Andre Lipscombe: BOO!

Cover of Andre Lipscombe: BOO!
0.666
Inside Elands

The Lock-Up

Review
Keri Glastonbury

Published 12 July 2021
0.808
A Reason To Re-Imagine: The Image is not Nothing (Concrete Archives)

ACE Open

Review
Ali Cobby Eckermann

Published 10 May 2021
0.78
Catherine Truman: Shared Reckonings

Santos Museum of Economic Botany and The Deadhouse (Mortuary Building), Botanic Gardens of South Australia

Review
Anne Brennan

Published 10 May 2021
ACE Open
0.8
Clarice Beckett: The Present Moment

Art Gallery of South Australia

Review
Eleanor Amor

Published 10 May 2021
0.666
Experimenta Life Forms

Plimsoll Gallery, UTAS, Hobart

Review
Eliza Burke

Published 14 April 2021
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Adelaide // International

Samstag Museum of Art

Review
Julianne Pierce

Published 14 April 2021
Guildhouse
0.666
Know My Name: Australian Women Artists 1900 to Now: An Historical Context

National Gallery of Australia, Canberra

Review
Anne Marsh

Published April 2021
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Annabel Nowlan: Unfinished Maps

Wagga Wagga Art Gallery

Review
Sam Bowker

Published 12 March 2021

Nyisztor Studio 1 - 23 October 2011

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Sequences and Cycles: contemporary ceramics from the desert
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Medi(t)ation - 2011 Asian Art Biennial
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Choreography of the elements: Janet Echelman
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American artist Janet Echelman reshapes urban airspace with monumental, fluidly moving sculpture that responds to environmental forces including wind, water, and sunlight. The artist’s ongoing series of aerial net sculptures started in 1997 when she was in India as a Fulbright Scholar and became fascinated with the beauty and movement of traditional fishing nets. In 2011 her installation 'Tsunami 1.26' hung over the Town Hall traffic intersection in Sydney as a joint initiative of the Powerhouse Museum and Art and About Sydney.

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Mesne: Stitches in the Air: computational craft
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Media artist, techno-evangelist and digital nomad Fee Plumley responds to Mesne Design Studio's lacemaking environment 'Pricking Version 2.0' which is their answer to the question “what happens if you apply computational processes to the historical notion of craft?”.

Published March 2012
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Prophecy, pattern, progeny: Champagne Valentine, Mitchell Whitelaw, Peter Miller, Tracy Cornish
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Not just black and white
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Cath Bowdler

Scholar and inaugural director of the new Godinymayin Yijard Rivers Arts and Culture Centre in Katherine Cath Bowdler discusses the work of two indigenous artists Brook Andrew and Gunybi Ganambarr and suggests that they are both operating at a conceptual level as bricoleurs in a globalised world, inventing new juxtapositions of materials and revealing new ways of seeing the world through the prism of local histories and traditions.

Published March 2012
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Everyday the possible
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Sonia Donnellan, Anna Hughes &
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Revealed: Emerging Aboriginal Artists from Western Australia
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Gallery Central, Perth
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Artlands 3
ACCA
MGNSW
Darwin Aboriginal Art Fair
NAVA