Hiding in plain sight: regionalism and the underground

Cover of Hiding in plain sight: regionalism and the underground
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
Artlink Subs Promo
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
City of Melville
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020
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Knowledge positions in Aotearoa and Turtle Island art museums
Feature
Léuli Eshraghi

Interview with First Nations curators Kathleen Ash-Milby (Portland Art Museum), Maia Nuku (Metropolitan Museum of Art) and Nigel Borell (Auckland Art Gallery Toi o Tāmaki).
 

Published 01 June 2020

Margie Borschke was in Canada in the mid 1980s when she discovered the Underground.

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Everything's Alright: Hossein Ghaemi, Andrew Liversidge, Yasmin Smith
Review
Tracey Clement

Curator: Amanda Rowell
Roslyn Oxley9 Gallery, Sydney
March 4 - 27 2010

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Steampunk: gunpowder and cups of tea
Feature
Melinda Rackham

Between 13 October 2009 and 21 February 2010, the Museum of the History of Science in Oxford held the world's first museum exhibition of Steampunk art. Writer, artist, emerging, networked and distributed culture geek Melinda Rackham was there.

Published June 2010
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Dig it! The hole in Australian contemporary art
Feature
Glenn Barkley

Curator at the Museum of Contemporary Art in Sydney Glenn Barkley surveys the hole in contemporary Australian art starting at the 1973 Mildura Sculpturescape.

Published June 2010
Thirteen paragraphs on the underground
Feature
Teri Hoskin

Artist/ writer, curator/designer at the Australian Experimental Art Foundation Teri Hoskin's thirteen paragraphs sum up facts, apprehensions and suspicions about the underground.

Published June 2010
Scene, Not Herd: The evanescent underground
Feature
Chris Fleming

Chris Fleming, Senior Lecturer in the School of Humanities and Languages at the University of Western Sydney and author of a book on Rene Girard, explores the evanescence of the underground. "Once the cultural products generated by the underground enter broader circulation (once scene becomes herd) the underground empties itself and is forced to regenerate."

Published June 2010
Underground networks in the age of web2.0
Feature
Geert Lovink

Media Theorist, nethead, activist and founding director of the Institute of Network Cultures Geert Lovink reports on the erotica of touching between 'weak links' and the importance of experimenting with new forms of organisation both on and offline.

Published June 2010
Remembering Judith Hoffberg 1934-2009
Obituary
Pamela J Zeplin

Expert on Len Lye, editor of Umbrella Magazine Judith Hoffberg died on January 16, 2009. Tributes to her life and work continue with a memorial exhibition planned for late 2010.
Judith Hoffberg wrote of her last visit to Adelaide in 2002 as one of ‘’Paradise regained’...

Published June 2010
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Adapt or die
Feature
Ian Milliss

“An underground artist? Me?” Ian Milliss on maintaining the rage to avoid extinction

Published June 2010
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Street dreams
Feature
Peter Drew

Peter Drew knows the street art of Adelaide like you know the back of your hand.

Published June 2010
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Sylvie Blocher: What is Missing?
Review
Amy Griffiths

Penrith Regional Gallery and
The Lewers Bequest
13 February 2010 - 4 April 2010

Museum of Contemporary Art
17 February 2010 - 25 April 2010

Published June 2010
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Exhibitions to watch
Stephanie Radok

Published June 2010
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Renew Adelaide pilot: 2 wheels good
Profile
Ianto Ware

Zine publisher and educator Dr Ianto Ware is the Project Manager of Renew Adelaide, an urban renewal clone of Marcus Westbury's Renew Newcastle, in which the 'definition of creativity has to be broad enough to encompass the wide fields of socially innovative activity that simply doesn't fit elsewhere.'

Published June 2010
 
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