Going Over Old Ground

Cover of Going Over Old Ground
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The five phases of Aboriginal art
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
UNSW
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
Curiocity Brisbane (Mulberry Seed Comms)
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

The artist discusses the research for her exhibition entitled 'The Private Eye- a foreigner's power of observation'. Held in regional Victoria 1998.

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More from this Issue Full Issue Contents

Recollections of Memory: Akio Makigawa
Review
David Bromfield

Jewellery by Carlier Makigawa
Galerie Dusseldorf
October 1998

Published March 1999
Archives After the Seventies and After
Feature
Tom Nicholson

Brown and Green are well known for their meticulously produced paintings, often involving the layering and juxtaposition of competing forms and histories. They continue to paint though photography has now assumed a major position in their practice. These photographs function as archives without narrative: scrambled mythology.

Published March 1999
Vault: A Collaborative Installation Cluster
Review
Lisa Harms

Ian North and Helen Fuller
12 November - 6 December 1998
Experimental Art Foundation

Published March 1999
Psychology of Retrieval: Personal and Fictional Archives
Feature
Natalie King

How can (traumatic) memories be excavated? Many visual artists use records and material objects as documentation with which to resurrect their past experience and those of their families. Often using literary means, visual artists who archive their past employ text as well as images in poetic and haunting ways. Quotation and citation form the kernel of this pychology of retrieval and act of preservation.

Published March 1999
Market Mark-Art: Forgotten Fruit
Feature
Noel Purdon

In the final stages of the demolition of the old Adelaide fruit and vegetable markets, Margaret Dodd and Jennifer Hughes collaborate to produce an installation which caught the echoes of the history displayed in situ at the markets.

Published March 1999
Debra Phillips: List
Feature
Blair French

'List' examines Phillips recent investigations into issues of memory, history and renown, and the structuring of such through systems of language representation and communication. The work traverses the worlds of royalty, theatre, film, science, politics, literature and fashion. The images range across a period of 150 years.

Published March 1999
Is there an Artist in the Museum?
Feature
Merryn Gates

Examines two multi-site exhibitions Archives and the Everyday, Canberra Contemporary Art Space September/October 1997 curated by Trevor Smith: and Collected, Photographer's Gallery London June 1997 curated by Neil Cummings. The museological urge in artists has for some time been a part of contemporary practice...leading to the new museology.

Published March 1999
History and Memory
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Philippa O+Brien

History and meaning are very much at the centre of an important exhibition in WA of Aboriginal art. Many of the artists draw on personal or family memory, while others use documentary evidence of the past. Parallel to these individual histories is the history of government policy and its impact on groups and individuals.

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Juliet Stone Paintings and Pastels
Review
Philippa O+Brien

Juliet Stone paintings and pastels
Gomboc Gallery
Perth
1-22 November 1998

Published March 1999
A Dream of Earthly Organisation
Feature
Zara Stanhope

Not only are artists fascinated with images and objects - it has been estimated that half the adult world population has been a collector at some point in their life. A number of different projects have been instigated by artists considering what it means to collect and archive.

Published March 1999
Fabricating Archives: Six New Zealand Artists confuse the system
Feature
Christina Barton

In New Zealand, conceptual and post conceptual artists from the 1970s to the present have incorporated various references to the archive; its contents, classificatory systems and its institutional adjuncts, the library, the art gallery and the museum.

Published March 1999
Wunderkammern: Actual and Virtual
Feature
Beth Jackson

The notion of the Wunderkammern is discussed in the work of Shiralee Saul (an on-line hypertextual essay for the World Wide Web WWW) and Luke Roberts ( a series of exhibitions from 1990 onwards).

Published March 1999
 
MGNSW
Darwin Aboriginal Art Fair
NAVA