Art Gallery of South Australia
Published 16 May 2019
Published 15 May 2019
24 February – 30 April 2019
Published 17 April 2019
South Australian Museum
Published 16 April 2019
Bathurst Regional Art Gallery
Published 23 January 2019
QAGOMA
Published 22 January 2019
Various venues, Perth
Published 18 January 2019
Burnie Regional Art Gallery
Nyisztor Studio 1 - 23 October 2011
Critic and author John Neylon unpacks the long and illustrious career of Helen Fuller who has turned to handbuilding clay vessels in the last three years. He writes: "Responding to patterns of connection based on colour, shape, functionality, memory or caprice is the hallmark of Fuller’s behaviour as an artist. The pas de deux of pattern-based painting and patterning embedded within objects is a constant reminder of the role which patterning, particularly grid and checkered, continues to play in expressing an inner state of mind which simultaneously celebrates and defies a call to order. "
Published March 2012
Drawing Studio and Program Co-ordinator at Monash University Stephen Garrett examines the optically challenging artworks of Caroline Durré which blend patterns and perspectives.
Sonia Donnellan, Anna Hughes & Sonja Porcaro South Australian School of Art (SASA) Gallery 14 August - 16 September 2011
Australian Centre for Contemporary Art, Melbourne 21 December 2011 – 4 March 2012
John Walker is the founder of Autodesk, Inc. and co-author of AutoCAD. In Fractal Food he discusses the marvel of fractal forms (complex shapes which look more or less the same at a wide variety of scale factors) as they are seen in a rather wonderful vegetable - the chou Romanesco.
Scholar and inaugural director of the new Godinymayin Yijard Rivers Arts and Culture Centre in Katherine Cath Bowdler discusses the work of two indigenous artists Brook Andrew and Gunybi Ganambarr and suggests that they are both operating at a conceptual level as bricoleurs in a globalised world, inventing new juxtapositions of materials and revealing new ways of seeing the world through the prism of local histories and traditions.
Powerhouse Museum Curator of Textiles Lindie Ward discusses the groundbreaking 'Love Lace' exhibition on show at the Powerhouse until April 2013. A globally sourced series of works it showcases 130 designs for openwork structures from 20 countries.
Liverpool Street Gallery 3 – 23 December 2011
Head of Environmental Studies at the University of Tasmania and writer Peter Hay describes the recent paintings of Sue Lovegrove made from her experience of different islands off the coast of Tasmania - Maatsuyker Island, Egg Island and most recently Tasman Island. Lovegrove began with painting clouds but has moved on to paint the shape of the wind.
Curator: Ruth McDougall with Maud Page and Russell Storer Gallery of Modern Art, Brisbane 1 October 2011 – 5 February 2012
MOP Projects Gallery 1 1 December - 17 December 2011
