com.au

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

1.416
An Internal Difficulty

Perth Institute of Contemporary Art

Review
Louise Dickmann

Published 01 June 2015
1.076
Archie Moore - 14 Queensland Nations: (Nations imagined by RH Matthews)

Tandanya National Aboriginal Cultural Institute, Adelaide

Review
Frances Wyld

Published 01 June 2015
0.667142857143
do it [adelaide]; Art as a Verb

[do it] adelaide, Anne & Gordon Samstag Museum of Art 

Review
Kim Littler

Published 01 June 2015
1.224
Globalism in art and culture: Towards an alternative paradigm
Feature
Ruben Allas

Two case studies involving Indigenous artists from the Philippines and the politics of transnational cultural exchange 

Published 01 June 2015
1.51
Lena Nyadbi: Dayiwul in Paris
Feature
Jonathan Kimberley

Published 01 June 2015
1
We are born of the Fanua: Moananui arts practice in Australia
Feature
Léuli Eshraghi

Artist and curator Léuli Eshraghi maps the diaspora and reconsolidation of Pacific or Moananui peoples in Australia through the art of Taloi Havini, Kirsten Lyttle and Jasmine Togo-Brisby

Published 01 June 2015
0.652
Yirrkala Drawings

Lawrence Wilson Art Gallery, Perth

Review
Clotilde Bullen

Published 01 June 2015
0.912
Catherine Croll: Picanniny's pool is down the road
Feature
Djon Mundine OAM

Published 01 June 2015
1.316
Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art
Feature
Nici Cumpston

Published 01 June 2015
0.6675
Lucy Bleach: superslow

Kelly’s Garden, Salamanca Arts Centre, Hobart

Review
Eliza Burke

Published 01 June 2015
1.17
PhotoForum at 40: Counterculture, Clusters and Debate in New Zealand

Nina Seja (ed)

Book Review
Christine Olsen

Published June 2015
1.398
The Critic's Part: Wystan Curnow Art Writings 1971-2013

Christina Barton, Robert Leonard, Thomasin Sleigh (editors)

Book Review
Ken Bolton

Published 01 June 2015
 
Crown Resorts
ACMI
Axolotl
Artlink Subs Promo
Riddoch