Social Conscience, Migration, Rivers and Oceans: Virginia King

Cover of Social Conscience, Migration, Rivers and Oceans: Virginia King
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Dan McCabe
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Japan Foundation
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

New Zealand sculptor Virginia King is an artist who has long recognised the changing nature of public art and the part it can play in raising awareness and social conscience.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

1.248888888889
Not Dead Yet: A Retrospective Exhibition: Therese Ritchie and Chips Mackinolty
Review
Sarah Scott

CDU Art Gallery, Darwin
11 August -17 September 2010

Published September 2010
1.213333333333
Why You Paint Like That: Marshall Bell
Review
George Petelin

Woolloongabba Art Gallery, Brisbane
26 March - 17 April 2010

Published September 2010
0.613333333333
The Fourth Plinth
Feature
Jo Higgins

In Antony Gormley’s living portrait 'One and Other' for 100 days, from 6 July to 14 October 2009, 2400 randomly selected, otherwise unextraordinary, individuals continuously occupied the empty plinth in Trafalgar Square for an hour at a time.

Published September 2010
0.53
Wallpaper
Review
Nien Schwarz

Linda Banazis, Penny Bovell, P. James Bryans, Susanna Castleden, Sue Codee, Cat Critch, Rebecca Dagnall, Jo Darbyshire, Mark Datodi, Annabel Dixon, Anna Dunnill, Eva Fernandez, Brendan Hibbert, Harry Hummerston, Little Design Horse, Clare McFarlane, Trevor6025/Emma McPike, Toogarr Morrison, Philippa Nikulinsky, Perdita Phillips, Gregory Pryor, Alex Spremberg, Marzena Topka, David Turley, Paul Uhlmann, Caitlin Yardley.

Curators: Thelma John, P. James Bryans
Gallery Central
Central Institute of Technology, Perth
12 - 31 July 2010

Published September 2010
0.451111111111
Diversity + Creativity: Oz-Asia at Adelaide Festival Centre
Preview
Artlink

Published September 2010
1.348888888889
A Tradigital Survey
Review
Jane Button

A Tradigital Survey

Curators: Kirsten Rann, Gina Kalabishis
Level 17 Artspace, 300 Flinders St, Victoria University, Melbourne
29 June – 16 July 2010

Published September 2010
1.506666666667
A Public Spectacle: Next Wave Risks All
Feature
Dylan Rainforth

Next Wave: No Risk Too Great, directed by Jeff Khan, took place in Melbourne from 13 – 30 May 2010.

Published September 2010
0.677777777778
Melbourne >< Brisbane: Punk, Art and After
Review
Peter Anderson

Curator: David Pestorius
Ian Potter Museum of Art
University of Melbourne
24 February - 16 May 2010

Published September 2010
Shaw Hendry (1963-2010)
Obituary
Jessie Lumb and Logan Macdonald

Vale Shaw Hendry (1963-2010)
The image on the front of the catalogue said it all – Hermano Rojo, ukulele in hand, bowing to his audience.

Published September 2010
1.375555555556
Pacific Jewellery
Review
Jacqui Durrant

Curator: Maud Page
Foyer Cabinet, GOMA, Brisbane
1 May - 4 July 2010

Published September 2010
0.664444444444
Royal Mail vs McQueen: A very public memorial for the dead
Feature
Jo Higgins

Turner Prize-winning artist Steve McQueen’s recent work 'Queen and Country' (2003-2010) overwhelmingly embodies the complexities and possibilities for memorial-making and public art today.

Published September 2010
0.751111111111
Street Talk with Mary Lou Pavlovic
Feature
Juliette Peers

Juliette Peers interviews Mary Lou Pavlovic Mary Lou Pavlovic to find out how one becomes a de facto public institution?
MLP: Just do it. Don’t worry so much about acceptance into a very institutionalised dysfunctional system...Worry about being creative and alive on your own terms. Put yourself in any exhibition you feel you should be in. You may not get the institutional rewards but lets face it – they ain’t that great here in Aussie land anyway.

Published September 2010
 
Artlink Subs Promo
NAVA
ACMI
Crown Resorts
Axolotl