Perth Institute of Contemporary Arts
Published 13 July 2022
Kassel, Germany
Published 11 July 2022
Australian Pavilion, 59th La Biennale di Venezia
Published 15 June 2022
National Gallery of Victoria
Published 30 May 2022
Art Gallery of Western Australia
Published 04 May 2022
Adelaide Railway Station
Monash University Museum of Art
Published 30 March 2022
Edited by Brad Haylock & Megan Patty Sternberg Press, 2021, 288 pages
Exhibition review Recent Work: Hossein Valamanesh 4-29 October 1995, Greenaway Gallery, Adelaide SA
Exhibition review Home: Body Pat Brassington, Kathryn Faludi, Mary Scott, Heather B Swann, Jennifer Spinks 21 September - 13 October 1995 Carnegie Room Town Hall Hobart, Tasmania
Published March 1996
Exhibition review Some Pictures from a Somniloquist's Diary Tony Trembath 1 November - 26 November 1995 Greenaway Gallery Adelaide SA
The images are selections from a body of work called flamingharlots@trashed, created by Sydney based photographer Natalie Lowrie. The images, digitally retouched photos of Natalie's circle of friends and acquaintances were exhibited at the Polymorph Gallery at Newtown.
Exhibition review Mail Order (for Women): Di Barrett 14 Sept - 8 October 1995, EAF [Experimental Art Foundation] Adelaide, South Australia
Photos and essay by the author on a relationship between men.
Harry's work immediately identifies the object as a site of meaning. It is fair to say that Harry is strongly opposed to any restriction or taboo upon what he may represent, particularly from the arena of representing the female object or gender.
Exhibition review Emergence: Arthur Russell 15 October - 12 November 1995 Greenhill Galleries, Perth, WA
Polish born Krystyna Petryk has long been fascinated with portraiture and representations of the nude in photography. Her own investigations began in Warsaw by photographing her pregnant friends and continued after her arrival in Western Australia in 1982. Once here she broadened her explorations to include both male and female subjects before shifting to photograph and research representations of men exclusively.
Musings on the man who was the author's father from a multicultural perspective.
Images and text by Mark Thomson from his recent book 'Blokes and Sheds'.
Let's speak about nomads and farmers... The acrid vapours that fill the cast iron nooks and crannies by day: the trickles on metal that appear in my black and white slides each night like blood from a more visible crime: this evidence of the distillation of men: these signs are signs enough of the collapsing consequences of 'farming'.
We collage, genderbend, cross dress and polymorph exquisite corpses out of media and advertising personalities, then use them as fantasy aids in the cause of our mundane desires.
