Distilling Poetry

Cover of Distilling Poetry
1.126
From the Inside [Tokuremoar]

Praxis Artspace

Review
Chris Reid

Published 05 June 2019
1.126
Tom Nicholson: Public Meeting

Australian Centre for Contemporary Art

Review
Ian McLean

Published 05 June 2019
1.22
Quilty

Art Gallery of South Australia

Review
Rebecca Freezer

Published 16 May 2019
Churchie
1.124
The National 2019: New Australian Art
Review
Craig Judd

Published 15 May 2019
1.126
Heysen Sculpture Biennial 2019

24 February – 30 April 2019

Review
Kirsty Darlaston

Published 17 April 2019
0.886
Yurtu Ardla

South Australian Museum

Review
Darren Jorgensen

Published 16 April 2019
Riddoch
1.128
Curiouser and Curiouser

Bathurst Regional Art Gallery

Review
Ann Finegan

 
 

Published 23 January 2019
1.13
The 9th Asia Pacific Triennial of Contemporary Art

QAGOMA

Review
Jasmin Stephens

Published 22 January 2019

Exhibition review Fremantle Print Awards 8 September - 15 October 1995 Fremantle Arts Centre, WA

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Exquisite Corpses
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We collage, genderbend, cross dress and polymorph exquisite corpses out of media and advertising personalities, then use them as fantasy aids in the cause of our mundane desires.

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Polish born Krystyna Petryk has long been fascinated with portraiture and representations of the nude in photography. Her own investigations began in Warsaw by photographing her pregnant friends and continued after her arrival in Western Australia in 1982. Once here she broadened her explorations to include both male and female subjects before shifting to photograph and research representations of men exclusively.

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Sorely Tried Men: The Male Body in World War Two Australia
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During World War Two, the Australian government's Department of Information represented the male body in at least two distinct ways. The photographer Edward Cranstone photographed a heroically active, phallicised body and the cameraman Damien Parer filmed a heroically suffering abject body.

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Fathers and/or Sons
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Musings on the man who was the author's father from a multicultural perspective.

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Light Works
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Public Objects and Private Parts in Harry Hummerston's Recent Assemblages
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Harry's work immediately identifies the object as a site of meaning. It is fair to say that Harry is strongly opposed to any restriction or taboo upon what he may represent, particularly from the arena of representing the female object or gender.

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Perverse Desire?
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Blokes and Sheds
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Men and Mettle: Recent Portraits by Rox De Luca
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I've Written a Letter to Daddy
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