CAVES
Published 11 July 2019
Gallery Lane Cove
Published 03 July 2019
Newcastle Art Gallery
Published 01 July 2019
La Biennale di Venezia
Published 26 June 2019
Praxis Artspace
Published 05 June 2019
Australian Centre for Contemporary Art
Art Gallery of South Australia
Published 16 May 2019
Published 15 May 2019
Nyisztor Studio 1 - 23 October 2011
Adelaide writer and artist Peter Drew looks at various examples of recent street art and the many ways it is circulated and reproduced as a meme in a wired and globally connected world. "As it turns out," he says, "memetics can be very useful in understanding the patterns of street art."
Published March 2012
Curator: Ruth McDougall with Maud Page and Russell Storer Gallery of Modern Art, Brisbane 1 October 2011 – 5 February 2012
Curator: Thelma John Gallery Central, Perth 24 October - 12 November 2011
MOP Projects Gallery 1 1 December - 17 December 2011
Critic and author John Neylon unpacks the long and illustrious career of Helen Fuller who has turned to handbuilding clay vessels in the last three years. He writes: "Responding to patterns of connection based on colour, shape, functionality, memory or caprice is the hallmark of Fuller’s behaviour as an artist. The pas de deux of pattern-based painting and patterning embedded within objects is a constant reminder of the role which patterning, particularly grid and checkered, continues to play in expressing an inner state of mind which simultaneously celebrates and defies a call to order. "
Curator: Linda Williams RMIT Gallery, Melbourne 2 December 2011 - 28 January 2012
Drawing Studio and Program Co-ordinator at Monash University Stephen Garrett examines the optically challenging artworks of Caroline Durré which blend patterns and perspectives.
Published 01 March 2012
Powerhouse Museum Curator of Textiles Lindie Ward discusses the groundbreaking 'Love Lace' exhibition on show at the Powerhouse until April 2013. A globally sourced series of works it showcases 130 designs for openwork structures from 20 countries.
