Fontanelle, FELTspace, Format, Adelaide
Published 26 September 2016
Griffith University Art Gallery, Brisbane
Published 24 September 2016
UNSW Galleries, Sydney
Published 23 September 2016
Geelong Gallery
National Gallery of Australia, Canberra
Published 07 September 2016
Perth Institute of Contemporary Arts
Published 26 August 2016
Monash University Museum of Art
Published 21 August 2016
Salamanca Arts Centre, Hobart
Published 20 August 2016
Australian Experimental Art Foundation, Adelaide
Published 19 August 2016
PICA touring exhibition
Published 16 August 2016
By Melinda Rackham
Published 15 August 2016
National Gallery of Victoria
Sydney College of the Arts
Published 29 July 2016
Bundaberg Regional Galleries
Published 19 July 2016
Northern Centre for Contemporary Art, Darwin
Exhibition review Recent Work: Hossein Valamanesh 4-29 October 1995, Greenaway Gallery, Adelaide SA
Author: Robert Crocker | Review
Analysis of maleness from a semiotic approach in the context of the lifestyle magazine 'Good Weekend' published as a supplement to both The Age in Melbourne and The Sydney Morning Herald.
Published March 1996
Vigilantly looking out to sea, the two manifestations of the life saver, the saviour and the sportsman, are combined in this 'gay greeting card' in such a way as to draw on the history of surf club masculinity and create an erotic pose.
Images and text by Mark Thomson from his recent book 'Blokes and Sheds'.
Exhibition review Armorial: Dianne Longley 8 September - 3 October 1995 Adelaide Central Gallery, SA
Let's speak about nomads and farmers... The acrid vapours that fill the cast iron nooks and crannies by day: the trickles on metal that appear in my black and white slides each night like blood from a more visible crime: this evidence of the distillation of men: these signs are signs enough of the collapsing consequences of 'farming'.
Polish born Krystyna Petryk has long been fascinated with portraiture and representations of the nude in photography. Her own investigations began in Warsaw by photographing her pregnant friends and continued after her arrival in Western Australia in 1982. Once here she broadened her explorations to include both male and female subjects before shifting to photograph and research representations of men exclusively.
Exhibition review Fremantle Print Awards 8 September - 15 October 1995 Fremantle Arts Centre, WA
Guest editors of 'Masculinities Reflected' Noel Sanders and Kurt Brereton reflect on the nature of masculinity.
Exhibition review I won't wish I will: Pippin Drysdale 28 September - 8 October 1995 The Door Exhibition Space Fremantle, WA
What is the phallus?
Masculinity continues its argument with itself, quizzical at its self-propelled self-assertion. But in asserting aggression the pain is not just experienced in the victim. For even in the crudest acts of coitus, for a moment, the raper becomes the raped, he is tied by his penis and his balls into an abomination.
Exhibition review Mail Order (for Women): Di Barrett 14 Sept - 8 October 1995, EAF [Experimental Art Foundation] Adelaide, South Australia
