Bathurst Regional Art Gallery
Published 23 January 2019
Published 22 January 2019
Various venues, Perth
Published 18 January 2019
Burnie Regional Art Gallery
Guangdong Museum of Art
Published 10 December 2018
Fremantle Arts Centre
Royal Academy, London
Published 07 December 2018
Nyisztor Studio 1 - 23 October 2011
Published 01 March 2012
Curator, scholar and guest editor Margot Osborne is interested in the current resurgence of pattern and complexity in the practices of contemporary Australian and international artists and the way they share borders and frontiers with recent developments in complexity theory in science whether deliberately or intuitively.
Osborne has also curated an associated exhibition, Art, Pattern and Complexity at the Royal Institution of Australia's Science Exchange, Adelaide, on from 16 February to 16 May 2012.
Published March 2012
Tim Schork and Paul Nicholas founded MESNE Design Studio, an innovative architecture and urban design studio working globally as one office from London and Melbourne, to explore the relationship between architecture and divergent domains of knowledge through the use of computation in order to create innovative design strategies for novel spatial structures. They write about the back story of the project "Pricking', an interdisciplinary collaborative project between MESNE Design Studio, Ian Maxwell (supermanoeuvre) and Indae Hwang, which involves an interactive lace-making table with an infra-red based multi-touch interface.
Artist, writer and honorary visiting Professor at the Centre for Computational Neuroscience and Robotics at the University of Sussex in England Paul Brown sketches out the long intertwining history of the relationship between C.P. Snow's two cultures - art and science, design and mathematics, beauty and computation, and extrapolates upon Lady Ada
Lovelace's famous words: "We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard-loom weaves flowers and leaves."
Grand Opening Exhibition
Curator: Ruth McDougall with Maud Page and Russell Storer Gallery of Modern Art, Brisbane 1 October 2011 – 5 February 2012
Adelaide writer and artist Peter Drew looks at various examples of recent street art and the many ways it is circulated and reproduced as a meme in a wired and globally connected world. "As it turns out," he says, "memetics can be very useful in understanding the patterns of street art."
Australian Centre for Contemporary Art, Melbourne
21 December 2011 – 4 March 2012
Liverpool Street Gallery 3 – 23 December 2011