Distilling Poetry

Cover of Distilling Poetry
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Bodies of Work Online Program

Bus Projects

Review
Amelia Wallin

Published 12 October 2020
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If the future is to be worth anything: 2020 South Australian Artist Survey

ACE Open

Review
Suzanne Close

Published 09 October 2020
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Older Than Language

Salamanca Arts Centre

Review
Seán Kelly

Published 07 September 2020
CAT
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Cognitive Dissidents: Reasons to be Cheerful

Griffith University Art Museum

Review
Louise R. Mayhew

Published 04 September 2020
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Connected online: New art for new times
Review
Julianne Pierce

Published 14 August 2020
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The virtual world of the Aboriginal art market in 2020
Review
Kieran Finnane

Published 12 August 2020
Bill Morrow
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The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
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Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020

Exhibition review Fremantle Print Awards 8 September - 15 October 1995 Fremantle Arts Centre, WA

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More from this Issue Full Issue Contents

I've Written a Letter to Daddy
Feature
Dominic Chang

Social documenter Maxx Image is obsessed with the colour purple. Black leather is the costume of rebellion and the thrill and valour expounded by such an ideal could be seen as enticing accessories to the passion and zeal of leather sexuality.

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The Back Yard Shed
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Helen Moyes

In 1992, Helen Moyes made a documentary 'The Back Yard Shed' which set out to look at the lives of a cross-section of Australian households through the phenomenon of the back-yard shed.

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Perverse Desire?
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Exhibition review Mail Order (for Women): Di Barrett
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EAF [Experimental Art Foundation]
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Everchanging Vindication
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Exhibition review I won't wish I will: Pippin Drysdale
28 September - 8 October 1995
The Door Exhibition Space Fremantle, WA

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Men
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Robert Nelson

What boys give up to become men is all contained in this photograph...

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Demystifying Masculinity: The Photography of Krystyna Petryk
Feature
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Polish born Krystyna Petryk has long been fascinated with portraiture and representations of the nude in photography. Her own investigations began in Warsaw by photographing her pregnant friends and continued after her arrival in Western Australia in 1982. Once here she broadened her explorations to include both male and female subjects before shifting to photograph and research representations of men exclusively.

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Masculinities Reflected
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Noel Sanders

Guest editors of 'Masculinities Reflected' Noel Sanders and Kurt Brereton reflect on the nature of masculinity.

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Like a Chant
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Robert Crocker

Exhibition review Recent Work: Hossein Valamanesh
4-29 October 1995,
Greenaway Gallery, Adelaide SA

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Figures of Elongation
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Daniel Grafton

Using illustrations from a technical manual of the 1940s `the author examines the working male figure in popular iconography focusing on masculine representation in the visual arts and its link to the means of production.

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Public Objects and Private Parts in Harry Hummerston's Recent Assemblages
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Anna Herriman

Harry's work immediately identifies the object as a site of meaning. It is fair to say that Harry is strongly opposed to any restriction or taboo upon what he may represent, particularly from the arena of representing the female object or gender.

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Soap: A Letter to Sam Schoenbaum on Not Writing an Essay on a Show Called Phallus and its Funtions
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George Alexander

What is the phallus?

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Saviour and Sportsman
Feature
Tony McGowan

Vigilantly looking out to sea, the two manifestations of the life saver, the saviour and the sportsman, are combined in this 'gay greeting card' in such a way as to draw on the history of surf club masculinity and create an erotic pose.

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QAGOMA
Amended 2020
UNSW
Guildhouse
NAVA