Like a Chant

Cover of Like a Chant
1.25
SALA Festival: Gerry Wedd, Julia McInerney, Aldo Iacobelli
Review
Eve Sullivan

Published 11 September 2018
1.126
Brenda L. Croft: Heart-in-Hand | Amala Groom: Does She Know the Revolution is Coming?

Canberra Contemporary Art Space

Review
Virginia Rigney

Published 01 September 2018
1.3
My Monster: The Human-Animal Hybrid

RMIT Gallery

Review
Djoymi Baker

Published 21 August 2018
Axolotl
1.238
No Common Ground

Victoria University of Wellington

Review
Bruce E. Phillips

Published 31 August 2018
1.124
John Mawurndjul: I Am the Old and the New

Museum of Contemporary Art | Art Gallery of South Australia

Review
Ian McLean

Published 20 August 2018
1.128
Khaled Sabsabi: A Self Portrait

Perth Institute of Contemporary Arts

Review
John Mateer

Published 20 August 2018
Artlink Subs Promo
1.126
Imants Tillers: Journey to Nowhere

Latvian National Museum of Art

Review
Ian McLean

Published 13 August 2018
1.126
From Here to There: Australian Art and Walking

Lismore Regional Gallery

Review
Wes Hill

Published 06 August 2018

Exhibition review Recent Work: Hossein Valamanesh 4-29 October 1995, Greenaway Gallery, Adelaide SA

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I've Written a Letter to Daddy
Feature
Dominic Chang

Social documenter Maxx Image is obsessed with the colour purple. Black leather is the costume of rebellion and the thrill and valour expounded by such an ideal could be seen as enticing accessories to the passion and zeal of leather sexuality.

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They Are Not Photographs: Natalie Lowrie
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The images are selections from a body of work called flamingharlots@trashed, created by Sydney based photographer Natalie Lowrie. The images, digitally retouched photos of Natalie's circle of friends and acquaintances were exhibited at the Polymorph Gallery at Newtown.

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Public Objects and Private Parts in Harry Hummerston's Recent Assemblages
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Harry's work immediately identifies the object as a site of meaning. It is fair to say that Harry is strongly opposed to any restriction or taboo upon what he may represent, particularly from the arena of representing the female object or gender.

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Sorely Tried Men: The Male Body in World War Two Australia
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During World War Two, the Australian government's Department of Information represented the male body in at least two distinct ways. The photographer Edward Cranstone photographed a heroically active, phallicised body and the cameraman Damien Parer filmed a heroically suffering abject body.

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Masculinities Reflected
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Noel Sanders

Guest editors of 'Masculinities Reflected' Noel Sanders and Kurt Brereton reflect on the nature of masculinity.

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Everchanging Vindication
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Exhibition review I won't wish I will: Pippin Drysdale
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Blokes and Sheds
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Images and text by Mark Thomson from his recent book 'Blokes and Sheds'.

Published March 1996
Perverse Desire?
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Exhibition review Mail Order (for Women): Di Barrett
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EAF [Experimental Art Foundation]
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Saviour and Sportsman
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Vigilantly looking out to sea, the two manifestations of the life saver, the saviour and the sportsman, are combined in this 'gay greeting card' in such a way as to draw on the history of surf club masculinity and create an erotic pose.

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Image Bank: Works by Various Artists
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Series of works by Tyrone Townsend, Victoria Straub, Polixeni Papapetrou, Phil George and Simon Cardwell. Large format and mainly colour images.

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Distilling Poetry
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Exhibition review Fremantle Print Awards
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Fremantle Arts Centre, WA

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When You Get Behind Closed Doors
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Exhibition review Home: Body
Pat Brassington, Kathryn Faludi, Mary Scott, Heather B Swann, Jennifer Spinks
21 September - 13 October 1995
Carnegie Room Town Hall Hobart, Tasmania

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PICA
Pilbara Creative Forum
NAVA
UTS
Joondalup