Obsession

Cover of Obsession
1.128
Curiouser and Curiouser

Bathurst Regional Art Gallery

Review
Ann Finegan

 
 

Published 23 January 2019
1.13
The 9th Asia Pacific Triennial of Contemporary Art

QAGOMA

Review
Jasmin Stephens

Published 22 January 2019
1.128
Unhallowed Arts

Various venues, Perth

Review
Darren Jorgensen and Gemma Weston

Published 18 January 2019
Japan Foundation
1.126
The Partnershipping Project

Burnie Regional Art Gallery

Review
Seán Kelly

Published 18 January 2019
1.174
6th Guangzhou Triennial

Guangdong Museum of Art

Review
Darren Jorgensen and Tami Xiang

Published 18 January 2019
1.266
Jude Adams: Narratives from the Family Album

artroom5

Review
Zoe Freney

Published 10 December 2018
AFF
1.302
Bush Women

Fremantle Arts Centre

Review
Gemma Weston

Published 10 December 2018
1.126
Oceania

Royal Academy, London

Review
Mandy Treagus

Published 07 December 2018

Exhibition review Emergence: Arthur Russell 15 October - 12 November 1995 Greenhill Galleries, Perth, WA

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Everchanging Vindication
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Exhibition review I won't wish I will: Pippin Drysdale
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When You Get Behind Closed Doors
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Saviour and Sportsman
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Vigilantly looking out to sea, the two manifestations of the life saver, the saviour and the sportsman, are combined in this 'gay greeting card' in such a way as to draw on the history of surf club masculinity and create an erotic pose.

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I've Written a Letter to Daddy
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Social documenter Maxx Image is obsessed with the colour purple. Black leather is the costume of rebellion and the thrill and valour expounded by such an ideal could be seen as enticing accessories to the passion and zeal of leather sexuality.

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The Virtual in Hand
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Exhibition review Armorial: Dianne Longley
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Adelaide Central Gallery, SA

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The Many Tongues of Textiles
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Exhibition review Tradition, Cloth, Meaning: Contemporary Textiles Curated by Sara Lindsay
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Long Gallery Salamanca Arts Centre, Hobart, Tasmania

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Public Objects and Private Parts in Harry Hummerston's Recent Assemblages
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Harry's work immediately identifies the object as a site of meaning. It is fair to say that Harry is strongly opposed to any restriction or taboo upon what he may represent, particularly from the arena of representing the female object or gender.

Published March 1996
The Back Yard Shed
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Helen Moyes

In 1992, Helen Moyes made a documentary 'The Back Yard Shed' which set out to look at the lives of a cross-section of Australian households through the phenomenon of the back-yard shed.

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Symbolic Identities: Masculinity and the Motor Cycle
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John Pigot

Since 1927, the idea that the motor cycle is synonymous with assertive and unmediated masculinity has been enlarged and expanded through a broad range of visual, literal and cinematic imagery to the point where a machine which was once acclaimed as a means of transport has been transformed into a gendered cultural icon, an object of and for masculine display.

Published March 1996
Sorely Tried Men: The Male Body in World War Two Australia
Feature
Martyn Jolly

During World War Two, the Australian government's Department of Information represented the male body in at least two distinct ways. The photographer Edward Cranstone photographed a heroically active, phallicised body and the cameraman Damien Parer filmed a heroically suffering abject body.

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They Are Not Photographs: Natalie Lowrie
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The images are selections from a body of work called flamingharlots@trashed, created by Sydney based photographer Natalie Lowrie. The images, digitally retouched photos of Natalie's circle of friends and acquaintances were exhibited at the Polymorph Gallery at Newtown.

Published March 1996
 
NAVA
Riddoch
Crown Resorts
ACMI
Dan McCabe