Published March 2014
Published June 2013
Published March 2013
Published December 2012
Published September 2012
Published June 2012
Published December 2011
Published September 2011
1 December - 17 December 2011
Published March 2012
Critic and author John Neylon unpacks the long and illustrious career of Helen Fuller who has turned to handbuilding clay vessels in the last three years. He writes: "Responding to patterns of connection based on colour, shape, functionality, memory or caprice is the hallmark of Fuller’s behaviour as an artist. The pas de deux of pattern-based painting and patterning embedded within objects is a constant reminder of the role which patterning, particularly grid and checkered, continues to play in expressing an inner state of mind which simultaneously celebrates and defies a call to order. "
Curator: Thelma John
Gallery Central, Perth
24 October - 12 November 2011
Published 01 March 2012
Artist Kerrie Poliness writes about her wall drawing projects, one of which appears in the exhibition 'Art, Pattern and Complexity' at RiAus, Adelaide from 16 February to 16 May 2012. The wall drawings begin with the artist's instructions but are produced with intuition rather than rulers.
Nyisztor Studio 1 - 23 October 2011
1 October 2011 – 1 January 2012
Curator: Iris Shu-Ping Huang
National Taiwan Museum of Fine Arts?(NTMoFA)
Curator, scholar and guest editor Margot Osborne is interested in the current resurgence of pattern and complexity in the practices of contemporary Australian and international artists and the way they share borders and frontiers with recent developments in complexity theory in science whether deliberately or intuitively.
Osborne has also curated an associated exhibition, Art, Pattern and Complexity at the Royal Institution of Australia's Science Exchange, Adelaide, on from 16 February to 16 May 2012.
Tim Schork and Paul Nicholas founded MESNE Design Studio, an innovative architecture and urban design studio working globally as one office from London and Melbourne, to explore the relationship between architecture and divergent domains of knowledge through the use of computation in order to create innovative design strategies for novel spatial structures. They write about the back story of the project "Pricking', an interdisciplinary collaborative project between MESNE Design Studio, Ian Maxwell (supermanoeuvre) and Indae Hwang, which involves an interactive lace-making table with an infra-red based multi-touch interface.
Powerhouse Museum Curator of Textiles Lindie Ward discusses the groundbreaking 'Love Lace' exhibition on show at the Powerhouse until April 2013. A globally sourced series of works it showcases 130 designs for openwork structures from 20 countries.