Going Over Old Ground

Cover of Going Over Old Ground
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Artlink Subs Promo
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
PICA
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

The artist discusses the research for her exhibition entitled 'The Private Eye- a foreigner's power of observation'. Held in regional Victoria 1998.

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More from this Issue Full Issue Contents

Is there an Artist in the Museum?
Feature
Merryn Gates

Examines two multi-site exhibitions Archives and the Everyday, Canberra Contemporary Art Space September/October 1997 curated by Trevor Smith: and Collected, Photographer's Gallery London June 1997 curated by Neil Cummings. The museological urge in artists has for some time been a part of contemporary practice...leading to the new museology.

Published March 1999
Fabricating Archives: Six New Zealand Artists confuse the system
Feature
Christina Barton

In New Zealand, conceptual and post conceptual artists from the 1970s to the present have incorporated various references to the archive; its contents, classificatory systems and its institutional adjuncts, the library, the art gallery and the museum.

Published March 1999
Photosynthesis: Two approaches
Feature
Clare Williamson

The photograph as a source and subject for photographic practice iteself is characteristic of the work of a great many artists today. Tracey Moffatt and Margaret Dawson's works are considered. Each draws on photographs which precede their own, but work in markedly different ways.

Published March 1999
A Dream of Earthly Organisation
Feature
Zara Stanhope

Not only are artists fascinated with images and objects - it has been estimated that half the adult world population has been a collector at some point in their life. A number of different projects have been instigated by artists considering what it means to collect and archive.

Published March 1999
Juliet Stone Paintings and Pastels
Review
Philippa O+Brien

Juliet Stone paintings and pastels
Gomboc Gallery
Perth
1-22 November 1998

Published March 1999
Archives After the Seventies and After
Feature
Tom Nicholson

Brown and Green are well known for their meticulously produced paintings, often involving the layering and juxtaposition of competing forms and histories. They continue to paint though photography has now assumed a major position in their practice. These photographs function as archives without narrative: scrambled mythology.

Published March 1999
Underbelly
Review
Samara Mitchell

November 22 to December 20
Cosmopolitan Cinema and Shopping Arcade

Published March 1999
Market Mark-Art: Forgotten Fruit
Feature
Noel Purdon

In the final stages of the demolition of the old Adelaide fruit and vegetable markets, Margaret Dodd and Jennifer Hughes collaborate to produce an installation which caught the echoes of the history displayed in situ at the markets.

Published March 1999
Artists and Collections: a working partnership
Feature
Rachel Kent

The notion of the artist working with the museum collection is not new. Historically, artists have drawn inspiration from museums and their diverse collections - archaeological, ethnographic, medical, botanical and zoological- as a basis for academic studies and finished works.

Published March 1999
History and Memory
Feature
Philippa O+Brien

History and meaning are very much at the centre of an important exhibition in WA of Aboriginal art. Many of the artists draw on personal or family memory, while others use documentary evidence of the past. Parallel to these individual histories is the history of government policy and its impact on groups and individuals.

Published March 1999
Recollections of Memory: Akio Makigawa
Review
David Bromfield

Jewellery by Carlier Makigawa
Galerie Dusseldorf
October 1998

Published March 1999
Parallax Error
Feature
Naomi Cass

Working within the context of the Percy Grainger (1882-1961) collection, artists Louise Weaver and Carolyn Eskdale created an installationwithin the architecture and material culture of the building. In 1998 composer and sound artist Ros Bandt created an installation for the Museum's courtyard.

Published March 1999
 
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