The grey space between art and politics

Cover of The grey space between art and politics
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
Australian Dance Theatre
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
ACE Open
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

Curator and Artistic Director of LUMA, La Trobe University Museum of Art, Vincent Alessi discusses art that is political and experimental focusing on the recent work of Melbourne-based Carl Scrase who describes the Occupy Movement as: “one of the greatest social art experiments the world has ever seen."

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Every map has an agenda? PVI
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Kelli McCluskey

Kellie McClusky is an artist, writer and Head Girl of the celebrated PVI Collective in Perth. She describes their new work 'deviator' and some of the experimental thinking and working processes of PVI including a wiki-map of connections.

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Editorial
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This country is broader than our accents and older than almost any other place on the planet, yet there is a great untruth at its heart that we are still not confronting as a people.

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Every Space Project needs an artist
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Sarah Jane Pell is a pioneer artist, researcher and explorer. Her work involves going where no artist has been before, not to join art and science but to explore inter-field knowledge transfer at the furthest edges of human endeavour like deep space and deep ocean research.

Published September 2012
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Manifestations of Now: experimenting with strategy
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Sapna Chandu

Sapna Chandu is an emerging multidisciplinary artist and curator based in Melbourne and founder of weaustralians.org.
She describes the project MoNOW held at the project space at NGV Studio in terms of the way all its parameters explored the ingrained habits of art institutions.

Published September 2012
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Writing with art
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Anusha Kenny

Melbourne-based writer and curator Anusha Kenny discusses the writing about art that she likes by poets Ken Bolton, Alex Selenitsch and John Forbes and contrasts it with the situation described by Adrian Martin in a recent article in 'Discipline' lamenting the fact that so much art writing is chained to “the hit-parade values of the art market”.

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We are all Flesh: Berlinde De Bruckyere
Review
Stephanie Radok

ACCA (Australian Centre for Contemporary Art), Melbourne
2 June – 29 July 2012

Published September 2012
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Trevor Richards: Recent works 2009 - 2012
Review
Louise Morrison

Turner Galleries, Perth 18 May – 16 June 2012

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South Australia Illustrated: Colonial painting in the Land of Promise
Review
John Neylon

Curator: Jane Hylton Art Gallery of South Australia 2 June – 5 August 2012

Published September 2012
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Why the Guerilla Girls don't have to be naked to get into the Met
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Laura Castagnini

Curator Laura Castagnini interviews Guerilla Girls founding members Frida Kahlo and Käthe Kollwitz on the past, the present, the legacy of feminist activism and the institutionalisation of experimental practices.

Published September 2012
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The Kick Ass Painting Show
Review
Polly Dance

Curators: Brigid Noone, Ben Leslie Fontanelle, Adelaide 24 May – 30 June 2012

Published September 2012
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James Dodd the colonial bus stop
Feature
Din Heagney

James Dodd (the Doddfather) is a street and fine artist who researches and reproduces graffiti old and new from around Australia. In 'bus stop (Eugene was ere)' which refers to Eugene von Guerard, the work uses graffiti from old Adealaie Gaol and is counterposed to the 'refined' South Australia Illustrated exhibition inside the Art gallery of South Australia.

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Artrave
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Stephanie Britton

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Darwin Aboriginal Art Fair
MGNSW
Guildhouse
NAVA
Ballarat Foto Biennale