The Stoics may have taken rationality too far in their resolute minimisation of all feeling. Are emotions no more than disturbances in the logical landscape? What of Pascal’s ‘the heart has its reasons that reason is not acquainted with’? Perhaps the rationality/emotion divide is overdrawn, risking battle lines forming around pure opposites never found in real life examples. Yet the issue has bite, relevance to intimate features of our life: our friendships, our sense of safety in the world, how much we give of ourselves and give up of ourselves to our working life and the living texture of what it feels like to be us: fugitive, or having the ‘warm antiquity of self’.
Raeda Saadeh is a Palestinian artist who was born in Umm Al-Fahem, a Muslim village (now a city) in the northern region of Haifa. She completed art studies at the Bezalel Academy of Art and Design in Jerusalem, where she now lives. Her questioning of the forces of both political occupation of the Palestinian territories, and personal occupation by traditional cultural and social expectations, have inspired her to focus on her own body with performance and photography.
The 2009 OzAsia Festival runs from 3 – 17 October, and also includes a fantastic family-friendly program of theatre, dance, film, food, as well as the free community opening event, the Moon Lantern Festival in Elder Park. See www.adelaidefestivalcentre.com.au Open from 29 September - 1 November at the Festival Centre Curious Screen: Festival Theatre (FT) Foyer The Sum of Cultures: Piano Bar Follow, Northern India: Faces and Words and Okami: FT Foyer Miss Taken: Space Theatre Foyer 'this reminds me of some place': FT Foyer 29 September - 8 November, Following Threads: Artspace Gallery (Upstairs, Dunstan Playhouse)
In 2007 Ann Newmarch was represented in 'WACK, Art and the Feminist Revolution', a major exhibition in the Museum of Contemporary Art, Los Angeles. Newmarch embraced feminism in the early 1970s. Her art practice manifests the view that all representation is political. Her new work, reiterates a position that she adopted in 1972 : "I try to get onto the page visual images that combine to make memory: past memories incorporated in new sensations and new images related back to past experience. Contemplation ...of our environment that recalls other times, places and relationships."
Artist Megan Evans was for some years the partner of Aboriginal activist and artist Les Griggs who suicided in 1993. Fifteen years later she has begun to write his story - a story of reconciliation with herself and her country, through a relationship that undid her and put her back together again.
In early 2006, the renowned Liyagauwumirr painter Mickey Durrng Garrawurra died in his home on Milingimbi. For many years, Durrng (1940-2006) and his brother Tony Dhanyala (1935-2004) were the only people authorised to paint the Liyagauwumirr’s most important clan designs. Before his death, however, Durrng made the seemingly unorthodox decision to pass this knowledge and authority to his sister Ruth Nalmakarra (b.1954) and her family. What followed was a flowering of tradition, as Nalmakarra and her sisters used this broadened authority to instigate a cultural revival that united their community around these ancient designs.
Outsider Art is enjoying increasing attention in Australia. STOARC – the Self-Taught and Outsider Art Research Collection – at the University of Sydney opened its public face at Callan Park Gallery in March 2009.